Aaron's Rod by D. H. Lawrence (best young adult book series txt) đ
- Author: D. H. Lawrence
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âAnd where should we be if we could?â said Aaron.
âWe might begin to be ourselves, anyhow.â
âAnd what does that mean?â said Aaron. âBeing yourselfâwhat does it mean?â
âTo me, everything.â
âAnd to most folks, nothing. Theyâve got to have a goal.â
âThere is no goal. I loathe goals more than any other impertinence. Gaols, they are. Bahâjails and jailers, gaols and gaolers---â
âWherever you go, youâll find people with their noses tied to some goal,â said Aaron.
âTheir wagon hitched to a starâwhich goes round and round like an ass in a gin,â laughed Lilly. âBe damned to it.â
Aaron got himself dressed, and the two men went out, took a tram and went into the country. Aaron could not help itâLilly put his back up. They came to a little inn near a bridge, where a broad stream rustled bright and shallow. It was a sunny warm day, and Aaron and Lilly had a table outside under the thin trees at the top of the bank above the river. The yellow leaves were fallingâthe Tuscan sky was turquoise blue. In the stream below three naked boys still adventurously bathed, and lay flat on the shingle in the sun. A wagon with two pale, loving, velvety oxen drew slowly down the hill, looking at each step as if they were going to come to rest, to move no more. But still they stepped forward. Till they came to the inn, and there they stood at rest. Two old women were picking the last acorns under three scrubby oak-trees, whilst a girl with bare feet drove her two goats and a sheep up from the water-side towards the women. The girl wore a dress that had been blue, perhaps indigo, but which had faded to the beautiful lavender-purple colour which is so common, and which always reminded Lilly of purple anemones in the south.
The two friends sat in the sun and drank red wine. It was midday. From the thin, square belfry on the opposite hill the bells had rung. The old women and the girl squatted under the trees, eating their bread and figs. The boys were dressing, fluttering into their shirts on the streamâs shingle. A big girl went past, with somebodyâs dinner tied in a red kerchief and perched on her head. It was one of the most precious hours: the hour of pause, noon, and the sun, and the quiet acceptance of the world. At such a time everything seems to fall into a true relationship, after the strain of work and of urge.
Aaron looked at Lilly, and saw the same odd, distant look on his face as on the face of some animal when it lies awake and alert, yet perfectly at one with its surroundings. It was something quite different from happiness: an alert enjoyment of rest, an intense and satisfying sense of centrality. As a dog when it basks in the sun with one eye open and winking: or a rabbit quite still and wide-eyed, with a faintly-twitching nose. Not passivity, but alert enjoyment of being central, life-central in oneâs own little circumambient world.
They sat thus stillâor lay under the treesâfor an hour and a half. Then Lilly paid the bill, and went on.
âWhat am I going to do this winter, do you think?â Aaron asked.
âWhat do you want to do?â
âNay, thatâs what I want to know.â
âDo you want anything? I mean, does something drive you from inside?â
âI canât just rest,â said Aaron.
âCanât you settle down to something?âto a job, for instance?â
âIâve not found the job I could settle down to, yet,â said Aaron.
âWhy not?â
âItâs just my nature.â
âAre you a seeker? Have you got a divine urge, or need?â
âHow do I know?â laughed Aaron. âPerhaps Iâve got a DAMNED urge, at the bottom of me. Iâm sure itâs nothing divine.â
âVery well then. Now, in life, there are only two great dynamic urgesâdo you believe meâ?â
âHow do I know?â laughed Aaron. âDo you want to be believed?â
âNo, I donât care a straw. Only for your own sake, youâd better believe me.â
âAll right thenâwhat about it?â
âWell, then, there are only two great dynamic urges in LIFE: love and power.â
âLove and power?â said Aaron. âI donât see power as so very important.â
âYou donât see because you donât look. But thatâs not the point. What sort of urge is your urge? Is it the love urge?â
âI donât know,â said Aaron.
âYes, you do. You know that you have got an urge, donât you?â
âYesââ rather unwillingly Aaron admitted it.
âWell then, what is it? Is it that you want to love, or to be obeyed?â
âA bit of both.â
âAll rightâa bit of both. And what are you looking for in love?âA woman whom you can love, and who will love you, out and out and all in all and happy ever after sort of thing?â
âThatâs what I started out for, perhaps,â laughed Aaron.
âAnd now you know itâs all my eye!â Aaron looked at Lilly, unwilling to admit it. Lilly began to laugh.
âYou know it well enough,â he said. âItâs one of your lost illusions, my boy. Well, then, what next? Is it a God youâre after? Do you want a God you can strive to and attain, through love, and live happy ever after, countless millions of eternities, immortality and all that? Is this your little dodge?â
Again Aaron looked at Lilly with that odd double look of mockery and unwillingness to give himself away.
âAll right then. Youâve got a love-urge that urges you to God; have you? Then go and join the Buddhists in Burmah, or the newest fangled Christians in Europe. Go and stick your head in a bush of Nirvana or spiritual perfection. Trot off.â
âI wonât,â said Aaron.
âYou must. If youâve got a love-urge, then give it its fulfilment.â
âI havenât got a love-urge.â
âYou have. You want to get excited in love. You want to be carried away in love. You want to whoosh off in a nice little love whoosh and love yourself. Donât deny it. I know you do. You want passion to sweep you off on wings of fire till you surpass yourself, and like the swooping eagle swoop right into the sun. I know you, my love-boy.â
âNot any moreânot any more. Iâve been had too often,â laughed Aaron.
âBah, itâs a lesson men never learn. No matter how sick they make themselves with love, they always rush for more, like a dog to his vomit.â
âWell, what am I to do then, if Iâm not to love?â cried Aaron.
âYou want to go on, from passion to passion, from ecstasy to ecstasy, from triumph to triumph, till you can whoosh away into glory, beyond yourself, all bonds loosened and happy ever after. Either that or Nirvana, opposite side of the medal.â
âThereâs probably more hate than love in me,â said Aaron.
âThatâs the recoil of the same urge. The anarchist, the criminal, the murderer, he is only the extreme lover acting on the recoil. But it is love: only in recoil. It flies back, the love-urge, and becomes a horror.â
âAll right then. Iâm a criminal and a murderer,â said Aaron.
âNo, youâre not. But youâve a love-urge. And perhaps on the recoil just now. But listen to me. Itâs no good thinking the love-urge is the one and only. Niente! You can whoosh if you like, and get excited and carried away loving a woman, or humanity, or God. Swoop away in the love direction till you lose yourself. But thatâs where youâre had. You canât lose yourself. You can try. But you might just as well try to swallow yourself. Youâll only bite your fingers off in the attempt. You canât lose yourself, neither in woman nor humanity nor in God. Youâve always got yourself on your hands in the end: and a very raw and jaded and humiliated and nervous-neurasthenic self it is, too, in the end. A very nasty thing to wake up to is oneâs own raw self after an excessive love-whoosh. Look even at President Wilson: he love-whooshed for humanity, and found in the end heâd only got a very sorry self on his hands.
âSo leave off. Leave off, my boy. Leave off love-whooshing. You canât lose yourself, so stop trying. The responsibility is on your own shoulders all the time, and no God which man has ever struck can take it off. You ARE yourself and so BE yourself. Stick to it and abide by it. Passion or no passion, ecstasy or no ecstasy, urge or no urge, thereâs no goal outside you, where you can consummate like an eagle flying into the sun, or a moth into a candle. Thereâs no goal outside youâand thereâs no God outside you. No God, whom you can get to and rest in. None. Itâs a case of:
âTrot, trot to market, to buy a penny bun, And trot, trot back again, as fast as you can run.âBut thereâs no God outside you, whom you can rise to or sink to or swoop away to. You canât even gum yourself to a divine Nirvana moon. Because all the time youâve got to eat your dinner and digest it. There is no goal outside you. None.
âThere is only one thing, your own very self. So youâd better stick to it. You canât be any bigger than just yourself, so you neednât drag God in. Youâve got one job, and no more. There inside you lies your own very self, like a germinating egg, your precious Easter egg of your own soul. There it is, developing bit by bit, from one single egg-cell which you were at your conception in your motherâs womb, on and on to the strange and peculiar complication in unity which never stops till you dieâif then. Youâve got an innermost, integral unique self, and since itâs the only thing you have got or ever will have, donât go trying to lose it. Youâve got to develop it, from the egg into the chicken, and from the chicken into the one-and-only phoenix, of which there can only be one at a time in the universe. There can only be one of you at a time in the universeâand one of me. So donât forget it. Your own single oneness is your destiny. Your destiny comes from within, from your own self-form. And you canât know it beforehand, neither your destiny nor your self-form. You can
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