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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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Read books online » Fiction » The Reef by Edith Wharton (always you kirsty moseley TXT) 📖

Book online «The Reef by Edith Wharton (always you kirsty moseley TXT) 📖». Author Edith Wharton



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him look at the girl with sudden impatience. She struck him as positively stupid, and he wondered how he could have wasted half his day with her, when all the while Mrs. Leath's letter might be lying on his table. At that moment, if he could have chosen, he would have left his companion on the spot; but he had her on his hands, and must accept the consequences.

Some odd intuition seemed to make her conscious of his change of mood, for she sprang from her seat, crumpling the letter in her hand.

"I'm too stupid; but I won't keep you any longer. I'll go back to the hotel and write there."

Her colour deepened, and for the first time, as their eyes met, he noticed a faint embarrassment in hers. Could it be that his nearness was, after all, the cause of her confusion? The thought turned his vague impatience with her into a definite resentment toward himself. There was really no excuse for his having blundered into such an adventure. Why had he not shipped the girl off to Joigny by the evening train, instead of urging her to delay, and using Cerdine as a pretext? Paris was full of people he knew, and his annoyance was increased by the thought that some friend of Mrs. Leath's might see him at the play, and report his presence there with a suspiciously good-looking companion. The idea was distinctly disagreeable: he did not want the woman he adored to think he could forget her for a moment. And by this time he had fully persuaded himself that a letter from her was awaiting him, and had even gone so far as to imagine that its contents might annul the writer's telegraphed injunction, and call him to her side at once...


V

At the porter's desk a brief "Pas de lettres" fell destructively on the fabric of these hopes. Mrs. Leath had not written--she had not taken the trouble to explain her telegram. Darrow turned away with a sharp pang of humiliation. Her frugal silence mocked his prodigality of hopes and fears. He had put his question to the porter once before, on returning to the hotel after luncheon; and now, coming back again in the late afternoon, he was met by the same denial. The second post was in, and had brought him nothing.

A glance at his watch showed that he had barely time to dress before taking Miss Viner out to dine; but as he turned to the lift a new thought struck him, and hurrying back into the hall he dashed off another telegram to his servant: "Have you forwarded any letter with French postmark today? Telegraph answer Terminus."

Some kind of reply would be certain to reach him on his return from the theatre, and he would then know definitely whether Mrs. Leath meant to write or not. He hastened up to his room and dressed with a lighter heart.

Miss Viner's vagrant trunk had finally found its way to its owner; and, clad in such modest splendour as it furnished, she shone at Darrow across their restaurant table. In the reaction of his wounded vanity he found her prettier and more interesting than before. Her dress, sloping away from the throat, showed the graceful set of her head on its slender neck, and the wide brim of her hat arched above her hair like a dusky halo. Pleasure danced in her eyes and on her lips, and as she shone on him between the candle-shades Darrow felt that he should not be at all sorry to be seen with her in public. He even sent a careless glance about him in the vague hope that it might fall on an acquaintance.

At the theatre her vivacity sank into a breathless hush, and she sat intent in her corner of their baignoire, with the gaze of a neophyte about to be initiated into the sacred mysteries. Darrow placed himself behind her, that he might catch her profile between himself and the stage. He was touched by the youthful seriousness of her expression. In spite of the experiences she must have had, and of the twenty-four years to which she owned, she struck him as intrinsically young; and he wondered how so evanescent a quality could have been preserved in the desiccating Murrett air. As the play progressed he noticed that her immobility was traversed by swift flashes of perception. She was not missing anything, and her intensity of attention when Cerdine was on the stage drew an anxious line between her brows.

After the first act she remained for a few minutes rapt and motionless; then she turned to her companion with a quick patter of questions. He gathered from them that she had been less interested in following the general drift of the play than in observing the details of its interpretation. Every gesture and inflection of the great actress's had been marked and analyzed; and Darrow felt a secret gratification in being appealed to as an authority on the histrionic art. His interest in it had hitherto been merely that of the cultivated young man curious of all forms of artistic expression; but in reply to her questions he found things to say about it which evidently struck his listener as impressive and original, and with which he himself was not, on the whole, dissatisfied. Miss Viner was much more concerned to hear his views than to express her own, and the deference with which she received his comments called from him more ideas about the theatre than he had ever supposed himself to possess.

With the second act she began to give more attention to the development of the play, though her interest was excited rather by what she called "the story" than by the conflict of character producing it. Oddly combined with her sharp apprehension of things theatrical, her knowledge of technical "dodges" and green-room precedents, her glibness about "lines" and "curtains", was the primitive simplicity of her attitude toward the tale itself, as toward something that was "really happening" and at which one assisted as at a street-accident or a quarrel overheard in the next room. She wanted to know if Darrow thought the lovers "really would" be involved in the catastrophe that threatened them, and when he reminded her that his predictions were disqualified by his having already seen the play, she exclaimed: "Oh, then, please don't tell me what's going to happen!" and the next moment was questioning him about Cerdine's theatrical situation and her private history. On the latter point some of her enquiries were of a kind that it is not in the habit of young girls to make, or even to know how to make; but her apparent unconsciousness of the fact seemed rather to reflect on her past associates than on herself.

When the second act was over, Darrow suggested their taking a turn in the foyer; and seated on one of its cramped red velvet sofas they watched the crowd surge up and down in a glare of lights and gilding. Then, as she complained of the heat, he led her through the press to the congested cafe at the foot of the stairs, where orangeades were thrust at them between the shoulders of packed consommateurs and Darrow, lighting a cigarette while she sucked her straw, knew the primitive complacency of the man at whose companion other men stare.

On a corner of their table lay a smeared copy of a theatrical journal. It caught Sophy's eye and after poring over the page she looked up with an excited exclamation.

"They're giving Oedipe tomorrow afternoon at the Francais! I suppose you've seen it heaps and heaps of times?"

He smiled back at her. "You must see it too. We'll go tomorrow."

She sighed at his suggestion, but without discarding it. "How can I? The last train for Joigny leaves at four."

"But you don't know yet that your friends will want you."

"I shall know tomorrow early. I asked Mrs. Farlow to telegraph as soon as she got my letter." A twinge of compunction shot through Darrow. Her words recalled to him that on their return to the hotel after luncheon she had given him her letter to post, and that he had never thought of it again. No doubt it was still in the pocket of the coat he had taken off when he dressed for dinner. In his perturbation he pushed back his chair, and the movement made her look up at him.

"What's the matter?"

"Nothing. Only--you know I don't fancy that letter can have caught this afternoon's post."

"Not caught it? Why not?"

"Why, I'm afraid it will have been too late." He bent his head to light another cigarette.

She struck her hands together with a gesture which, to his amusement, he noticed she had caught from Cerdine.

"Oh, dear, I hadn't thought of that! But surely it will reach them in the morning?"

"Some time in the morning, I suppose. You know the French provincial post is never in a hurry. I don't believe your letter would have been delivered this evening in any case." As this idea occurred to him he felt himself almost absolved.

"Perhaps, then, I ought to have telegraphed?"

"I'll telegraph for you in the morning if you say so."

The bell announcing the close of the entr'-acte shrilled through the cafe, and she sprang to her feet.

"Oh, come, come! We mustn't miss it!"

Instantly forgetful of the Farlows, she slipped her arm through his and turned to push her way back to the theatre.

As soon as the curtain went up she as promptly forgot her companion. Watching her from the corner to which he had returned, Darrow saw that great waves of sensation were beating deliciously against her brain. It was as though every starved sensibility were throwing out feelers to the mounting tide; as though everything she was seeing, hearing, imagining, rushed in to fill the void of all she had always been denied.

Darrow, as he observed her, again felt a detached enjoyment in her pleasure. She was an extraordinary conductor of sensation: she seemed to transmit it physically, in emanations that set the blood dancing in his veins. He had not often had the opportunity of studying the effects of a perfectly fresh impression on so responsive a temperament, and he felt a fleeting desire to make its chords vibrate for his own amusement.

At the end of the next act she discovered with dismay that in their transit to the cafe she had lost the beautiful pictured programme he had bought for her. She wanted to go back and hunt for it, but Darrow assured her that he would have no trouble in getting her another. When he went out in quest of it she followed him protestingly to the door of the box, and he saw that she was distressed at the thought of his having to spend an additional franc for her. This frugality smote Darrow by its contrast to her natural bright profusion; and again he felt the desire to right so clumsy an injustice.

When he returned to the box she was still standing in the doorway, and he noticed that his were not the only eyes attracted to her. Then another impression sharply diverted his attention. Above the fagged faces of the Parisian crowd he had caught the fresh fair countenance of Owen Leath signalling a joyful recognition. The young man, slim and eager, had detached himself from two companions of his own type, and was seeking to push through the press to his step-mother's friend. The encounter, to Darrow, could hardly have been
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