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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Somehow Good by William Frend De Morgan (free ebook reader for iphone .txt) 📖

Book online «Somehow Good by William Frend De Morgan (free ebook reader for iphone .txt) 📖». Author William Frend De Morgan



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doesn't count. Stories, true or false, should be told consecutively.


CHAPTER XXII


IT WAS THAT MRS. NIGHTINGALE'S FAULT. A SATISFACTORY CHAP, GERRY! A TELEGRAM AND A CLOUD. BRONCHITIS AND ASTHMA AND FOG. SALLY GOES TO MAYFAIR. THE OLD SOLDIER HAS NOTICE TO QUIT



The most deeply-rooted instinct of mankind is the one that prompts it to lay the blame on some one else. Mankind includes womankind, and woman includes (for we believe she is still living) the Dragon of the last chapter. As it did not occur to this good lady that her own attitude of estrangement from Laetitia had anything to answer for in the rash and premature development of the latter's love-affair, she cast about for a scapegoat, and found one in the person of Rosalind Fenwick. Some one had schemed the whole business, clearly, and who else could it be but that woman? Of course, Laetitia herself was simply the victim of a plot--she was young and inexperienced; people's daughters are.

But nothing in the nefarious business had escaped the watchful eye of the Dragon. At the time of the very first appearance of "that Mrs. Nightingale" on the scene she had pointed out her insidious character, and forewarned North and North-west Kensington of what was to be expected from a person of her antecedents. It was true no one knew anything about these latter; but, then, that was exactly the point.

"It's useless attempting to find excuses for that woman. Clarissa," she had said. "It's always the same story with people of that sort. Whenever they have no proper introduction, they always turn out schemers and matchmakers. I detected her, and said so at once. It is easy for your father to pretend he has forgotten. He always does. My consolation is that I did my duty. And then, of course, it all turns out as I said. Anybody could have known what sort of person she was with half an eye!"

"And what sort of person is she?" asked Clarissa coldly. She had not forgotten the vaccination from the calf.

"The sort of person you would expect. Unless, Clarissa, you are going to take a leaf out of your father's book, and make believe you do not understand what is transparently on the surface. What interest can Major Roper have in inventing the story, I should like to know?"

"How does he come to know so much about it? Who told him?"

"Who _told_ him? Why, of course that very old gentleman--what's his name?--_you_ know----" Mrs. Wilson tries if she can't recollect with a quick vibration of a couple of fingers to back up her brain. "Colonel Dunn!"

"Major Lund?"

"Lunn or Dunn. Yes, I remember now; it's Lunn, because the girl said when she was a child she thought Sally Lunns had something to do with both. You may depend on it, I'm right. Well, Major Roper's his most intimate friend. They belong to the same club."

The ladies then lost sight of their topic, which lapsed into a rather heated discussion of whether the very old gentleman was a Colonel or a Major. As we don't want to hear them on this point, we may let them lapse too.

It may have been because of some home anxieties--notably about the Major, whose bronchitis had been bad--that Rosalind Fenwick continued happily unconscious of having incurred any blame or taken any responsibility on herself in connexion with the Ladbroke Grove row, as Sally called it. If she _had_ known of it, very likely it would not have troubled her, for she was really too contented with her own condition and surroundings to be concerned about externals. Whatever troubles she had were connected with the possibility, which always seemed to grow fainter, of a revival of her husband's powers of memory. Sometimes whole weeks would pass without an alarm. Sometimes some little stirring of the mind would occur twice in the same day; still, the tendency seemed to be, on the whole, towards a more and more complete oblivion.

But the fact is that so long as she had the Major invalided at Krakatoa Villa (for he was taken ill there, and remained on her hands many weeks before he could return to his lodgings) she had the haziest impressions of the outside world. Sally talked about "the row" while they were nursing the old boy, but really she heeded her very little. Then, when the invalid was so far reinstated that he was fit to be moved safely, Sally went away too, for a change.

The respite to old Colonel Lund was not to be for long. But the rest, alone with her husband, was not unwelcome to Rosalind.

"I can never have been one-tenth as happy, Rosey darling," said he to her one day, "as I have been in the last six months. I should recollect all about it if I had."

"You're a satisfactory chap to deal with, Gerry--I must say that for you. You always beam, come what may. Even when you fly out--which you do, you know--it's more like a big dog than a wasp. You were always...." Now, Rosalind was going to say "always like that"; it was a mistake she was constantly in danger of. But she stopped in time, and changed her speech to "You're not without your faults, you know! You never can come to an anchor, and be quiet. You sit on the arms of chairs, and your hands are too big and strong. No; you needn't stop. Go on!" We like leaving the words to elucidate the concurrent action. "And you don't smell much of tobacco."

Fenwick, however, had noticed the kink in the thread, and must needs wind it back to get a clear line. "I was always what?" said he. His wife saw a way out.

"Always good when your daughter was here to manage you." It wasn't so satisfactory as it might have been, but answered in dealing with a mind so unsuspicious. Sally's having spent Christmas and stayed on a little at a friend's in the country lent plausibility to a past tense which might else have jarred.

"I don't want the kitten all to myself, you know," said Fenwick. "It wouldn't be fair. After all, she _was_ yours before she was mine."

There was not a tremor in the hand that lay in his, the one that was not caressing her cheek; not a sign of flinching in the eyes that turned round on him; not a trace of hesitation in the voice that said, with concession to a laugh in it: "Yes, she _was_ mine before she was yours." Such skill had grown in this life of nettle-grasping!--indeed, she hardly felt the sting now. This time she was able to go on placidly, in the unconnected way of talk books know not, and life well knows:

"Do you know what the kitten will be next August?"

"Yes; twenty-one."

"It's rather awful, isn't it?"

"Which way do you mean? It's awful because she isn't _fiancee_, or awful because she might be at any minute?"

"You've picked up her way of going to the point, Gerry. I never said anything about her being _fiancee_."

"No, but you meant it."

"Of course I did! Well, then, because she might be any minute. I'm very glad she _isn't_. Why, you know I _must_ be!"

"_I_ am, anyhow!"

"Just think what the house would be without her!"

"The best place in the world still for me." She acknowledges this by a kiss on his hairy hand, which he returns _via_ her forehead; then goes on: "All the same, I'll be hanged if I know what we should do without our kitten. But has anything made you afraid?"

"Oh no; nothing at all! Certainly; no, nothing. Have _you_ noticed anything?"

"Oh dear, no! For anything I can see, she may continue a--a sort of mer-pussy to the end of time." Both laugh in a way at the name he has made for her; then he adds: "Only...."

"Only what?"

"Nothing I could lay hold of."

"I wonder whether you're thinking of the same thing as I am?" Very singularly, it does not seem necessary to elucidate the point. They merely look at each other, and continue looking as Fenwick says:

"They _are_ a funny couple, if that's it!"

"They certainly _are_," she replies. "But I _have_ thought so, for all that!" And then both look at the fire as before, this being, of course, in the depth of winter. Rosalind speaks next.

"There's no doubt about _him_, of course! But the chick would have told me at once if...."

"If there had been anything to tell. No doubt she would."

"Of course, it's absurd to suppose he could see so much of her as he does, and not...."

"Perfectly absurd! But then, you know, that young fiddler was very bad, indeed, about the chick until he made her acquaintance."

"So he was." Thoughtfully, as one who weighs.

"The kitten met him with a sort of stony geniality that would have knocked the heart out of a Romeo. If Juliet had known the method, she could have nipped Shakespeare in the bud."

"She _didn't_ want to. Sally _did_."

"But then Shakespeare might have gone on and written a dry respectable story--not a love-story; an esteem story--about how Juliet took an interest in Romeo's welfare, and Romeo posted her letters for her, and presented her with a photograph album, and so on. And how the families left cards."

"But it isn't exactly stony geniality. It's another method altogether with the doctor--a method the child's invented for herself."

Fenwick repeats, "A method she's invented for herself. Exactly. Well, we shall have her back to-morrow. What time does she come?" And then her mother says, interrupting the conversation: "What's that?"

"What's what?"

"I thought I heard the gate go."

"Not at this time of night." But Fenwick is wrong, for in a moment comes an imperious peal at the bell. A pair of boots, manifestly on a telegraph-boy's cold feet, play a devil's tattoo on the sheltered doorstep. They have been inaudible till now, as the snow is on the ground again at Moira Villas. In three minutes the boots are released, and they and their wearer depart, callously uninterested in the contents of the telegram they have brought. If we were a telegraph-boy, we should always be yearning to know and share the joys and sorrows of our employers. This boy doesn't, to judge by the way he sings that he is "Only the Ghost of a Mother-in-law," showing that he goes to the music-halls.

* * * * *


Less than ten minutes after the telegraph-boy has died away in the distance Rosalind and her husband are telling a cab to take them to 174, Ball Street, Mayfair.

It does so grudgingly, because of the state of the roads. It wants three-and-sixpence, and gets it, for the same reason. But it doesn't appear to be drawn by a logical horse who can deal with inferences, because it is anxious to know when its clients are going back, that it may call round for them.

For the telegram was that there was "no cause immediate apprehension; perhaps better come--Major." As might have been expected from such a telegram about a man of his age, just after seeming recovery from an attack of bronchitis, the hours on earth of

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