Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖
- Author: L. T. Meade
Book online «Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖». Author L. T. Meade
“Well,” said Nora restlessly, “I know nothing about the matter. I am sorry; but I am afraid I am powerless to interfere.”
“Oh, Miss Nora!” said Finnigan, “you know very well that you have kissed the Blarney Stone, and that no one can resist you. If you were to say a word to the Squire he would give me my due; and now that so much money has been put into O'Shanaghgan, it would be a very fine thing for me to have the collecting of the rents. I am a poor man, Miss Nora, and this business ought not to be given over my head to a stranger.”
“I will speak to father by-and-by,” said Nora; “but I doubt if I can do anything. But I have come to-day to ask you to do something for me.”
“And what is that, Miss Nora? I am sure I'd be proud to help such a beautiful young lady in any way.”
“I dislike compliments,” said Nora, coloring with annoyance. “Please listen. You know the man you evicted from the cabin on the side of Slieve Nagorna—Andy Neil?”
“Perfectly well, perfectly well,” answered Finnigan,
“You had my father's orders?”
“I had that, Miss Nora.”
“I want you, Mr. Finnigan, now to take my orders and to give Andy back his cabin. Put a bit of roof over it—anything, even an old tarpaulin—anything, so that he may sleep there if he likes to-night. I want you to do this for me, and allow me to take the risk of offending my father.”
“What!” said Finnigan, “and risk myself all chance of getting the agency. No, no, Miss Nora. Besides, what would all the other tenants say who have been evicted in their time? The man shall get his cabin back and a fresh roof and new windows, by the same token, when he pays his rent, and not before.”
“But he has no money to pay his rent.”
“Then he must stay out, Miss Nora.”
“I wish, I wish,” said Nora, clasping her hands and speaking with passion, “that you would oblige me in this. Indeed, it is of the utmost importance.”
“What!” said Finnigan, going up to her and staring into her face; “has that scoundrel threatened? Is it possible?”
“No, no, no; you are mistaken,” said Nora eagerly. “I only meant that I—I—pitied him so much.”
“That being the case, Miss Nora, I will say nothing further. But the fact is, I have before had my suspicions as to the hand which pulled that trigger which sent the shot into the Squire's leg, and it would be an extremely graceful act on my part to have that person arrested, and would doubtless insure the agency for me. But I will say no more; only, please understand, under no circumstances, except the payment of the rent, can Andy Neil get back his cabin.”
CHAPTER XXXIV. — A DARING DEED.
Having failed to get any help from John Finnigan, Nora returned to the Castle. As she drove quickly home she was very silent. Even loquacious Molly did not care to interrupt her thoughts. As soon as they reached the Castle she turned to her cousin and spoke quickly.
“Go to the barn and look after father, Molly. Talk as many naughty words as ever you like; make him laugh; keep him occupied. After dinner I shall probably want your aid again. In the meantime you will help me best by taking father off my hands.”
“And I desire nothing better,” answered Molly. “I love the Squire; it is the height of entertainment, as he would call it, to talk to him.”
Molly accordingly ran off. The Squire was now well enough to sit up in a great easy-chair made of straw, which had been carted over from Cronane for his special benefit, for the padded and velvet-covered chairs of the Castle would not at all have suited his inclinations. He sat back in the depths of his chair, which creaked at his every movement, and laughed long and often at Molly's stories.
“But where's Light o' the Morning herself?” he said after a pause. “Why don't she come to visit her old father? Why, it's craving for a sight of her I am.”
“I think Nora is very busy to-day,” answered Molly, “May I read the paper to you, Squire?”
“You read the paper to me?” answered Squire O'Shanaghgan. “Why, bless yer little heart, my pretty girleen, but I must decline with thanks. It is perfect torture to listen to your English accent when you are trying to do the rich Irish brogue. Irish papers should be read by Irish colleens, and then you get the flavor. But what did you say my colleen was after—business, is it? She's very fond of poking that little finger of hers into other people's pies. What is she after now at all, at all?”
“I cannot tell you,” answered Molly, coloring slightly as she spoke.
The Squire looked annoyed and suspicious.
“You go and call her to me,” he said. “Tell her to come along this blessed minute; say it's wanting her I am.”
Molly ran out of the barn. She found Nora in earnest conversation with Angus, while Hannah Croneen stood close by plucking now and then at the girl's skirt, looking eagerly into her face, and uttering such ejaculations as “Oh, glory!” “Be the powers!” “Did ye ever hear the like?” “Well, well, that beats all!”
“Nora,” said Molly, “will you go to your father? He wants you immediately.”
“Have you let out anything?” said Nora, turning and looking anxiously at Molly.
“No; but he asked after you, and I said you were busy. The Squire said then, 'I hope she is not poking her little finger into other people's pies.'”
“Well, I will go to him,” said Nora. “I'll manage him. You stay where you are, Molly.”
Nora's black hair was curling in crisp waves all round her beautiful white forehead. Her dark-blue eyes were darker and more shining than ever, there was a richer bloom on her cheeks, and there were sweeter smiles on her lips than she had ever perhaps worn before as she now entered the Squire's room.
“Well, father?” she said.
Squire O'Shanaghgan, who had been sitting wrapped in thought, roused himself on her
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