Beatrix by Honoré de Balzac (story books to read TXT) 📖

la marquise will, I am sure, allow me to go and say a word to d'Arthez, whom I see over there with the Princesse de Cadignan; it relates to some business in the Chamber to-morrow."

This well-bred departure gave Calyste time to recover from the shock he had just received; but he nearly lost both his strength and his senses once more, as he inhaled the perfume, to him entrancing though venomous, of the poem composed by Beatrix. Madame de Rochefide, now become bony and gaunt, her complexion faded and almost discolored, her eyes hollow with deep circles, had that evening brightened those premature ruins by the cleverest contrivances of the _article Paris_. She had taken it into her head, like other deserted women, to assume a virgin air, and recall by clouds of white material the maidens of Ossian, so poetically painted by Girodet. Her fair hair draped her elongated face with a mass of curls, among which rippled the rays of the foot-lights attracted by the shining of a perfumed oil. Her white brow sparkled. She had applied an imperceptible tinge of rouge to her cheeks, upon the faded whiteness of a skin revived by bran and water. A scarf so delicate in texture that it made one doubt if human fingers could have fabricated such gossamer, was wound about her throat to diminish its length, and partly conceal it; leaving imperfectly visible the treasures of the bust which were cleverly enclosed in a corset. Her figure was indeed a masterpiece of composition.

As for her pose, one word will suffice--it was worthy of the pains she had taken to arrange it. Her arms, now thin and hard, were scarcely visible within the puffings of her very large sleeves. She presented that mixture of false glitter and brilliant fabrics, of silken gauze and craped hair, of vivacity, calmness, and motion which goes by the term of the _Je ne sais quoi_. Everybody knows in what that consists, namely: great cleverness, some taste, and a certain composure of manner. Beatrix might now be called a decorative scenic effect, changed at will, and wonderfully manipulated. The presentation of this fairy effect, to which is added clever dialogue, turns the heads of men who are endowed by nature with frankness, until they become possessed, through the law of contrasts, by a frantic desire to play with artifice. It is false, though enticing; a pretence, but agreeable; and certain men adore women who play at seduction as others do at cards. And this is why: The desire of the man is a syllogism which draws conclusions from this external science as to the secret promises of pleasure. The inner consciousness says, without words: "A woman who can, as it were, create herself beautiful must have many other resources for love." And that is true. Deserted women are usually those who merely love; those who retain love know the _art_ of loving. Now, though her Italian lesson had very cruelly maltreated the self-love and vanity of Madame de Rochefide, her nature was too instinctively artificial not to profit by it.

"It is not a question of loving a man," she was saying a few moments before Calyste had entered her box; "we must tease and harass him if we want to keep him. That's the secret of all those women who seek to retain you men. The dragons who guard treasures are always armed with claws and wings."

"I shall make a sonnet on that thought," replied Canalis at the very moment when Calyste entered the box.

With a single glance Beatrix divined the state of Calyste's heart; she saw the marks of the collar she had put upon him at Les Touches, still fresh and red. Calyste, however, wounded by the speech made to him about his wife, hesitated between his dignity as a husband, Sabine's defence, and a harsh word cast upon a heart which held such memories for him, a heart which he believed to be bleeding. The marquise observed his hesitation; she had made that speech expressly that she might know how far her empire over Calyste still extended. Seeing his weakness, she came at once to his succor to relieve his embarrassment.

"Well, dear friend, you find me alone," she said, as soon as the two gentlemen had left the box,--"yes, alone in the world!"

"You forget me!" said Calyste.

"You!" she replied, "but you are married. That was one of my griefs, among the many I have endured since I saw you last. Not only--I said to myself--do I lose love, but I have lost a friendship which I thought was Breton. Alas! we can make ourselves bear everything. Now I suffer less, but I am broken, exhausted! This is the first outpouring of my heart for a long, long time. Obliged to seem proud before indifferent persons, and arrogant as if I had never fallen in presence of those who pay court to me, and having lost my dear Felicite, there was no ear into which I could cast the words, _I suffer!_ But to you I can tell the anguish I endured on seeing you just now so near to me. Yes," she said, replying to a gesture of Calyste's, "it is almost fidelity. That is how it is with misery; a look, a visit, a mere nothing is everything to us. Ah! you once loved me--you--as I deserved to be loved by him who has taken pleasure in trampling under foot the treasures I poured out upon him. And yet, to my sorrow, I cannot forget; I love, and I desire to be faithful to a past that can never return."

Having uttered this tirade, improvised for the hundredth time, she played the pupils of her eyes in a way to double the effect of her words, which seemed to be dragged from the depths of her soul by the violence of a torrent long restrained. Calyste, incapable of speech, let fall the tears that gathered in his eyes. Beatrix caught his hand and pressed it, making him turn pale.

"Thank you, Calyste, thank you, my poor child; that is how a true friend responds to the grief of his friend. We understand each other. No, don't add another word; leave me now; people are looking at us; it might cause trouble to your wife if some one chanced to tell her that we were seen together,--innocently enough, before a thousand people! There, you see I am strong; adieu--"

She wiped her eyes, making what might be called, in woman's rhetoric, an antithesis of action.

"Let me laugh the laugh of a lost soul with the careless creatures who amuse me," she went on. "I live among artists, writers, in short the world I knew in the salon of our poor Camille--who may indeed have acted wisely. To enrich the man we love and then to disappear saying, 'I am too old for him!' that is ending like the martyrs,--and the best end too, if one cannot die a virgin."

She began to laugh, as it to remove the melancholy impression she had made upon her former adorer.

"But," said Calyste, "where can I go to see you?"

"I am hidden in the rue de Chartres opposite the Parc de Monceaux, in a little house suitable to my means; and there I cram my head with literature--but only for myself, to distract my thoughts; God keep me from the mania of literary women! Now go, leave me; I must not allow the world to talk of me; what will it not say on seeing us together! Adieu--oh! Calyste, my friend, if you stay another minute I shall burst into tears!"

Calyste withdrew, after holding out his hand to Beatrix and feeling for the second time that strange and deep sensation of a double pressure--full of seductive tingling.

"Sabine never knew how to stir my soul in that way," was the thought that assailed him in the corridor.

During the rest of the evening the Marquise de Rochefide did not cast three straight glances at Calyste, but there were many sidelong looks which tore of the soul of the man now wholly thrown back into his first, repulsed love.

When the baron du Guenic reached home the splendor of his apartments made him think of the sort of mediocrity of which Beatrix had spoken, and he hated his wealth because it could not belong to that fallen angel. When he was told that Sabine had long been in bed he rejoiced to find himself rich in the possession of a night in which to live over his emotions. He cursed the power of divination which love had bestowed upon Sabine. When by chance a man is adored by his wife, she reads on his face as in a book; she learns every quiver of its muscles, she knows whence comes its calmness, she asks herself the reason of the slightest sadness, seeking to know if haply the cause is in herself; she studies the eyes; for her the eyes are tinted with the dominant thought,--they love or they do not love. Calyste knew himself to be the object of so deep, so naive, so jealous a worship that he doubted his power to compose a cautious face that should not betray the change in his moral being.

"How shall I manage to-morrow morning?" he said to himself as he went to sleep, dreading the sort of inspection to which Sabine would have recourse. When they came together at night, and sometimes during the day, Sabine would ask him, "Do you still love me?" or, "I don't weary you, do I?" Charming interrogations, varied according to the nature or the cleverness of women, which hide their anxieties either feigned or real.

To the surface of the noblest and purest hearts the mud and slime cast up by hurricanes must come. So on that morrow morning, Calyste, who certainly loved his child, quivered with joy on learning that Sabine feared the croup, and was watching for the cause of slight convulsions, not daring to leave her little boy. The baron made a pretext of business and went out, thus avoiding the home breakfast. He escaped as prisoners escape, happy in being afoot, and free to go by the Pont Louis XVI. and the Champs Elysees to a cafe on the boulevard where he had liked to breakfast when he was a bachelor.

What is there in love? Does Nature rebel against the social yoke? Does she need that impulse of her given life to be spontaneous, free, the dash of an impetuous torrent foaming against rocks of opposition and of coquetry, rather than a tranquil stream flowing between the two banks of the church and the legal ceremony? Has she her own designs as she secretly prepares those volcanic eruptions to which, perhaps, we owe great men?

It would be difficult to find a young man more sacredly brought up than Calyste, of purer morals, less stained by irreligion; and yet he bounded toward a woman unworthy of him, when a benign and radiant chance had given him for his wife a young creature whose beauty was truly aristocratic, whose mind was keen and delicate, a pious, loving girl, attached singly to him, of angelic sweetness, and made more tender still by love, a love that was passionate in spite of marriage, like his for Beatrix. Perhaps the noblest men retain some clay in their constitutions; the slough still pleases them. If this be so, the least imperfect human being is the woman, in spite of her faults and her want of reason. Madame de Rochefide, it must be said, amid the circle of poetic pretensions which surrounded her, and in spite of her fall, belonged to the highest nobility; she presented a nature