Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Heart and Science by Wilkie Collins (best new books to read TXT) 📖
- Author: Wilkie Collins
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Joseph brought the luncheon up to Carmina’s room.
The mistress was still at her studies; the master had gone to his club. As for the girls, their only teacher for the present was the teacher of music. When the ordeal of the lecture and the discussion had been passed, Mrs. Gallilee threatened to take Miss Minerva’s place herself, until a new governess could be found. For once, Maria and Zo showed a sisterly similarity in their feelings. It was hard to say which of the two looked forward to her learned mother’s instruction with the greatest terror.
Carmina heard the pupils at the piano, while she was eating her luncheon. The profanation of music ceased, when she went into the bedroom to get ready for her daily drive.
She took her letter, duly closed and stamped, downstairs with her—to be sent to the post with the other letters of the day, placed in the hall-basket. In the weakened state of her nerves, the effort that she had made in writing to Ovid had shaken her. Her heart beat uneasily; her knees trembled, as she descended the stairs.
Arrived in sight of the hall, she discovered a man walking slowly to and fro. He turned towards her as she advanced, and disclosed the detestable face of Mr. Le Frank.
The music-master’s last reserves of patience had come to an end. Watch for them as he might, no opportunities had presented themselves of renewing his investigation in Carmina’s room. In the interval that had passed, his hungry suspicion of her had been left to feed on itself. The motives for that incomprehensible attempt to make a friend of him remained hidden in as thick a darkness as ever. Victim of adverse circumstances, he had determined (with the greatest reluctance) to take the straightforward course. Instead of secretly getting his information from Carmina’s journals and letters, he was now reduced to openly applying for enlightenment to Carmina herself.
Occupying, for the time being, the position of an honourable man, he presented himself at cruel disadvantage. He was not master of his own glorious voice; he was without the self-possession indispensable to the perfect performance of his magnificent bow. “I have waited to have a word with you,” he began abruptly, “before you go out for your drive.”
Already unnerved, even before she had seen him—painfully conscious that she had committed a serious error, on the last occasion when they had met, in speaking at all—Carmina neither answered him nor looked at him. She bent her head confusedly, and advanced a little nearer to the house door.
He at once moved so as to place himself in her way.
“I must request you to call to mind what passed between us,” he resumed, “when we met by accident some little time since.”
He had speculated on frightening her. His insolence stirred her spirit into asserting itself. “Let me by, if you please,” she said; “the carriage is waiting for me.”
“The carriage can wait a little longer,” he answered coarsely. “On the occasion to which I have referred, you were so good as to make advances, to which I cannot consider myself as having any claim. Perhaps you will favour me by stating your motives?”
“I don’t understand you, sir.”
“Oh, yes—you do!”
She stepped back, and laid her hand on the bell which rang below stairs, in the pantry. “Must I ring?” she said.
It was plain that she would do it, if he moved a step nearer to her. He drew aside—with a look which made her tremble. On passing the hall table, she placed her letter in the post-basket. His eye followed it, as it left her hand: he became suddenly penitent and polite. “I am sorry if I have alarmed you,” he said, and opened the house-door for her—without showing himself to Marceline and the coachman outside.
The carriage having been driven away, he softly closed the door again, and returned to the hall-table. He looked into the post-basket.
Was there any danger of discovery by the servants? The footman was absent, attending his mistress on her way to the lecture. None of the female servants were on the stairs. He took up Carmina’s letter, and looked at the address: To Ovid Vere, Esq.
His eyes twinkled furtively; his excellent memory for injuries reminded him that Ovid Vere had formerly endeavoured (without even caring to conceal it) to prevent Mrs. Gallilee from engaging him as her music-master. By subtle links of its own forging, his vindictive nature now connected his hatred of the person to whom the letter was addressed, with his interest in stealing the letter itself for the possible discovery of Carmina’s secrets. The clock told him that there was plenty of time to open the envelope, and (if the contents proved to be of no importance) to close it again, and take it himself to the post. After a last look round, he withdrew undiscovered, with the letter in his pocket.
On its way back to the house, the carriage was passed by a cab, with a man in it, driven at such a furious rate that there was a narrow escape of collision. The maid screamed; Carmina turned pale; the coachman wondered why the man in the cab was in such a hurry. The man was Mr. Mool’s head clerk, charged with news for Doctor Benjulia.
CHAPTER XLIII.
The mind of the clerk’s master had been troubled by serious doubts, after Carmina left his house on Sunday.
Her agitated manner, her strange questions, and her abrupt departure, all suggested to Mr. Mool’s mind some rash project in contemplation—perhaps even the plan of an elopement. To most other men, the obvious course to take would have been to communicate with Mrs. Gallilee. But the lawyer preserved a vivid remembrance of the interview which had taken place at his office. The detestable pleasure which Mrs. Gallilee had betrayed in profaning the memory of Carmina’s mother, had so shocked and disgusted him, that he recoiled from the idea of holding any further intercourse with her, no matter how pressing the emergency might be. It was possible, after what had passed, that Carmina might feel the propriety of making some explanation by letter. He decided to wait until the next morning, on the chance of hearing from her.
On the Monday, no letter arrived.
Proceeding to the office, Mr. Mool found, in his business-correspondence, enough to occupy every moment of his time. He had purposed writing to Carmina, but the idea was now inevitably pressed out of his mind. It was only at the close of the day’s work that he had leisure to think of a matter of greater importance—that is to say, of the necessity of discovering Benjulia’s friend of other days, the Italian teacher Baccani. He left instructions with one of his clerks to make inquiries, the next morning, at the shops of foreign booksellers. There, and there only, the question might be answered, whether Baccani was still living, and living in London.
The inquiries proved successful. On Tuesday afternoon, Baccani’s address was in Mr. Mool’s hands.
Busy as he still was, the lawyer set aside his own affairs, in deference to the sacred duty of defending the memory of the dead, and to the pressing necessity of silencing Mrs. Gallilee’s cruel and slanderous tongue. Arrived at Baccani’s lodgings, he was informed that the language-master had gone to his dinner at a neighbouring restaurant. Mr. Mool waited at the lodgings, and sent a note to Baccani. In ten minutes more he found himself in the presence of an elderly man, of ascetic appearance; whose looks and tones showed him to be apt to take offence on small provocation, and more than half ready to suspect an eminent solicitor of being a spy.
But Mr. Mool’s experience was equal to the call on it. Having fully explained the object that he had in view, he left the apology for his intrusion to be inferred, and concluded by appealing, in his own modest way, to the sympathy of an honourable man.
Silently forming his opinion of the lawyer, while he listened, Baccani expressed the conclusion at which he had arrived, in these terms:
“My experience of mankind, sir, has been a bitterly bad one. You have improved my opinion of human nature since you entered this room. That is not a little thing to say, at my age and in my circumstances.”
He bowed gravely, and turned to his bed. From under it, he pulled out a clumsy tin box. Having opened the rusty lock with some difficulty, he produced a ragged pocket-book, and picked out from it a paper which looked like an old letter.
“There,” he said, handing the paper to Mr. Mool, “is the statement which vindicates this lady’s reputation. Before you open the manuscript I must tell you how I came by it.”
He appeared to feel such embarrassment in approaching the subject, that Mr. Mool interposed. “I am already acquainted,” he said, “with some of the circumstances to which you are about to allude. I happen to know of the wager in which the calumny originated, and of the manner in which that wager was decided. The events which followed are the only events that I need trouble you to describe.”
Baccani’s grateful sense of relief avowed itself without reserve. “I feel your kindness,” he said, “almost as keenly as I feel my own disgraceful conduct, in permitting a woman’s reputation to be made the subject of a wager. From whom did you obtain your information?”
“From the person who mentioned your name to me—Doctor Benjulia.”
Baccani lifted his hand with a gesture of angry protest.
“Don’t speak of him again in my presence!” he burst out. “That man has insulted me. When I took refuge from political persecution in this country, I sent him my prospectus. From my own humble position as a teacher of languages, I looked up without envy to his celebrity among doctors; I thought I might remind him, not unfavourably, of our early friendship—I, who had done him a hundred kindnesses in those past days. He has never taken the slightest notice of me; he has not even acknowledged the receipt of my prospectus. Despicable wretch! Let me hear no more of him.”
“Pray forgive me if I refer to him again—for the last time,” Mr. Mool pleaded. “Did your acquaintance with him continue, after the question of the wager had been settled?”
“No, sir!” Baccani answered sternly. “When I was at leisure to go to the club at which we were accustomed to meet, he had left Rome. From that time to this—I rejoice to say it—I have never set eyes on him.”
The obstacles which had prevented the refutation of the calumny from reaching Benjulia were now revealed. Mr. Mool had only to hear, next, how that refutation had been obtained. A polite hint sufficed to remind Baccani of the explanation that he had promised.
“I am naturally suspicious,” he began abruptly; “and I doubted the woman when I found that she kept her veil down. Besides, it was not in my way of thinking to believe that an estimable married lady could have compromised herself with a scoundrel, who had boasted that she was his mistress. I waited in the street, until the woman came out. I followed her, and saw her meet a man. The two went together to a theatre. I took my place near them. She lifted her veil as a matter of
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