Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖
- Author: Alexandre Dumas
Book online «The Companions of Jehu by Alexandre Dumas (best ereader for comics TXT) 📖». Author Alexandre Dumas
The difference of character showed itself markedly in the preparations of the two men. Roland had made them joyously, as if for a pleasure trip; Sir John made his gravely, as if for a duel. He loaded his pistols with the utmost care and put them into his belt English fashion. And, instead of a cloak, which might have impeded his movements, he wore a top-coat with a high collar put on over his other coat.
At half-past ten the pair left the house with the same precautions that Roland had observed when alone. It was five minutes before eleven when they reached the broken window, where the fallen stones served as a stepping-block. There, according to agreement, they were to part. Sir John, reminded Roland of this agreement.
“Yes,” said Roland, “an agreement is an agreement with me. Only, let me give you a piece of advice.”
“What is it?”
“I could not find the bullets because some one had been here and carried them off; and that was done beyond doubt to prevent me from seeing the dents on them.”
“What sort of dent do you mean?”
“Those of the links of a coat of mail; my ghost was a man in armor.”
“That’s too bad!” said Sir John; “I hoped for a ghost.” Then, after a moment’s silence and a sigh expressive of his deep regret in resigning the ghost, he asked: “What was your advice?”
“Fire at his face!”
Sir John nodded assent, pressed the young officer’s hand, clambered through the window and disappeared in the sacristy.
“Good-night!” called Roland after him. Then with the indifference to danger which a soldier generally feels for himself and his companions, Roland took his way back to the Château des Noires-Fontaines, as he had promised Sir John.
CHAPTER XVIII. THE TRIAL
The next day Roland, who had been unable to sleep till about two in the morning, woke about seven. Collecting his scattered wits, he recalled what had passed between Sir John and himself the night before, and was astonished that the Englishman had not wakened him. He dressed hastily and went to Sir John’s room at the risk of rousing him from his first sleep.
He knocked at the door. Sir John made no answer. Roland knocked again, louder this time. The same silence. This time some uneasiness mingled with Roland’s curiosity. The key was on the outside; the young officer opened the door, and cast a rapid glance around the room. Sir John was not there; he had not returned. The bed was undisturbed. What had happened?
There was not an instant to lose, and we may be sure that, with that rapidity of decision we know in Roland, he lost not an instant. He rushed to his room, finished dressing, put his hunting knife into his belt, slung his rifle over his shoulder and went out. No one was yet awake except the chambermaid. Roland met her on the stairs.
“Tell Madame de Montrevel,” said he, “that I have gone into the forest of Seillon with my gun. She must not worry if Sir John and I are not on time for breakfast.”
Then he darted rapidly away. Ten minutes later he reached the window where he had left Sir John the night before. He listened, not a sound came from within; the huntsman’s ear could detect the morning woodland sounds, but no others. Roland climbed through the window with his customary agility, and rushed through the choir into the sacristy.
One look sufficed to show him that not only the choir but the entire chapel was empty. Had the spectres led the Englishman along the reverse of the way he had come himself? Possibly. Roland passed rapidly behind the altar, into the vaults, where he found the gate open. He entered the subterranean cemetery. Darkness hid its depths. He called Sir John three times. No one answered.
He reached the second gate; it was open like the first. He entered the vaulted passage; only, as it would be impossible to use his gun in such darkness, he slung it over his shoulder and drew out his hunting-knife. Feeling his way, he continued to advance without meeting anybody, but the further he went the deeper became the darkness, which indicated that the stone in the cistern was closed. He reached the steps, and mounted them until his head touched the revolving stone; then he made an effort, and the block turned. Roland saw daylight and leaped into the cistern. The door into the orchard stood open. Roland passed through it, crossed that portion of the orchard which lay between the cistern and the corridor at the other end of which he had fired upon the phantom. He passed along the corridor and entered the refectory. The refectory was empty.
Again, as in the funereal passageway, Roland called three times. The wondering echo, which seemed to have forgotten the tones of the human voice, answered stammering. It was improbable that Sir John had come this way; it was necessary to go back. Roland retraced his steps, and found himself in the choir again. That was where Sir John had intended to spend the night, and there some trace of him must be found.
Roland advanced only a short distance, and then a cry escaped him. A large spot of blood lay at his feet, staining the pavement. On the other side of the choir, a dozen feet from the blood, was another stain, not less large, nor less red, nor less recent. It seemed to make a pendant for the first.
One of these stains was to the right, the other to the left of that sort of pedestal intended, as we have said, to support the eagle lectern—the pedestal which Sir John had selected for his place of waiting. Roland went up to it. It was drenched with blood! Evidently the drama had taken place on that spot; a drama which, if all the signs were true, must have been terrible.
Roland, in his double capacity of huntsman and soldier, was keen at a quest. He could calculate the amount of blood lost by a man who was dead, or by one who was only wounded. That night three men had fallen, either dead or wounded. What were the probabilities?
The two stains in the choir to the right and left of the pedestal were probably the blood of Sir John’s two antagonists. That on the pedestal was probably his own. Attacked on both sides, right and left, he had fired with both hands, killing or wounding a man with each shot. Hence these two bloodstains which reddened the pavement. He himself must have been struck down beside the pedestal, on which his blood had spurted.
After a few seconds of examination, Roland was as sure of this as if he had witnessed the struggle with his own eyes. Now, what had been done with the bodies? He cared little enough about two of them; but he was determined to know what had become of that of Sir John.
A track of blood started from
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