The Works of Lucian of Samosata — Volume 02 by of Samosata Lucian (english novels for beginners TXT) 📖

you will be credited with adultery, or poisoning, or something of that kind. Your accuser, you see, is convincing even in silence; whereas you—you are a loose- principled, unscrupulous Greek. That is the character we Greeks bear; and it serves us right; I see excellent grounds for the opinion they have of us. Greek after Greek who enters their service sets up (in default of any other practical knowledge) for wizard or poisoner, and deals in love-charms and evil spells; and these are they who talk of culture, who wear grey beards and philosophic cloaks! When these, who are accounted the best of us, stand thus exposed, when men observe their interested servility, their gross flatteries at table and elsewhere, it is not to be wondered at that we have all fallen under suspicion. Those whom they have cast off, they hate, and seek to make an end of them altogether; arguing, naturally enough, that men who know their secrets, and have seen them in all their nakedness, may divulge many a foible which will not bear the light; and the thought is torment to them. The fact is, that these great men are for all the world like handsomely bound books. Outside are the gilt edges and the purple cover: and within? a Thyestes feasts upon his own children; an Oedipus commits incest with his mother; a Tereus woos two sisters at once. Such are these human books: their brilliancy attracts all eyes, but between the purple covers lurks many a horrid tale. Turn over the pages of any one of them, and you find a drama worthy the pen of Sophocles or Euripides: close the volume—all is gilt edge and exquisite tooling. Well may they hate the confidants of such crimes, and plot their destruction! What if the outcast should take to rehearsing in public the tragedy that he has got by heart?

I am minded to give you, after the manner of Cebes, a life-picture of Dependence; with this before your eyes, you may judge for yourself, whether it is the life for you. I would gladly call in the aid of an Apelles or a Parrhasius, an Aetion or a Euphranor, but no such perfect painters are to be found in these days; I must sketch you the picture in outline as best I can. I begin then with tall golden gates, not set in the plain, but high upon a hill. Long and steep and slippery is the ascent; and many a time when a man looks to reach the top, his foot slips, and he is plunged headlong. Within the gates sits Wealth, a figure all of gold (so at least she seems); most fair, most lovely. Her lover painfully scales the height, and draws near to the door; and that golden sight fills him with amazement. The beautiful woman in gorgeous raiment who now takes him by the hand is Hope. As she leads him in, his spirit is stricken with awe. Hope still shows the way; but two others, Despair and Servitude, now take charge of him, and conduct him to Toil, who grinds the poor wretch down with labour, and at last hands him over to Age. He looks sickly now, and all his colour is gone. Last comes Contempt, and laying violent hands on him drags him into the presence of Despair; it is now time for Hope to take wing and vanish. Naked, potbellied, pale and old, he is thrust forth, not by those golden gates by which he entered, but by some obscure back-passage. One hand covers his nakedness; with the other he would fain strangle himself. Now let Regret meet him without, dropping vain tears and heaping misery on misery,—and my picture is complete.

Examine it narrowly in all its details, and see whether you like the idea of going in at my golden front door, to be expelled ignominiously at the back. And whichever way you decide, remember the words of the wise man: 'Blame not Heaven, but your own choice.'

APOLOGY FOR 'THE DEPENDENT SCHOLAR' DEAR SABINUS,

I have been guessing how you are likely to have expressed yourself upon reading my essay about dependants. I feel pretty sure you read it all and had a laugh over it; but it is your running and general comment in words that I am trying to piece on to it. If I am any good at divination, this is the sort of thing: To think that a man can set down such a scathing indictment of the life, and then forget it all, get hold of the other end of the stick, and plunge headlong into such manifest conspicuous slavery! Take Midas, Croesus, golden Pactolus, roll them into one, multiply them, and could they induce him to relinquish the freedom which he has loved and consorted with from a child? He is nearly in the clutches of Aeacus, one foot is on the ferryman's boat, and it is now that he lets himself be dragged submissively about by a golden collar. [Footnote: Omitting as a scholium, with Dindorf and Fritzsche, the words: hoia esti ton tryphonton plousion ta sphingia kai ta kourallia.] There is some slight inconsistency between his life and his treatise; the rivers are running up-hill; topsy-turvydom prevails; our recantations are new- fashioned; the first palinodist [Footnote: See Stesichorus in Notes.] mended words with words for Helen of Troy; but we spoil words (those words we thought so wise) with deeds.

Such, I imagine, were your inward remarks. And I dare say you will give me some overt advice to the same effect; well, it will not be ill-timed; it will illustrate your friendship, and do you credit as a good man and a philosopher. If I render your part respectably for you, that will do, and we will pay our homage to the God of words; [Footnote: i.e. Hermes.] if I fail, you will fill in the deficiency for yourself. There, the stage is ready; I am to hold my tongue, and submit to any necessary carving and cauterizing for my good, and you are to plaster me, and have your scalpel handy, and your iron red-hot. Sabinus takes the word, and thus addresses me:

_My dear friend, this treatise of yours has quite rightly been earning you a fine reputation, from its first delivery before the great audience I had described to me, to its private use by the educated who have consulted and thumbed it since. For indeed it presents the case meritoriously; there is study of detail and experience of life in abundance; your views are the reverse of vague; and above all the book is practically useful, chiefly but not exclusively to the educated whom it might save from an unforeseen slavery. However, your mind is changed; the life you described is now the better; good-bye to freedom; your motto is that contemptible line:

Give me but gain, I'll turn from free to slave.

Let none hear the lecture from you again, then; see to it that no copy of it comes under the eyes of any one aware of your present life; ask Hermes to bring Lethe-water from below, enough to drug your former hearers; else you will remind us of the Corinthian tale, and your writing, like Bellerophon's, be your own condemnation. I assure you I see no decent defence you can make, at least if your detractors have the humour to commend the independence of the writings while the writer is a slave and a voluntary beast of burden before their eyes.

They will say with some plausibility: Either the book is some other good man's work, and you a jackdaw strutting in borrowed, plumes; or, if it is really yours, you are a second Salaethus; the Crotoniate legislator made most severe laws against adultery, was much looked up to on the strength of it, and was shortly after taken in adultery with his brother's wife. You are an exact reproduction of Salaethus, they will say; or rather he was not half so bad as you, seeing that he was mastered by passion, as he pleaded in court, and moreover preferred to leap into the flames, like a brave man, when the Crotoniates were moved to compassion and gave him the alternative of exile. The difference between your precept and practice is infinitely more ridiculous; you draw a realistic word-picture of that servile life; you pour contempt on the man who runs into the trap of a rich man's house, where a thousand degradations, half of them self-inflicted, await him; and then in extreme old age, when you are on the border between life and death, you take this miserable servitude upon you and make a sort of circus exhibition of your chains. The conspicuousness of your position will only make the more ridiculous that contrast between your book and your life.

But I need not beat my brains for phrases of reprobation; there is one good enough in a noble tragedy:

Wisdom begins at home; no wisdom, else.

And your censors will find no lack of illustrations against you; some will compare you to the tragic actor; on the stage he is Agamemnon or Creon or great Heracles; but off it, stripped of his mask, he is just Polus or Aristodemus, a hireling liable to be hissed off, or even whipped on occasion, at the pleasure of the audience. Others will say you have had the experience of Queen Cleopatra's monkey: the docile creature used to dance in perfect form and time, and was much admired for the regularity and decorum of its movements, adapted to the voices and instruments of a bridal chorus; alas, one day it spied a fig or almond a little way off on the ground; flutes and measures and steps were all forgotten, the mask was far off in several pieces, and there was he chewing his find.

You, they will say, are the author (for 'actor' would understate the case) who has laid down the laws of noble conduct; and no sooner is the lump of figs presented than the monkey is revealed; your lips are the lips of a philosopher, and your heart is quite other; it is no injustice to say that those sentiments for which you claim admiration have 'wetted your lips, and left your palate dry.' You have not had to wait long for retribution; you spoke unadvisedly in scorn of human needs; and, this little while after, behold you making public renunciation of your freedom! Surely Nemesis was standing behind your back as you drank in the flattering tributes to your superiority; did she not smile in her divine fore-knowledge of the impending change, and mark how you forgot to propitiate her before you assailed the victims whom fortune's mutability had reduced to such courses?

Now I want you to imagine a rhetorician writing on the theme that Aeschines, after his indictment of Timarchus, was himself proved guilty by eyewitnesses of similar iniquity; would, or would not, the amusement of the audience be heightened by the fact that he had got Timarchus punished for offences excused by youth, whereas he was himself an old man at the time of his own guilt? Why, you are like the quack who offered a cough-mixture which was to cure instantaneously, and could hardly get the promise out for coughing._

Yes, Sabinus, and there is plenty more of the same sort for an accuser like you to urge; the subject is all handles; you can take hold of it anywhere. I have been looking about for my best line of defence. Had I better turn craven, face right-about, confess my sin, and have recourse to the regular plea of Chance, Fate, Necessity? Shall I humbly beseech my critics to pardon me, remembering that nothing is in a man's own choice— we are led by some stronger power, one of the three I mentioned, probably, and are not true agents but guiltless altogether, whatever we say or do? Or will you tell me this might do well enough for one of the common herd, but you cannot have me sheltering myself so? I must not brief Homer; it will not serve me to plead:

No mortal man e'er yet escaped his fate;

nor again,

His thread was spun, then when his mother bare him.

On the other hand, I might avoid that plea as wanting in plausibility, and say that I did not accept this association under the temptation of money or any prospects of that kind, but in pure admiration of the wisdom, strength, and magnanimity of my patron's character, which inspired the wish to partake his activity. But I fear I should only have brought on myself the additional imputation of flattery. It would be a case of 'one nail drives out one nail,'