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Read books online » Fiction » Marzio's Crucifix, and Zoroaster by F. Marion Crawford (classic reads .TXT) 📖

Book online «Marzio's Crucifix, and Zoroaster by F. Marion Crawford (classic reads .TXT) 📖». Author F. Marion Crawford



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to her injured vanity and rejected love.

It would be hard for her to see Nehushta married to the king, and occupying the position of chief favourite even for a time. But the triumph would be the sweeter when Nehushta was finally overthrown, and meanwhile there would be much daily delight in tormenting the princess's jealousy. Chance, or rather the cunning of her Greek tirewoman, had thrown a weapon in her way which could easily be turned into an instrument of torture, and as she sat before her mirror, she twisted and untwisted the little bit of parchment, and smiled to herself, a sweet bright smile—and leaned her head back to the pleasant breeze of the fan.

CHAPTER IX.

The noonday air was hot and dry in the garden of the palace, but in the graceful marble pavilion there was coolness and the sound of gently plashing water. Rose-trees and climbing plants screened the sunlight from the long windows, and gave a soft green tinge to the eight-sided hall, where a fountain played in the midst, its little jet falling into a basin hollowed in the floor. On the rippling surface a few water-lilies swayed gently with the constant motion, anchored by their long stems to the bottom. All was cool and quiet and restful, and Nehushta stood looking at the fountain.

She was alone and very unhappy. Zoroaster had left the palace without a word to her, and she knew only by the vague reports her slaves brought her, that he was gone for many days. Her heart sank at the thought of all that might happen before he returned, and the tears stood in her eyes.

"Are you here alone, dear princess?" said a soft, clear voice behind her. Nehushta started, as though something had stung her, as she recognised Atossa's tones. There was nothing of her assumed cordiality of the previous day as she answered. She was too unhappy, too weary of the thought that her lover was gone, to be able to act a part, or pretend a friendliness she did not feel.

"Yes—I am alone," she said quietly.

"So am I," answered Atossa, her blue eyes sparkling with the sunshine she brought in with her, and all her wonderful beauty beaming, as it were, with an overflowing happiness. "The ladies of the court are gone in state to the city, in the Great King's train, and you and I are alone in the palace. How deliciously cool it is in here."

She sat down upon a heap of cushions by one of the screened windows and contemplated Nehushta, who still stood by the fountain.

"You look sad—and tired, dearest Nehushta," said she presently. "Indeed you must not be sad here—nobody is sad here!"

"I am sad," repeated Nehushta, in a dreary, monotonous way, as though scarcely conscious of what she was saying. There was a moment's silence before Atossa spoke again.

"Tell me what it is," she said at last, in persuasive accents. "Tell me what is the matter. It may be that you lack something—that you miss something you were used to in Ecbatana. Will you not tell me, dearest?"

"Tell you what?" asked Nehushta, as though she had not heard.

"Tell me what it is that makes you sad," repeated the queen.

"Tell you?" exclaimed the princess, suddenly looking up, with flashing eyes, "tell you? oh no!"

Atossa looked a little sadly at Nehushta, as though hurt at the want of confidence she showed. But the Hebrew maiden turned away and went and looked through the hanging plants at the garden without. Then Atossa rose softly and came and stood behind her, and put her arm about her, and let her own fair cheek rest against the princess's dark face. Nehushta said nothing, but she trembled, as though something she hated were touching her.

"Is it because your friend has gone away suddenly?" asked Atossa almost in a whisper, with the sweetest accent of sympathy. Nehushta started a little.

"No!" she answered, almost fiercely. "Why do you say that?"

"Only—he wrote me a little word before he went. I thought you might like to know he was safe," replied the queen, gently pressing her arm about Nehushta's slender waist.

"Wrote to you?" repeated the princess, in angry surprise.

"Yes, dearest," answered the queen, looking down in well-feigned embarrassment. "I would not have told you, only I thought you would wish to hear of him. If you like, I will read you a part of what he says," she added, producing from her bosom the little piece of parchment carefully rolled together.

It was more than Nehushta could bear. Her olive skin turned suddenly pale, and she tore herself away from the queen.

"Oh no! no! I will not hear it! Leave me in peace—for your gods' sake, leave me in peace!"

Atossa drew herself up and stared coldly at Nehushta, as though she were surprised beyond measure and deeply offended.

"Truly, I need not be told twice to leave you in peace," she said proudly. "I thought to comfort you, because I saw you were sad—even at the expense of my own feelings. I will leave you now—but I bear no malice against you. You are very, very young, and very, very foolish."

Atossa shook her head, thoughtfully, and swept from the pavilion in stately and offended dignity. But as she walked alone through the garden, she smiled to herself and softly hummed a merry melody she had heard from an Egyptian actor on the previous evening. Darius had brought a company of Egyptians from Babylon, and after the banquet, had commanded that they should perform their music, and dancing, and mimicry, for the amusement of the assembled court.

Atossa's sweet voice echoed faintly among the orange trees and the roses, as she went towards the palace, and the sound of it came distantly to Nehushta's ears. She stood for a while where the queen had left her, her face pale and her hands wringing together; and then, with a sudden impulse, she went and threw herself upon the floor, and buried her head in the deep, soft cushions. Her hands wandered in the wealth of her black hair, and her quick, hot tears stained the delicate silk of the pillows.

How could he? How was it possible? He said he loved her, and now, when he was sent away for many days, his only thought had been to write to the queen—not to herself! An agony of jealousy overwhelmed her, and she could have torn out her very soul, and trampled her own heart under her feet in her anger. Passionately she clasped her hands to her temples; her head seemed splitting with a new and dreadful pain that swallowed all her thoughts for a moment, until the cold weight seemed again to fall upon her breast and all her passion gushed out in abundant tears. Suddenly a thought struck her. She roused herself, leaning upon one hand, and stared vacantly a moment at her small gilded shoe which had fallen from her bare foot upon the marble pavement. She absently reached forward and took the thing in her hand, and gravely contemplated the delicate embroidery and thick gilding, through her tears,—as one will do a foolish and meaningless thing in the midst of a great sorrow.

Was it possible that the queen had deceived her? How she wished she had let her read the writing as she had offered to do. She did not imagine at first that the letter was for herself and had gone astray. But she thought the queen might easily have pretended to have received something, or had even scratched a few words upon a bit of parchment, meaning to pass it off upon her as a letter from Zoroaster. She longed to possess the thing and to judge of it with her own eyes. It would hardly be possible to say whether it were written by him or not, as far as the handwriting was concerned; but Nehushta was sure she should recognise some word, some turn of language that would assure her that it was his. She could almost have risen and gone in search of the queen at once, to prove the lie upon her—to challenge her to show the writing. But her pride forbade her. She had been so weak—she should not have let Atossa see, even for a moment, that she was hurt, not even that she loved Zoroaster. She had tried to conceal her feelings, but Atossa had gone too far, had tortured her beyond all endurance, and she knew that, even if she had known what to expect, she could not have easily borne the soft, infuriating, deadly, caressing, goading taunts of that fair, cruel woman.

Then again, the whole possibility of Zoroaster's unfaithfulness came and took shape before her. He had known and loved Atossa of old, perhaps, and now the old love had risen up and killed the new—he had sworn so truly under the ivory moonlight in Ecbatana. And yet—he had written to this other woman and not to her. Was it true? Was it Atossa's cruel lie? In a storm of doubt and furious passion, her tears welled forth again; and once more she hid her face in the pale yellow cushions, and her whole beautiful body trembled and was wrung with her sobs.

Suddenly she was aware that some one entered the little hall and stood beside her. She dared not look up at first; she was unstrung and wretched in her grief and anger, and it was the strong, firm tread of a man. The footsteps ceased, and the intruder, whoever he might be, was standing still; she took courage and looked quickly up. It was the king himself. Indeed, she might have known that no other man would dare to penetrate into the recesses of the garden set apart for the ladies of the palace.

Darius stood quietly gazing at her with an expression of doubt and curiosity, that was almost amusing, on his stern, dark face. Nehushta was frightened, and sprang to her feet with the graceful quickness of a startled deer. She was indolent by nature, but as swift as light when she was roused by fear or excitement.

"Are you so unhappy in my palace?" asked Darius gently. "Why are you weeping? Who has hurt you?"

Nehushta turned her face away and dashed the tears from her eyes, while her cheeks flushed hotly.

"I am not weeping—no one—has hurt me," she answered, in a voice broken rather by embarrassment and annoyance, than by the sorrow she had nearly forgotten in her sudden astonishment at being face to face with the king.

Darius smiled, and almost laughed, as he stroked his thick beard with his broad brown hand.

"Princess," he said, "will you sit down again? I will deliver you a discourse upon the extreme folly of ever telling"—he hesitated—"of saying anything which is not precisely true."

There was something so simple and honest in his manner of speaking, that Nehushta almost smiled through her half-dried tears as she sat upon the cushions at the king's feet. He himself sat down upon the broad marble seat that ran round the eight-sided little building, and composing his face to a serious expression, that was more than half-assumed, began to deliver his lecture.

"I take it for granted that when one tells a lie, he expects to be believed. There must, then, be some thing or circumstance which can help to make his lies credible. Now, my dear princess, in the present instance, while I was looking you in the face and counting the tears upon your very beautiful cheeks, you deliberately told me that you were not weeping. There was, therefore, not even the shadow of a thing, or circumstance which could make what you said credible. It is evident that what you said was not true. Is it not so?"

Nehushta could not help smiling as she looked up and saw the kindly light in the king's dark eyes. She thought she understood he was amusing her for the sake of giving her time to collect herself, and in spite of the determined intention of marrying her he had so lately expressed, she felt safe with him.

"The king lives for ever," she answered, in the set phrase of assent common at the court.

"It is very probable," replied Darius gravely. "So many people say so, that I should have to believe all mankind liars if that were not true. But I must return to your own particular case. It would have been easy for you not to have said what you did. I must therefore suppose that in going out of the way to make an attempt to deceive me in the face of such evidence—by saying you were not weeping when the tears were actually falling from those very soft eyes of yours—you had an object to gain. Men employ truth and falsehood for much the same reason: A man who does not respect

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