A Distinguished Provincial in Paris by Honoré de Balzac (great novels .TXT) 📖

to help him.

"Suppose that they play you false, what will you do?" Finot ended. "Suppose that some Minister fancies that he has you fast by the halter of your apostasy, and turns the cold shoulder on you? You will be glad to set on a few dogs to snap at his legs, will you not? Very well. But you have made a deadly enemy of Lousteau; he is thirsting for your blood. You and Felicien are not on speaking terms. I only remain to you. It is a rule of the craft to keep a good understanding with every man of real ability. In the world which you are about to enter you can do me services in return for mine with the press. But business first. Let me have purely literary articles; they will not compromise you, and we shall have executed our agreement."

Lucien saw nothing but good-fellowship and a shrewd eye to business in Finot's offer; Finot and des Lupeaulx had flattered him, and he was in a good humor. He actually thanked Finot!

Ambitious men, like all those who can only make their way by the help of others and of circumstances, are bound to lay their plans very carefully and to adhere very closely to the course of conduct on which they determine; it is a cruel moment in the lives of such aspirants when some unknown power brings the fabric of their fortunes to some severe test and everything gives way at once; threads are snapped or entangled, and misfortune appears on every side. Let a man lose his head in the confusion, it is all over with him; but if he can resist this first revolt of circumstances, if he can stand erect until the tempest passes over, or make a supreme effort and reach the serene sphere about the storm--then he is really strong. To every man, unless he is born rich, there comes sooner or later "his fatal week," as it must be called. For Napoleon, for instance, that week was the Retreat from Moscow. It had begun now for Lucien.

Social and literary success had come to him too easily; he had had such luck that he was bound to know reverses and to see men and circumstances turn against him.

The first blow was the heaviest and the most keenly felt, for it touched Lucien where he thought himself invulnerable--in his heart and his love. Coralie might not be clever, but hers was a noble nature, and she possessed the great actress' faculty of suddenly standing aloof from self. This strange phenomenon is subject, until it degenerates into a habit with long practice, to the caprices of character, and not seldom to an admirable delicacy of feeling in actresses who are still young. Coralie, to all appearance bold and wanton, as the part required, was in reality girlish and timid, and love had wrought in her a revulsion of her woman's heart against the comedian's mask. Art, the supreme art of feigning passion and feeling, had not yet triumphed over nature in her; she shrank before a great audience from the utterance that belongs to Love alone; and Coralie suffered besides from another true woman's weakness--she needed success, born stage queen though she was. She could not confront an audience with which she was out of sympathy; she was nervous when she appeared on the stage, a cold reception paralyzed her. Each new part gave her the terrible sensations of a first appearance. Applause produced a sort of intoxication which gave her encouragement without flattering her vanity; at a murmur of dissatisfaction or before a silent house, she flagged; but a great audience following attentively, admiringly, willing to be pleased, electrified Coralie. She felt at once in communication with the nobler qualities of all those listeners; she felt that she possessed the power of stirring their souls and carrying them with her. But if this action and reaction of the audience upon the actress reveals the nervous organization of genius, it shows no less clearly the poor child's sensitiveness and delicacy. Lucien had discovered the treasures of her nature; had learned in the past months that this woman who loved him was still so much of a girl. And Coralie was unskilled in the wiles of an actress--she could not fight her own battles nor protect herself against the machinations of jealousy behind the scenes. Florine was jealous of her, and Florine was as dangerous and depraved as Coralie was simple and generous. Roles must come to find Coralie; she was too proud to implore authors or to submit to dishonoring conditions; she would not give herself to the first journalist who persecuted her with his advances and threatened her with his pen. Genius is rare enough in the extraordinary art of the stage; but genius is only one condition of success among many, and is positively hurtful unless it is accompanied by a genius for intrigue in which Coralie was utterly lacking.

Lucien knew how much his friend would suffer on her first appearance at the Gymnase, and was anxious at all costs to obtain a success for her; but all the money remaining from the sale of the furniture and all Lucien's earnings had been sunk in costumes, in the furniture of a dressing-room, and the expenses of a first appearance.

A few days later, Lucien made up his mind to a humiliating step for love's sake. He took Fendant and Cavalier's bills, and went to the _Golden Cocoon_ in the Rue des Bourdonnais. He would ask Camusot to discount them. The poet had not fallen so low that he could make this attempt quite coolly. There had been many a sharp struggle first, and the way to that decision had been paved with many dreadful thoughts. Nevertheless, he arrived at last in the dark, cheerless little private office that looked out upon a yard, and found Camusot seated gravely there; this was not Coralie's infatuated adorer, not the easy-natured, indolent, incredulous libertine whom he had known hitherto as Camusot, but a heavy father of a family, a merchant grown old in shrewd expedients of business and respectable virtues, wearing a magistrate's mask of judicial prudery; this Camusot was the cool, business-like head of the firm surrounded by clerks, green cardboard boxes, pigeonholes, invoices, and samples, and fortified by the presence of a wife and a plainly-dressed daughter. Lucien trembled from head to foot as he approached; for the worthy merchant, like the money-lenders, turned cool, indifferent eyes upon him.

"Here are two or three bills, monsieur," he said, standing beside the merchant, who did not rise from his desk. "If you will take them of me, you will oblige me extremely."

"You have taken something of _me_, monsieur," said Camusot; "I do not forget it."

On this, Lucien explained Coralie's predicament. He spoke in a low voice, bending to murmur his explanation, so that Camusot could hear the heavy throbbing of the humiliated poet's heart. It was no part of Camusot's plans that Coralie should suffer a check. He listened, smiling to himself over the signatures on the bills (for, as a judge at the Tribunal of Commerce, he knew how the booksellers stood), but in the end he gave Lucien four thousand five hundred francs for them, stipulating that he should add the formula "For value received in silks."

Lucien went straight to Braulard, and made arrangements for a good reception. Braulard promised to come to the dress-rehearsal, to determine on the points where his "Romans" should work their fleshy clappers to bring down the house in applause. Lucien gave the rest of the money to Coralie (he did not tell her how he had come by it), and allayed her anxieties and the fears of Berenice, who was sorely troubled over their daily expenses.

Martainville came several times to hear Coralie rehearse, and he knew more of the stage than most men of his time; several Royalist writers had promised favorable articles; Lucien had not a suspicion of the impending disaster.

A fatal event occurred on the evening before Coralie's _debut_. D'Arthez's book had appeared; and the editor of Merlin's paper, considering Lucien to be the best qualified man on the staff, gave him the book to review. He owed his unlucky reputation to those articles on Nathan's work. There were several men in the office at the time, for all the staff had been summoned; Martainville was explaining that the party warfare with the Liberals must be waged on certain lines. Nathan, Merlin, all the contributors, in fact, were talking of Leon Giraud's paper, and remarking that its influence was the more pernicious because the language was guarded, cool, moderate. People were beginning to speak of the circle in the Rue des Quatre-Vents as a second Convention. It had been decided that the Royalist papers were to wage a systematic war of extermination against these dangerous opponents, who, indeed, at a later day, were destined to sow the doctrines that drove the Bourbons into exile; but that was only after the most brilliant of Royalist writers had joined them for the sake of a mean revenge.

D'Arthez's absolutist opinions were not known; it was taken for granted that he shared the views of his clique, he fell under the same anathema, and he was to be the first victim. His book was to be honored with "a slashing article," to use the consecrated formula. Lucien refused to write the article. Great was the commotion among the leading Royalist writers thus met in conclave. Lucien was told plainly that a renegade could not do as he pleased; if it did not suit his views to take the side of the Monarchy and Religion, he could go back to the other camp. Merlin and Martainville took him aside and begged him, as his friends, to remember that he would simply hand Coralie over to the tender mercies of the Liberal papers, for she would find no champions on the Royalist and Ministerial side. Her acting was certain to provoke a hot battle, and the kind of discussion which every actress longs to arouse.

"You don't understand it in the least," said Martainville; "if she plays for three months amid a cross-fire of criticism, she will make thirty thousand francs when she goes on tour in the provinces at the end of the season; and here are you about to sacrifice Coralie and your own future, and to quarrel with your own bread and butter, all for a scruple that will always stand in your way, and ought to be got rid of at once."

Lucien was forced to choose between d'Arthez and Coralie. His mistress would be ruined unless he dealt his friend a death-blow in the _Reveil_ and the great newspaper. Poor poet! He went home with death in his soul; and by the fireside he sat and read that finest production of modern literature. Tears fell fast over it as the pages turned. For a long while he hesitated, but at last he took up the pen and wrote a sarcastic article of the kind that he understood so well, taking the book as children might take some bright bird to strip it of its plumage and torture it. His sardonic jests were sure to tell. Again he turned to the book, and as he read it over a second time, his better self awoke. In the dead of night he hurried across Paris, and stood outside d'Arthez's house. He looked up at the windows and saw the faint pure gleam of light in the panes, as he had so often seen it, with a feeling of admiration for the noble steadfastness of that truly great nature. For some moments he stood irresolute on the curbstone; he had not courage to go further; but his good