Emile by Jean-Jacques Rousseau (new ebook reader TXT) 📖

The one mounts at once to Olympus, and moves in the smartest society; he is taken to court, he is presented in the houses of the great, of the rich, of the pretty women. I assume that he is everywhere made much of, and I do not regard too closely the effect of this reception on his reason; I assume it can stand it. Pleasures fly before him, every day provides him with fresh amusements; he flings himself into everything with an eagerness which carries you away. You find him busy, eager, and curious; his first wonder makes a great impression on you; you think him happy; but behold the state of his heart; you think he is rejoicing, I think he suffers.

What does he see when first he opens his eyes? all sorts of so-called pleasures, hitherto unknown. Most of these pleasures are only for a moment within his reach, and seem to show themselves only to inspire regret for their loss. Does he wander through a palace; you see by his uneasy curiosity that he is asking why his father’s house is not like it. Every question shows you that he is comparing himself all the time with the owner of this grand place. And all the mortification arising from this comparison at once revolts and stimulates his vanity. If he meets a young man better dressed than himself, I find him secretly complaining of his parents’ meanness.

If he is better dressed than another, he suffers because the latter is his superior in birth or in intellect, and all his gold lace is put to shame by a plain cloth coat. Does he shine unrivalled in some assembly, does he stand on tiptoe that they may see him better, who is there who does not secretly desire to humble the pride and vanity of the young fop? Everybody is in league against him; the disquieting glances of a solemn man, the biting phrases of some satirical person, do not fail to reach him, and if it were only one man who despised him, the scorn of that one would poison in a moment the applause of the rest.

Let us grant him everything, let us not grudge him charm and worth; let him be well-made, witty, and attractive; the women will run after him; but by pursuing him before he is in love with them, they will inspire rage rather than love; he will have successes, but neither rapture nor passion to enjoy them. As his desires are always anticipated; they never have time to spring up among his pleasures, so he only feels the tedium of restraint. Even before he knows it he is disgusted and satiated with the sex formed to be the delight of his own; if he continues its pursuit it is only through vanity, and even should he really be devoted to women, he will not be the only brilliant, the only attractive young man, nor will he always find his mistresses prodigies of fidelity.

I say nothing of the vexation, the deceit, the crimes, and the remorse of all kinds, inseparable from such a life. We know that experience of the world disgusts us with it; I am speaking only of the drawbacks belonging to youthful illusions.

Hitherto the young man has lived in the bosom of his family and his friends, and has been the sole object of their care; what a change to enter all at once into a region where he counts for so little; to find himself plunged into another sphere, he who has been so long the centre of his own. What insults, what humiliation, must he endure, before he loses among strangers the ideas of his own importance which have been formed and nourished among his own people! As a child everything gave way to him, everybody flocked to him; as a young man he must give place to every one, or if he preserves ever so little of his former airs, what harsh lessons will bring him to himself! Accustomed to get everything he wants without any difficulty, his wants are many, and he feels continual privations.

He is tempted by everything that flatters him; what others have, he must have too; he covets everything, he envies every one, he would always be master. He is devoured by vanity, his young heart is enflamed by unbridled passions, jealousy and hatred among the rest; all these violent passions burst out at once; their sting rankles in him in the busy world, they return with him at night, he comes back dissatisfied with himself, with others; he falls asleep among a thousand foolish schemes disturbed by a thousand fancies, and his pride shows him even in his dreams those fancied pleasures; he is tormented by a desire which will never be satisfied. So much for your pupil; let us turn to mine.

If the first thing to make an impression on him is something sorrowful his first return to himself is a feeling of pleasure.

When he sees how many ills he has escaped he thinks he is happier than he fancied. He shares the suffering of his fellow-creatures, but he shares it of his own free will and finds pleasure in it.

He enjoys at once the pity he feels for their woes and the joy of being exempt from them; he feels in himself that state of vigour which projects us beyond ourselves, and bids us carry elsewhere the superfluous activity of our well-being. To pity another’s woes we must indeed know them, but we need not feel them. When we have suffered, when we are in fear of suffering, we pity those who suffer; but when we suffer ourselves, we pity none but ourselves.

But if all of us, being subject ourselves to the ills of life, only bestow upon others the sensibility we do not actually require for ourselves, it follows that pity must be a very pleasant feeling, since it speaks on our behalf; and, on the other hand, a hard-hearted man is always unhappy, since the state of his heart leaves him no superfluous sensibility to bestow on the sufferings of others.

We are too apt to judge of happiness by appearances; we suppose it is to be found in the most unlikely places, we seek for it where it cannot possibly be; mirth is a very doubtful indication of its presence. A merry man is often a wretch who is trying to deceive others and distract himself. The men who are jovial, friendly, and contented at their club are almost always gloomy grumblers at home, and their servants have to pay for the amusement they give among their friends. True contentment is neither merry nor noisy; we are jealous of so sweet a sentiment, when we enjoy it we think about it, we delight in it for fear it should escape us. A really happy man says little and laughs little; he hugs his happiness, so to speak, to his heart. Noisy games, violent delight, conceal the disappointment of satiety. But melancholy is the friend of pleasure; tears and pity attend our sweetest enjoyment, and great joys call for tears rather than laughter.

If at first the number and variety of our amusements seem to contribute to our happiness, if at first the even tenor of a quiet life seems tedious, when we look at it more closely we discover that the pleasantest habit of mind consists in a moderate enjoyment which leaves little scope for desire and aversion. The unrest of passion causes curiosity and fickleness; the emptiness of noisy pleasures causes weariness. We never weary of our state when we know none more delightful. Savages suffer less than other men from curiosity and from tedium; everything is the same to them—themselves, not their possessions—and they are never weary.

The man of the world almost always wears a mask. He is scarcely ever himself and is almost a stranger to himself; he is ill at ease when he is forced into his own company. Not what he is, but what he seems, is all he cares for.

I cannot help picturing in the countenance of the young man I have just spoken of an indefinable but unpleasant impertinence, smoothness, and affectation, which is repulsive to a plain man, and in the countenance of my own pupil a simple and interesting expression which indicates the real contentment and the calm of his mind; an expression which inspires respect and confidence, and seems only to await the establishment of friendly relations to bestow his own confidence in return. It is thought that the expression is merely the development of certain features designed by nature. For my own part I think that over and above this development a man’s face is shaped, all unconsciously, by the frequent and habitual influence of certain affections of the heart.

These affections are shown on the face, there is nothing more certain; and when they become habitual, they must surely leave lasting traces. This is why I think the expression shows the character, and that we can sometimes read one another without seeking mysterious explanations in powers we do not possess.

A child has only two distinct feelings, joy and sorrow; he laughs or he cries; he knows no middle course, and he is constantly passing from one extreme to the other. On account of these perpetual changes there is no lasting impression on the face, and no expression; but when the child is older and more sensitive, his feelings are keener or more permanent, and these deeper impressions leave traces more difficult to erase; and the habitual state of the feelings has an effect on the features which in course of time becomes ineffaceable.

Still it is not uncommon to meet with men whose expression varies with their age. I have met with several, and I have always found that those whom I could observe and follow had also changed their habitual temper. This one observation thoroughly confirmed would seem to me decisive, and it is not out of place in a treatise on education, where it is a matter of importance, that we should learn to judge the feelings of the heart by external signs.

I do not know whether my young man will be any the less amiable for not having learnt to copy conventional manners and to feign sentiments which are not his own; that does not concern me at present, I only know he will be more affectionate; and I find it difficult to believe that he, who cares for nobody but himself, can so far disguise his true feelings as to please as readily as he who finds fresh happiness for himself in his affection for others.

But with regard to this feeling of happiness, I think I have said enough already for the guidance of any sensible reader, and to show that I have not contradicted myself.

I return to my system, and I say, when the critical age approaches, present to young people spectacles which restrain rather than excite them; put off their dawning imagination with objects which, far from inflaming their senses, put a check to their activity.

Remove them from great cities, where the flaunting attire and the boldness of the women hasten and anticipate the teaching of nature, where everything presents to their view pleasures of which they should know nothing till they are of an age to choose for themselves.

Bring them back to their early home, where rural simplicity allows the passions of their age to develop more slowly; or if their taste for the arts keeps them in town, guard them by means of this very taste from a dangerous idleness. Choose carefully their company, their occupations, and their pleasures; show them nothing but modest and pathetic pictures which are touching but not seductive, and nourish their sensibility without stimulating their senses.

Remember also, that the danger of excess is