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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » Somehow Good by William Frend De Morgan (free ebook reader for iphone .txt) 📖

Book online «Somehow Good by William Frend De Morgan (free ebook reader for iphone .txt) 📖». Author William Frend De Morgan



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its subject were numbered. Fever may abate, temperature may be brought down to the normal, the most nourishing possible nourishment may be given at the shortest possible intervals, but the recoil of exhaustion will have its way when there is little or nothing left to exhaust. Colonel Lund had possibly two or three years of natural life before him, disease apart, when a fierce return of the old enemy, backed by the severity of a London winter, and even more effectually by its fog, stopped the old heart a few thousand beats too soon, and ended a record its subject had ceased to take an interest in a few paragraphs short of the normal _finis_.

We allow our words to overtake our story in this way because we know that you know--you who read--exactly what follows telegrams like the one that came to Mrs. Fenwick. If you are new and young, and do not know it yet, you will soon. However, we can now go back.

When the economical landlady (a rather superior person) who had opened the street-door was preceding Rosalind up the narrow stairs, and turning up gas-jets from their reserve of darkness-point, she surprised her by saying she thought there was the Major coming downstairs. "Yes, madam; the Major--Major Roper," she continued, in reply to an expression of astonishment. Rosalind had forgotten that Colonel Lund was, outside her own family, "the Colonel."

It was Major Roper whom we have seen at the Hurkaru Club, as purple as ever and more asthmatic--in fact, the noise that was the Major coming downstairs was also the noise of the Major choking in the fog. It came slowly down, and tried hard to stop, in order that its source might speak intelligibly to the visitors. What time the superior person stood and grudged the gas. In the end, speech of a sort was squeezed out slowly, as the landlady, stung to action by the needless gas-waste, plucked the words out of the speaker's mouth at intervals, and finished them up for him. The information came piecemeal; but in substance it was that he had the day before found his old friend coughing his liver up in this dam fog, and had taken on himself to fetch the medical man and a nurse; that these latter, though therapeutically useless, as is the manner of doctors and nurses, had common-sense enough to back him (Roper) in his view that Mrs. Fenwick ought to be sent for, although the patient opposed their doing so. So he took upon himself to wire. There wasn't any occasion whatever for alarm, ma'am! Not the slightest. "You hear me, and mark what I say--an old stager, ma'am! Ever such a little common-sense, and half the patients would recover!" A few details of the rapid increase of the fever, of the patient's resistance to the sending of his message, and an indication of a curious feeling on the old Colonel's part that it wouldn't be correct form to go back to be nursed through a second attack when he had so lately got safe out of the first one. All this landed the speaker in something near suffocation, and made his hearers protest, quite uselessly, against his again exposing himself to the fog. Whereon the landlady, with a finger on the gas-tap, nodded toward the convulsed old officer to supply her speech with a nominative, and spoke. What she said was merely: "Hasn't been to bed." And then waited for Rosalind to go upstairs with such aggressive patience that the latter could only say a word or two of thanks to Major Roper and pass up. He, for his part, went quicker downstairs to avoid the thanks, and the gas-tap vigil came to a sudden end the moment Rosalind turned the handle of the door above.... Now, what is the object of all this endless detail of what might have been easily told in three words--well, in thirty, certainly?

Simply this: to show you why Fenwick, following on after some discussion with the cab below, was practically invisible to the asthmatic one, who passed him on the stairs just as the light above vanished. So he had no chance of recognizing the donor of his tiger's skin, which he might easily have done in open day, in spite of the twenty years between, for the old chap was as sharp as a razor about people. He passed Fenwick with a good-evening, and Mr. Fenwick, he presumed, and his good lady was on ahead, as indicated by the speaker's thumb across his shoulder. Fenwick made all acknowledgments, and felt his way upstairs in the dark till the nurse with a hand-lamp looked over the banisters for him.

* * * * *


When Sally came back to Krakatoa Villa early next day she found an empty house, and a note signed Jeremiah that explained its emptiness. We had been sent for to the Major, and Sally wasn't to be frightened. He had had a better night than last night, the doctor and nurse said; and Sally might come on as soon as she had had a good lunch. Only she was on no account to fidget.

So she didn't fidget. She had the good lunch very early, left Ann to put back her things in the drawers, and found her way through the thickening fog to the Tube, only just anxious enough about the Major to feel, until the next station was Marble Arch, that London had changed and got cruder and more cold-hearted since she went away, and that the guard was chilly and callous about her, and didn't care how jolly a house-party she had left behind her at Riverfordhook. For it was that nice aunt of Tishy's that had asked her down for a few days, and the few days had caught on to their successors as they came, and become a fortnight. But he appeared to show a human heart, at least, by a certain cordiality with which he announced the prospect of Marble Arch, which might have been because it was Sally's station. Now, he had said Lancaster Gate snappishly, and Queen's Road with misgiving, as though he would have fain added D.V. if the printed regulations had permitted it. Also, Sally thought there was good feeling in the reluctance he showed to let her out, based entirely on nervousness lest she should slip (colloquially) between the platform.

You don't save anything by taking the pink 'bus, nor any 'bus for that matter, down Park Lane when the traffic tumbles down every half-minute, in spite of cinders lavished by the authority, and can't really see its way to locomotion when it gets up. So you may just as well walk. Sally did so, and in ten minutes reached the queer little purlieu teeming with the well-connected, and named after the great Mysteries they are connected with, that lies in the angle of Park Lane and Piccadilly. Persons of exaggerated sense of locality or mature hereditary experience can make short cuts through this district, but the wayfarer (broadly speaking) had better not try, lest he be found dead in a mews by the Coroner, and made the subject of a verdict according to the evidence. Sally knew all about it of old, and went as straight through the fog as the ground-plan of the streets permitted to the house where her mother and a nurse were doing what might be done to prolong the tenancy of the top-floor. But both knew the occupant had received notice to quit. Only, it did seem so purposeless, this writ of ejectment and violent expulsion, when he was quite ready to go, and wanted nothing but permission.


CHAPTER XXIII


OF A FOG THAT WAS UP-TO-DATE, AND HOW A FIRE-ENGINE RELIEVED SALLY FROM A BOY. HOW SALLY GOT IN AT A GENTLEMEN'S CLUB, AND HOW VETERANS COULD RECOLLECT HER FATHER. BUT THEY KNOW WHAT SHE CAN BE TOLD, AND WHAT SHE CAN'T. HOW MAJOR ROPER WOULD GO OUT IN THE FOG



Mrs. Fenwick was not sorry to break down a little, now that her daughter had come to break down on. She soon pulled together, however. Breaking down was not a favourite relaxation of hers, as we have seen. Her husband had, of course, left her to go to his place of business, not materially the worse for a night spent without closed eyes and in the anxiety of a sick-chamber.

"Oh, mother darling! you are quite worn out. How is he?"

"He's quiet now, kitten; but we thought the cough would have killed him in the night. He's only so quiet now because of the opiates. Only at his age----" Mrs. Fenwick stopped and looked at the nurse, whose shake of the head was an assent to the impossibility of keeping a patient of eighty alive on opiates. Then, having gone thus far in indicating the grim probabilities of the case, Sally's mother added, as alleviation to a first collision with Death: "But Dr. Mildmay says the inflammation and fever may subside, and then, if he can take nourishment----" but got no further, for incredulity of this sort of thing is in the air of the establishment.

Not, perhaps, on Sally's part. Young people who have not seen Death face-to-face have little real conception of his horrible unasked intrusion into the house of Life. That house is to them almost as inviolable as the home of our babyhood was to the most of us, a sacred fane under the protection of an omnipotent high-priest and priestess--papa and mamma. Almost as inviolable, that is, when those who live in it are our friends. Of course, the people in the newspapers go dying--are even killed in railway accidents. This frame of mind will change for Sally when she has seen this patient die. For the time being, she is half insensible--can think of other things.

"What did the party mean that let me in, mother darling? The fusty party? She said she thought it was the Major. I didn't take any notice till now. I wanted to get up."

"It was the other Major, dear--Major Roper. Don't you know? _He_ used to talk of him, and say he was an old gossip." In the dropped voice and the stress on the pronoun one can hear how the speaker's mind knows that the old Colonel is almost part of the past. "But they were very old friends. They were together through the Mutiny. _He_ was his commanding officer." Sally's eyes rest on the old sabre that hangs on its hook in the wall, where she has often seen it, ranking it prosaically with the other furnishings of "the Major's" apartment. Now, a new light is on it, and it becomes a reality in a lurid past, long, long before there was any Sally. A past of muzzle-loading guns and Minie rifles, of forced marches through a furnace-heat to distant forts that hardly owned the name, all too late to save the remnant of their defenders; a past of a hundred massacres and a thousand heroisms; a past that clings still, Sally dear, about the memory of us oldsters that had to know it, as we would fain that no things that are, or are to be, should ever cling about yours. But you have read the story often, and the tale of it grows and lives round the old sabre on the wall.

Except as an explanation of the fusty party's reference to a Major, Old Jack--that was Sally's Major's name for him--got very little foothold in her mind, until a recollection of her mother's allusion to him as an old

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