Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Works of Edgar Allan Poe — Volume 4 by Edgar Allan Poe (e book reader android txt) 📖
- Author: Edgar Allan Poe
Book online «The Works of Edgar Allan Poe — Volume 4 by Edgar Allan Poe (e book reader android txt) 📖». Author Edgar Allan Poe
“Who am I?—ah, true! I am Baal-Zebub, Prince of the Fly. I took thee, just now, from a rose-wood coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee,—my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions.”
“Sir!” replied the Duc, “I am not to be insulted with impunity!—Sir! I shall take the earliest opportunity of avenging this insult!—Sir! you shall hear from me! in the meantime au revoir!”—and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird’s eye view of his whereabouts.
The apartment was superb. Even De L’Omelette pronounced it bien comme il faut. It was not its length nor its breadth,—but its height—ah, that was appalling!—There was no ceiling—certainly none—but a dense whirling mass of fiery-colored clouds. His Grace’s brain reeled as he glanced upward. From above, hung a chain of an unknown blood-red metal—its upper end lost, like the city of Boston, parmi les nues. From its nether extremity swung a large cresset. The Duc knew it to be a ruby; but from it there poured a light so intense, so still, so terrible, Persia never worshipped such—Gheber never imagined such—Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, and his face to the God Apollo. The Duc muttered a slight oath, decidedly approbatory.
The corners of the room were rounded into niches. Three of these were filled with statues of gigantic proportions. Their beauty was Grecian, their deformity Egyptian, their tout ensemble French. In the fourth niche the statue was veiled; it was not colossal. But then there was a taper ankle, a sandalled foot. De L’Omelette pressed his hand upon his heart, closed his eyes, raised them, and caught his Satanic Majesty—in a blush.
But the paintings!—Kupris! Astarte! Astoreth!—a thousand and the same! And Rafaelle has beheld them! Yes, Rafaelle has been here, for did he not paint the—? and was he not consequently damned? The paintings—the paintings! O luxury! O love!—who, gazing on those forbidden beauties, shall have eyes for the dainty devices of the golden frames that besprinkled, like stars, the hyacinth and the porphyry walls?
But the Duc’s heart is fainting within him. He is not, however, as you suppose, dizzy with magnificence, nor drunk with the ecstatic breath of those innumerable censers. C’est vrai que de toutes ces choses il a pensé beaucoup—mais! The Duc De L’Omelette is terror-stricken; for, through the lurid vista which a single uncurtained window is affording, lo! gleams the most ghastly of all fires!
Le pauvre Duc! He could not help imagining that the glorious, the voluptuous, the never-dying melodies which pervaded that hall, as they passed filtered and transmuted through the alchemy of the enchanted window-panes, were the wailings and the howlings of the hopeless and the damned! And there, too!—there!—upon the ottoman!—who could he be?—he, the petitmaître—no, the Deity—who sat as if carved in marble, et qui sourit, with his pale countenance, si amèrement?
Mais il faut agir—that is to say, a Frenchman never faints outright. Besides, his Grace hated a scene—De L’Omelette is himself again. There were some foils upon a table—some points also. The Duc had studied under B——; il avait tué ses six hommes. Now, then, il peut s’échapper. He measures two points, and, with a grace inimitable, offers his Majesty the choice. Horreur! his Majesty does not fence!
Mais il joue!—how happy a thought!—but his Grace had always an excellent memory. He had dipped in the “Diable” of Abbé Gualtier. Therein it is said “que le Diable n’ose pas refuser un jeu d’écarté.”
But the chances—the chances! True—desperate: but scarcely more desperate than the Duc. Besides, was he not in the secret?—had he not skimmed over Père Le Brun?—was he not a member of the Club Vingt-un? “Si je perds,” said he, “je serai deux fois perdu—I shall be doubly damned—voilà tout! (Here his Grace shrugged his shoulders.) Si je gagne, je reviendrai a mes ortolans—que les cartes soient préparées!”
His Grace was all care, all attention—his Majesty all confidence. A spectator would have thought of Francis and Charles. His Grace thought of his game. His Majesty did not think; he shuffled. The Duc cut.
The cards were dealt. The trump is turned—it is—it is—the king! No—it was the queen. His Majesty cursed her masculine habiliments. De L’Omelette placed his hand upon his heart.
They play. The Duc counts. The hand is out. His Majesty counts heavily, smiles, and is taking wine. The Duc slips a card.
“C’est à vous à faire,” said his Majesty, cutting. His Grace bowed, dealt, and arose from the table en presentant le Roi.
His Majesty looked chagrined.
Had Alexander not been Alexander, he would have been Diogenes; and the Duc assured his antagonist in taking leave, “que s’il n’eût été De L’Omelette il n’aurait point d’objection d’être le Diable.”
Some years ago, I engaged passage from Charleston, S. C., to the city of New York, in the fine packet-ship “Independence,” Captain Hardy. We were to sail on the fifteenth of the month (June), weather permitting; and on the fourteenth, I went on board to arrange some matters in my state-room.
I found that we were to have a great many passengers, including a more than usual number of ladies. On the list were several of my acquaintances, and among other names, I was rejoiced to see that of Mr. Cornelius Wyatt, a young artist, for whom I entertained feelings of warm friendship. He had been with me a fellow-student at C—— University, where we were very much together. He had the ordinary temperament of genius, and was a compound of misanthropy, sensibility, and enthusiasm. To these qualities he united the warmest and truest heart which ever beat in a human bosom.
I observed that his name was carded upon three state-rooms; and, upon again referring to the list of passengers, I found that he had engaged passage for himself, wife, and two sisters—his own. The state-rooms were sufficiently roomy, and each had two berths, one above the other. These berths, to be sure, were so exceedingly narrow as to be insufficient for more than one person; still, I could not comprehend why there were three state-rooms for these four persons. I was, just at that epoch, in one of those moody frames of mind which make a man abnormally inquisitive about trifles: and I confess, with shame, that I busied myself in a variety of ill-bred and preposterous conjectures about this matter of the supernumerary state-room. It was no business of mine, to be sure, but with none the less pertinacity did I occupy myself in attempts to resolve the enigma. At last I reached a conclusion which wrought in me great wonder why I had not arrived at
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