A Distinguished Provincial in Paris by Honoré de Balzac (great novels .TXT) 📖
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- Author: Honoré de Balzac
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"And you will be well rewarded, my friend," said Mme. de Bargeton, with a gracious smile. "Go to the _Chancellerie_ the day after to-morrow with 'the Heron' and des Lupeaulx, and you will find your patent signed by His Majesty. The Keeper of the Seals will take it to-morrow to the Tuileries, but there is to be a meeting of the Council, and he will not come back till late. Still, if I hear the result to-morrow evening, I will let you know. Where are you living?"
"I will come to you," said Lucien, ashamed to confess that he was living in the Rue de la Lune.
"The Duc de Lenoncourt and the Duc de Navarreins have made mention of you to the King," added the Marquise; "they praised your absolute and entire devotion, and said that some distinction ought to avenge your treatment in the Liberal press. The name and title of Rubempre, to which you have a claim through your mother, would become illustrious through you, they said. The King gave his lordship instructions that evening to prepare a patent authorizing the Sieur Lucien Chardon to bear the arms and title of the Comtes de Rubempre, as grandson of the last Count by the mother's side. 'Let us favor the songsters' (_chardonnerets_) 'of Pindus,' said his Majesty, after reading your sonnet on the Lily, which my cousin luckily remembered to give the Duke.--'Especially when the King can work miracles, and change the song-bird into an eagle,' M. de Navarreins replied."
Lucien's expansion of feeling would have softened the heart of any woman less deeply wounded than Louise d'Espard de Negrepelisse; but her thirst for vengeance was only increased by Lucien's graciousness. Des Lupeaulx was right; Lucien was wanting in tact. It never crossed his mind that this history of the patent was one of the mystifications at which Mme. d'Espard was an adept. Emboldened with success and the flattering distinction shown to him by Mlle. des Touches, he stayed till two o'clock in the morning for a word in private with his hostess. Lucien had learned in Royalist newspaper offices that Mlle. des Touches was the author of a play in which _La petite Fay_, the marvel of the moment was about to appear. As the rooms emptied, he drew Mlle. des Touches to a sofa in the boudoir, and told the story of Coralie's misfortune and his own so touchingly, that Mlle. des Touches promised to give the heroine's part to his friend.
That promise put new life into Coralie. But the next day, as they breakfasted together, Lucien opened Lousteau's newspaper, and found that unlucky anecdote of the Keeper of the Seals and his wife. The story was full of the blackest malice lurking in the most caustic wit. Louis XVIII. was brought into the story in a masterly fashion, and held up to ridicule in such a way that prosecution was impossible. Here is the substance of a fiction for which the Liberal party attempted to win credence, though they only succeeded in adding one more to the tale of their ingenious calumnies.
The King's passion for pink-scented notes and a correspondence full of madrigals and sparkling wit was declared to be the last phase of the tender passion; love had reached the Doctrinaire stage; or had passed, in other words, from the concrete to the abstract. The illustrious lady, so cruelly ridiculed under the name of Octavie by Beranger, had conceived (so it was said) the gravest fears. The correspondence was languishing. The more Octavie displayed her wit, the cooler grew the royal lover. At last Octavie discovered the cause of her decline; her power was threatened by the novelty and piquancy of a correspondence between the august scribe and the wife of his Keeper of the Seals. That excellent woman was believed to be incapable of writing a note; she was simply and solely godmother to the efforts of audacious ambition. Who could be hidden behind her petticoats? Octavie decided, after making observations of her own, that the King was corresponding with his Minister.
She laid her plans. With the help of a faithful friend, she arranged that a stormy debate should detain the Minister at the Chamber; then she contrived to secure a _tete-a-tete_, and to convince outraged Majesty of the fraud. Louis XVIII. flew into a royal and truly Bourbon passion, but the tempest broke on Octavie's head. He would not believe her. Octavie offered immediate proof, begging the King to write a note which must be answered at once. The unlucky wife of the Keeper of the Seals sent to the Chamber for her husband; but precautions had been taken, and at that moment the Minister was on his legs addressing the Chamber. The lady racked her brains and replied to the note with such intellect as she could improvise.
"Your Chancellor will supply the rest," cried Octavie, laughing at the King's chagrin.
There was not a word of truth in the story; but it struck home to three persons--the Keeper of the Seals, his wife, and the King. It was said that des Lupeaulx had invented the tale, but Finot always kept his counsel. The article was caustic and clever, the Liberal papers and the Orleanists were delighted with it, and Lucien himself laughed, and thought of it merely as a very amusing _canard_.
He called next day for des Lupeaulx and the Baron du Chatelet. The Baron had just been to thank his lordship. The Sieur Chatelet, newly appointed Councillor Extraordinary, was now Comte du Chatelet, with a promise of the prefecture of the Charente so soon as the present prefect should have completed the term of office necessary to receive the maximum retiring pension. The Comte _du_ Chatelet (for the _du_ had been inserted in the patent) drove with Lucien to the _Chancellerie_, and treated his companion as an equal. But for Lucien's articles, he said, his patent would not have been granted so soon; Liberal persecution had been a stepping-stone to advancement. Des Lupeaulx was waiting for them in the Secretary-General's office. That functionary started with surprise when Lucien appeared and looked at des Lupeaulx.
"What!" he exclaimed, to Lucien's utter bewilderment. "Do you dare to come here, sir? Your patent was made out, but his lordship has torn it up. Here it is!" (the Secretary-General caught up the first torn sheet that came to hand). "The Minister wished to discover the author of yesterday's atrocious article, and here is the manuscript," added the speaker, holding out the sheets of Lucien's article. "You call yourself a Royalist, sir, and you are on the staff of that detestable paper which turns the Minister's hair gray, harasses the Centre, and is dragging the country headlong to ruin? You breakfast on the _Corsair_, the _Miroir_, the _Constitutionnel_, and the _Courier_; you dine on the _Quotidienne_ and the _Reveil_, and then sup with Martainville, the worst enemy of the Government! Martainville urges the Government on to Absolutist measures; he is more likely to bring on another Revolution than if he had gone over to the extreme Left. You are a very clever journalist, but you will never make a politician. The Minister denounced you to the King, and the King was so angry that he scolded M. le Duc de Navarreins, his First Gentleman of the Bedchamber. Your enemies will be all the more formidable because they have hitherto been your friends. Conduct that one expects from an enemy is atrocious in a friend."
"Why, really, my dear fellow, are you a child?" said des Lupeaulx. "You have compromised me. Mme. d'Espard, Mme. de Bargeton, and Mme. de Montcornet, who were responsible for you, must be furious. The Duke is sure to have handed on his annoyance to the Marquise, and the Marquise will have scolded her cousin. Keep away from them and wait."
"Here comes his lordship--go!" said the Secretary-General.
Lucien went out into the Place Vendome; he was stunned by this bludgeon blow. He walked home along the Boulevards trying to think over his position. He saw himself a plaything in the hands of envy, treachery, and greed. What was he in this world of contending ambitions? A child sacrificing everything to the pursuit of pleasure and the gratification of vanity; a poet whose thoughts never went beyond the moment, a moth flitting from one bright gleaming object to another. He had no definite aim; he was the slave of circumstance--meaning well, doing ill. Conscience tortured him remorselessly. And to crown it all, he was penniless and exhausted with work and emotion. His articles could not compare with Merlin's or Nathan's work.
He walked at random, absorbed in these thoughts. As he passed some of the reading-rooms which were already lending books as well as newspapers, a placard caught his eyes. It was an advertisement of a book with a grotesque title, but beneath the announcement he saw his name in brilliant letters--"By Lucien Chardon de Rubempre." So his book had come out, and he had heard nothing of it! All the newspapers were silent. He stood motionless before the placard, his arms hanging at his sides. He did not notice a little knot of acquaintances--Rastignac and de Marsay and some other fashionable young men; nor did he see that Michel Chrestien and Leon Giraud were coming towards him.
"Are you M. Chardon?" It was Michel who spoke, and there was that in the sound of his voice that set Lucien's heartstrings vibrating.
"Do you not know me?" he asked, turning very pale.
Michel spat in his face.
"Take that as your wages for your article against d'Arthez. If everybody would do as I do on his own or his friend's behalf, the press would be as it ought to be--a self-respecting and respected priesthood."
Lucien staggered back and caught hold of Rastignac.
"Gentlemen," he said, addressing Rastignac and de Marsay, "you will not refuse to act as my seconds. But first, I wish to make matters even and apology impossible."
He struck Michel a sudden, unexpected blow in the face. The rest rushed in between the Republican and Royalist, to prevent a street brawl. Rastignac dragged Lucien off to the Rue Taitbout, only a few steps away from the Boulevard de Gand, where this scene took place. It was the hour of dinner, or a crowd would have assembled at once. De Marsay came to find Lucien, and the pair insisted that he should dine with them at the Cafe Anglais, where they drank and made merry.
"Are you a good swordsman?" inquired de Marsay.
"I have never had a foil in my hands."
"A good shot?"
"Never fired a pistol in my life."
"Then you have luck on your side. You are a formidable antagonist to stand up to; you may kill your man," said de Marsay.
Fortunately, Lucien found Coralie in bed and asleep.
She had played without rehearsal in a one-act play, and taken her revenge. She had met with genuine applause. Her enemies had not been prepared for this step on her part, and her success had determined the manager
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