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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖

Book online «Light O' the Morning: The Story of an Irish Girl by L. T. Meade (e book free reading TXT) 📖». Author L. T. Meade



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big hall; but they knew Nora's step, and rose slowly, wagging their heavy tails. Nora patted them on their heads, gave them each an endearing word, and stooped to kiss pretty Cushla on her black forehead. She then softly unbolted one of the windows, lifted the sash, and got out. She carefully shut the window as noiselessly as she had opened it. She now found herself on the grassy sward in the neighborhood of the drawing-room. Under the old régime that sward was hard, and knotty tufts of weed as well as grass grew up here and there in profusion; but already, under the English government, it was beginning to assume the velvet-like appearance which a properly kept lawn ought to have.

Nora hated to feel such softness; she disliked everything which seemed to her to flavor of the English and their ways. There was a hot, rebellious feeling in her heart. Why should these things be? Why should not her Irish land and her Irish people be left in their wild freedom? She ran round to the yard. Angus had received instructions to leave the little postern door on the latch, and Nora now opened it and went softly in. The moon was beginning to rise, but was not at the full. There was, however already sufficient light for her to see each object with distinctness. She went and sat down in the shadow made by the great barn. She sat on the step to the barn, wrapping her warm cloak tightly round her, and keeping her basket of provisions by her side. Here she would sit all night, if necessary. Her vigil might have no result, but at any rate it would insure her father from danger. For now only over Nora's dead body could the wild Andy Neil approach the Squire.

“Andy shall kill me first,” she thought; “and if I die, I will scream and father will awaken. Angus is on the watch; the alarm will be given; at least my father's life will be spared. But why do I think of danger of this sort? Andy will not kill me. I place my trust in God. I am doing the right thing—I know I am doing the right thing.”

When Nora had let herself in at the postern door she had immediately drawn the bolt at the other side, thus preventing anyone else from entering the great yard by the same way; but she knew that, although Andy could not now enter the yard, in all probability he was already hiding there. There were no end to the ways and devices of a wild Irishman of Andy's sort. He was so thin and emaciated, too, that he could squeeze himself into the tiniest space. It lay in his power to remain motionless all night, until the moment when his revenge was ripe. Nora sat on. She heard the old clock in the ancient tower of the Castle strike the hours. That old clock had been severely animadverted on by Mrs. O'Shanaghgan on account of the cracked sound in the bell; but Nora felt relieved to find that, amongst all the modern innovations, the old clock still held its own; it had not, at least, yet, been removed from the tower. It struck solemnly now the hour of midnight.

“The witching hour,” thought the girl. “The hour when the Banshee walks abroad. I wonder if I shall see her. I should like to see her. Did she hear me when I called to her in the cave? Would she help me if she came to my rescue now? She belongs to us; she is our own Banshee; she has belonged to our family for many, many generations.”

Nora thought these thoughts; but then the feeling that Someone else who never fails those who trust Him was also watching her during this silent hour came to her with a sense of comfort. She could hear her father turning once or twice in the creaky old wooden bed. She was glad to feel that, unknown to him, she was his guardian angel. She began to think about the future, and almost to forget Andy and the possible and very great peril of the present, when, shortly before the hour of one, all her senses were preternaturally excited by the sound of a footfall. It was a very soft footfall—the noise made by a bare foot. Nora heard it just where the shadow was deepest. She stood up now; she knew that, from her present position, the one who was making this dead sort of heavy sound could not possibly see her. She waited, her breath coming hard and fast. For a minute, or perhaps more, there was again absolute and complete silence. The night was a breathless one; there was not a sound abroad; overhead the sky was of an inky blue-black, the stars were shining gloriously, and the moon was growing brighter and more clear, and more nearly approaching her meridian each moment. The girl stood with her hand pressed against her beating heart; she had flung aside her little red handkerchief, and her hair had fallen loose and was tumbling over her shoulders; she raised her other hand to her left ear to listen more intently—she was in the attitude of one about to spring.

Again there came the sound which she expected, and which, now that it had arrived, caused her heart to beat no longer with fear, but with a sort of wild exultation. Her suspicions had been right—the danger was real; her father's most precious life was in peril. The steps came quicker and more quick; they approached the other window of the barn. This window lay in complete shadow. Nora now stepped out of her hiding place, and, going with two or three quick strides down the yard, waited within a foot or two of the man, who now proceeded to lift himself up by the window ledge preparatory to opening the barn window. With the aid of a claspknife he could very easily push back the quaint and imperfect fastening; then it was but to push in the glass, and he could enter the barn. He sat on the window ledge with his back to Nora. His huge, gaunt form looked larger than ever, intensified now by the light of the moon. He breathed quickly; his breathing proclaimed that he himself was in physical suffering.

“Andy,” said Nora in a low, very low whisper.

But this low tone was as startling to the madman on the window as though a pistol shot had been sounded in his ears.

“Be the powers!” he said, and he tumbled so quickly off the window sill that Nora herself held out her hand to help him. Then he turned fiercely and faced the girl. She saw the light of madness gleaming in his sunken eyes; his wild face looked more cadaverous than ever; his great, skinny, long hand shook. He raised it as if to fell the girl to the ground, but paused to look in her face, and then his hand hung feebly to his side.

Nora had enacted all this scene beforehand to herself; she now thrust into Andy's face, within an inch or two of his nose, a great lump of bread and a slab of cold pie.

“Before you do anything more, eat,” she said; “eat quickly; make no noise.”

It was as impossible for the famished man to resist the good and tempting food as it would have been impossible for a needle to resist the influence of a powerful magnet. He grasped the bread, thrust the knife into his wretched shirt, and, tearing the bread in fragments, began to stuff it into his mouth. For a couple of minutes there was no sound but that of the starved creature tearing the bread and feeding himself. When he had slightly satisfied the first cravings of his starved body Nora took his hand.

“You have not had enough yet,” she said. “You have fasted long, and are very hungry; there is more where this came from.”

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