Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖
- Author: L. T. Meade
Book online «Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖». Author L. T. Meade
“No; that I cannot possibly allow.”
“But he wants me, even if he is not in danger. It was bad enough to be away from him when he was well; but now that he is ill——You don't understand, Aunt Grace—there is no one can do anything for father as I can. I am his Light o' the Morning.”
“His what?” said Mrs. Hartrick.
“Oh, that is what he calls me; but I have no time to explain now. I must go; I don't care.”
“You are an ungrateful girl, Nora. If you had lived through the misery I have lived through the last few hours this telegram would fill you with thankfulness. It is your duty to stay here. You are under a promise to your kind uncle. He has rescued your father and mother from a most terrible position, and your promise to him saying that you would stay quietly here you cannot in all honor break. If your father were in danger it would be a different matter. As it is, it is your duty to stay quietly here, and show by your patience how truly you love him.”
Nora sat silent. Mrs. Hartrick's words were absolute. The good lady felt that she was strictly following the path of duty.
“I can understand the shock you have had,” she continued, looking at the girl, who now sat with her head slightly drooping, her hands clasped tightly together, her attitude one of absolute despair.
“Linda,” she said, turning to her daughter, “fetch Nora a glass of wine. I noticed, my dear, that you ate scarcely any supper.”
Nora did not speak.
Linda returned with a glass of claret.
“Now drink this off, Nora,” said her aunt; “I insist.”
Nora was about to refuse, but she suddenly changed her mind.
“I shall go whether she gives me leave or not,” was her inward thought. “I shall want strength.” She drank off the wine, and returned the empty glass to her cousin.
“There now, that is better,” said Mrs. Hartrick; “and as you are unaccustomed to wine you will doubtless sleep soundly after it. Go up to your bedroom, dear. I will telegraph the first thing in the morning to O'Shanaghgan, and if there is the slightest cause for alarm will promise to take you there immediately. Be content with my promise; be patient, be brave, I beg of you, Nora. But, believe me, your uncle knows best when he says you are not to go.”
“Thank you, Aunt Grace,” said Nora in a low voice. She did not glance at Linda. She turned and left the room.
CHAPTER XXVI. — TEN POUNDS.
Molly was standing by the open window of her room when Nora came in. She entered quite quietly. Every vestige of color had left her face; her eyes, dark and intensely blue, were shining; some of her jet-black hair had got loosened and fell about her neck and shoulders. Molly sprang toward her.
“Oh, Nora!” she said.
“Hush!” said Nora. “I have heard; father is hurt—very badly hurt, and I am going to him.”
“Are you indeed? Is mother going to take you?” said Molly.
“No; she has refused. A telegram has come from my uncle; he says I am not to go—as if a thousand telegrams would keep me. Molly, I am going.”
“But you cannot go alone.”
“I am going.”
“When?” said Molly.
“Now—this very minute.”
“What nonsense! There are no trains.”
“I shall leave the house and stay at the station. I shall take the very next train to town. I am going.”
“But, Nora, have you money?”
“Money?” said Nora. “I never thought of that.”
“Mother won't give you money if she does not wish you to go.”
“I'll go to my room and see.” Nora rushed away. She came back in a few moments with her purse; she flung the contents on Molly's bed. Molly took up the silver coins as they rattled out of Nora's purse. Alack and alas! all she possessed was eight shillings and a few coppers.
“You cannot go with that,” said Molly; “and I have nothing to lend you, or I would; indeed, I would give you all I possess, but mother only gives me sixpence a week. Nothing would induce her to give me an allowance. I have sixpence a week just as if I were a baby, and you can quite understand I don't save out of that. What is to be done?”
Nora looked nonplused. For the first time the vigorous intention, the fierce resolve which was bearing her onward, was checked, and checked by so mighty a reason that she could not quite see her way out of the present difficulty. To ask her Aunt Grace for money would be worse than useless. Nora was a sufficient reader of character to be quite certain that Mrs. Hartrick when she said a thing meant it. She would be kind to Nora up to a certain point. Were her father in what they called danger she herself would be the first to help Nora to go to him.
“How little they know how badly he wants me!” thought the girl; “how all this time he is pining for me—he who never knew illness in his life—pining, pining for me! Nothing shall keep me from him. I would steal to go to him; there is nothing I would not do.”
“Nora, how queer you look!” said Molly.
“I am thinking,” said Nora. “I wonder how I am to get that money? Oh, I have it. I'll ask Stephanotie to lend it to me. Do you think she would?”
“I don't know. I think it very likely. She is generous, and she has heaps of money.”
“Then I'll go to her,” said Nora.
“Stay, Nora; if you really want to run away——”
“Run away?” said Nora. “If you like to call it so, you may; but I'm going. My own father is ill; my uncle and aunt don't hold the same position to me that my father holds. I will go to him—I will.”
“Then I tell you what it is,” said Molly, “you must do this thing carefully or you'll be locked up in your bedroom. Mother would think nothing of locking the door of your bedroom and keeping you there. You don't know mother when once her back is up. She can be immensely kind up to a certain point, and then—oh! I know it—immensely cruel.”
“What is to
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