The Works of Lucian of Samosata — Volume 02 by of Samosata Lucian (english novels for beginners TXT) 📖

of Pantomime, which is particularly popular in Ionia and Pontus, in spite of its being confined to satyric subjects has taken such possession of those peoples, that, when the Pantomime season comes round in each city, they leave all else and sit for whole days watching Titans and Corybantes, Satyrs and neat-herds. Men of the highest rank and position are not ashamed to take part in these performances: indeed, they pride themselves more on their pantomimic skill than on birth and ancestry and public services.

Now that we know what are the qualities that a good pantomime ought to possess, let us next consider the faults to which he is liable. Deficiencies of person I have already handled; and the following I think is a fair statement of their mental imperfections. Pantomimes cannot all be artists; there are plenty of ignorant performers, who bungle their work terribly. Some cannot adapt themselves to their music; they are literally 'out of tune'; rhythm says one thing, their feet another. Others are free from this fault, but jumble up their chronology. I remember the case of a man who was giving the birth of Zeus, and Cronus eating his own children: seduced by the similarity of subject, he ran off into the tale of Atreus and Thyestes. In another case, Semele was just being struck by the lightning, when she was transformed into Creusa, who was not even born at that time. Still, it seems to me that we have no right to visit the sins of the artist upon the art: let us recognize him for the blunderer that he is, and do justice to the accuracy and skill of competent performers.

The fact is, the pantomime must be completely armed at every point. His work must be one harmonious whole, perfect in balance and proportion, self-consistent, proof against the most minute criticism; there must be no flaws, everything must be of the best; brilliant conception, profound learning, above all human sympathy. When every one of the spectators identifies himself with the scene enacted, when each sees in the pantomime as in a mirror the reflection of his own conduct and feelings, then, and not till then, is his success complete. But let him reach that point, and the enthusiasm of the spectators becomes uncontrollable, every man pouring out his whole soul in admiration of the portraiture that reveals him to himself. Such a spectacle is no less than a fulfilment of the oracular injunction KNOW THYSELF; men depart from it with increased knowledge; they have learnt something that is to be sought after, something that should be eschewed.

But in Pantomime, as in rhetoric, there can be (to use a popular phrase) too much of a good thing; a man may exceed the proper bounds of imitation; what should be great may become monstrous, softness may be exaggerated into effeminacy, and the courage of a man into the ferocity of a beast. I remember seeing this exemplified in the case of an actor of repute. In most respects a capable, nay, an admirable performer, some strange fatality ran him a-ground upon this reef of over-enthusiasm. He was acting the madness of Ajax, just after he has been worsted by Odysseus; and so lost control of himself, that one might have been excused for thinking his madness was something more than feigned. He tore the clothes from the back of one of the iron-shod time-beaters, snatched a flute from the player's hands, and brought it down in such trenchant sort upon the head of Odysseus, who was standing by enjoying his triumph, that, had not his cap held good, and borne the weight of the blow, poor Odysseus must have fallen a victim to histrionic frenzy. The whole house ran mad for company, leaping, yelling, tearing their clothes. For the illiterate riffraff, who knew not good from bad, and had no idea of decency, regarded it as a supreme piece of acting; and the more intelligent part of the audience, realizing how things stood, concealed their disgust, and instead of reproaching the actor's folly by silence, smothered it under their plaudits; they saw only too clearly that it was not Ajax but the pantomime who was mad. Nor was our spirited friend content till he had distinguished himself yet further: descending from the stage, he seated himself in the senatorial benches between two consulars, who trembled lest he should take one of them for a ram and apply the lash. The spectators were divided between wonder and amusement; and some there were who suspected that his ultra-realism had culminated in reality. However, it seems that when he came to his senses again he bitterly repented of this exploit, and was quite ill from grief, regarding his conduct as that of a veritable madman, as is clear from his own words. For when his partisans begged him to repeat the performance, he recommended another actor for the part of Ajax, saying that 'it was enough for him to have been mad once.' His mortification was increased by the success of his rival, who, though a similar part had been written for him, played it with admirable judgement and discretion, and was complimented on his observance of decorum, and of the proper bounds of his art.

I hope, my dear Crato, that this cursory description of the Pantomime may mitigate your wrath against its devoted admirer. If you can bring yourself to bear me company to the theatre, you will be captivated; you will run Pantomime-mad. I shall have no occasion to exclaim, with Circe,

Strange, that my drugs have wrought no change in thee!

The change will come; but will not involve an ass's head, nor a pig's heart, but only an improved understanding. In your delight at the potion, you will drain it off, and leave not a drop for any one else. Homer says, of the golden wand of Hermes, that with it he

  charms the eyes of men,
  When so he will, and rouses them that sleep.

So it is with Pantomime. It charms the eyes-to wakefulness; and quickens the mental faculties at every turn.

Cr. Enough, Lycinus: behold your convert! My eyes and ears are opened. When next you go to the theatre, remember to take a seat for me next your own. I too would issue from those doors a wiser man.

LEXIPHANES

Lycinus. Lexiphanes. Sopolis

Ly. What, our exquisite with his essay?

Lex. Ah, Lycinus, 'tis but a fledgeling of mine; 'tis all incondite.

Ly. O ho, conduits—that is your subject, is it?

Lex. You mistake me; I said nothing of conduits; you are behind the times; incondite—'tis the word we use now when a thing lacks the finishing touches. But you are the deaf adder that stoppeth her ears.

Ly. I beg your pardon, my dear fellow; but conduit, incondite, you know. Well now, what is the idea of your piece?

Lex. A symposium, a modest challenge to the son of Ariston.

Ly. There are a good many sons of Aristons; but, from the symposium, I presume you mean Plato.

Lex. You take me; what I said could fit no other.

Ly. Well, come, read me a little of it; do not send me away thirsty; I see there is nectar in store.

Lex. Ironist, avaunt! And now open your ears to my charming; adder me no adders.

Ly. Go ahead; I am no Adam, nor Eve either.

Lex. Have an eye to my conduct of the discourse, whether it be fair in commencement, fair in speech, fair in diction, fair in nomenclature.

Ly. Oh, we know what to expect from Lexiphanes. But come, begin.

Lex. _'Then to dinner,' quoth Callicles, 'then to our post-prandial deambulation in the Lyceum; but now 'tis time for our parasolar unction, ere we bask and bathe and take our nuncheon; go we our way. Now, boy, strigil and mat, towels and soap; transport me them bathwards, and see to the bath-penny; you will find it a-ground by the chest. And thou, Lexiphanes, comest thou, or tarriest here?' 'Its a thousand years,' quoth I, 'till I bathe; for I am in no comfort, with sore posteriors from my mule-saddle. Trod the mule-man as on eggs, yet kept his beast a-moving. And when I got to the farm, still no peace for the wicked. I found the hinds shrilling the harvest-song, and there were persons burying my father, I think it was. I just gave them a hand with the grave and things, and then I left them; it was so cold, and I had prickly heat; one does, you know, in a hard frost. So I went round the plough-lands; and there I found garlic growing, delved radishes, culled chervil and all herbs, bought parched barley, and (for not yet had the meadows reached the redolency that tempts the ten toes)-so to mule-back again; whence this tenderness behind. And now I walk with pain, and the sweat runs down; my bones languish, and yearn for the longest of water-swims; 'tis ever my joy to wash me after toil.

I will speed back to my boy; 'tis like he waits for me at the pease- puddingry, or the curiosity shop; yet stay; his instructions were to meet me at the frippery. Ah, hither comes he in the nick of time: ay, and has purchased a beesting-pudding and girdle-cakes and leeks, sausages and steak, dewlap and tripe and collops.—Good, Atticion, you have made most of my journey no thoroughfare.' 'Why, sir, I have been looking round the corner for you till I squint. Where dined you yesterday? with Onomacritus?' 'God bless me, no. I was off to the country; hey presto! and there we were. You know how I dote on the country. I suppose you all thought I was making the glasses ring. Now go in, and spice all these things, and scour the kneading-trough, ready to shred the lettuces. I shall be of for a dry rub.'

'We are with you,' cried Philinus, 'Onomarchus, Hellanicus, and I; the dial's mid point is in shadow; beware, or we shall bathe in the Carimants' water, huddled and pushed by the vulgar herd.' Then said Hellanicus: 'Ah, and my eyes are disordered; my pupils are turbid, I wink and blink, the tears come unbidden, my eyes crave the ophthalmic leech's healing drug, mortar-brayed and infused, that they may blush and blear no more, nor moistly peer.'

In such wise conversing, all our company departed. Arrived at the gymnasium, we stripped; the finger-wrench, the garotte, the standing- grip, each had its votaries; one oiled and suppled his joints; another punched the bladder; a third heaved and swung the dumb-bells. Then, when we had rubbed ourselves, and ridden pick-a-back, and had our sport of the gymnasium, we took our plunge, Philinus and I, in the warm basin, and departed. But the rest dipped frigid heads, soused in, and swam subaqueous, a wonder to behold. Then back we came, and one here, one there, did this and that. Shod, with toothed comb I combed me. For I had had a short crop, not to convict-measure, but saucer-wise, deflation having set in on crown and chin-tip. One chewed lupines, another cleared his fasting throat, a third took fish soup on radish-wafer sippets; this ate olives, that supped down barley.

When it was dinner-time, we took it reclining, both chairs and couches standing ready. A joint-stock meal it was, and the contributions many and various. Pigs' pettitoes, ribs of beef, paunch and pregnant womb of sow, fried liver lobe, garlic paste, sauce piquante, mayonnaise, and so on; pastry, ramequins, and honey-cakes. In the aquatic line, much of the cartilaginous, of the testaceous much; many a salt slice, basket-hawked, eels of Copae, fowls of the barn-door, a cock past crowing-days, and fish to keep him company; add to these a sheep roast whole, and ox's rump of toothless eld. The loaves were firsts, no common stuff, and therewithal remainders from the new moon; vegetables both radical and excrescent. For the wine, 'twas of no standing, but came from the skin; its sweetness was gone, but its roughness remained.

On the dolphin-foot table stood divers store of cups; the eye-shutter, the ladle, slender-handled, genuine Mentor; crane-neck and gurgling bombyl; and many an earth-born child of Thericlean furnace, the wide- mouthed, the kindly-lipped; Phocaean, Cnidian work, but all light as air, and thin as eggshell; bowls and pannikins and posied cups; oh, 'twas a well-stocked sideboard.

But the kettle boiled over, and sent the ashes flying about our heads. It was bumpers and no heeltaps, and we were full to the throat. Then to the nard; and enter to us guitar and light fantastic toe. Thereafter, one shinned up the ladder, on post-prandial japery intent, another beat the devil's tattoo, a third writhed cachinnatory.

At this moment broke in upon us from