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Reading books fiction Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself.



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The genre of fiction is interesting to read not only by the process of cognition and the desire to empathize with the fate of the hero, this genre is interesting for the ability to rethink one's own life. Of course the reader may accept the author's point of view or disagree with them, but the reader should understand that the author has done a great job and deserves respect. Take a closer look at genre fiction in all its manifestations in our elibrary.



Read books online » Fiction » The Reef by Edith Wharton (always you kirsty moseley TXT) 📖

Book online «The Reef by Edith Wharton (always you kirsty moseley TXT) 📖». Author Edith Wharton



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more inopportune; it woke in him a confusion of feelings of which only the uppermost was allayed by seeing Sophy Viner, as if instinctively warned, melt back into the shadow of their box.

A minute later Owen Leath was at his side. "I was sure it was you! Such luck to run across you! Won't you come off with us to supper after it's over? Montmartre, or wherever else you please. Those two chaps over there are friends of mine, at the Beaux Arts; both of them rather good fellows--and we'd be so glad----"

For half a second Darrow read in his hospitable eye the termination "if you'd bring the lady too"; then it deflected into: "We'd all be so glad if you'd come."

Darrow, excusing himself with thanks, lingered on for a few minutes' chat, in which every word, and every tone of his companion's voice, was like a sharp light flashed into aching eyes. He was glad when the bell called the audience to their seats, and young Leath left him with the friendly question: "We'll see you at Givre later on?"

When he rejoined Miss Viner, Darrow's first care was to find out, by a rapid inspection of the house, whether Owen Leath's seat had given him a view of their box. But the young man was not visible from it, and Darrow concluded that he had been recognized in the corridor and not at his companion's side. He scarcely knew why it seemed to him so important that this point should be settled; certainly his sense of reassurance was less due to regard for Miss Viner than to the persistent vision of grave offended eyes...

During the drive back to the hotel this vision was persistently kept before him by the thought that the evening post might have brought a letter from Mrs. Leath. Even if no letter had yet come, his servant might have telegraphed to say that one was on its way; and at the thought his interest in the girl at his side again cooled to the fraternal, the almost fatherly. She was no more to him, after all, than an appealing young creature to whom it was mildly agreeable to have offered an evening's diversion; and when, as they rolled into the illuminated court of the hotel, she turned with a quick movement which brought her happy face close to his, he leaned away, affecting to be absorbed in opening the door of the cab.

At the desk the night porter, after a vain search through the pigeon-holes, was disposed to think that a letter or telegram had in fact been sent up for the gentleman; and Darrow, at the announcement, could hardly wait to ascend to his room. Upstairs, he and his companion had the long dimly-lit corridor to themselves, and Sophy paused on her threshold, gathering up in one hand the pale folds of her cloak, while she held the other out to Darrow.

"If the telegram comes early I shall be off by the first train; so I suppose this is good-bye," she said, her eyes dimmed by a little shadow of regret.

Darrow, with a renewed start of contrition, perceived that he had again forgotten her letter; and as their hands met he vowed to himself that the moment she had left him he would dash down stairs to post it.

"Oh, I'll see you in the morning, of course!"

A tremor of pleasure crossed her face as he stood before her, smiling a little uncertainly.

"At any rate," she said, "I want to thank you now for my good day."

He felt in her hand the same tremor he had seen in her face. "But it's YOU, on the contrary--" he began, lifting the hand to his lips.

As he dropped it, and their eyes met, something passed through hers that was like a light carried rapidly behind a curtained window.

"Good night; you must be awfully tired," he said with a friendly abruptness, turning away without even waiting to see her pass into her room. He unlocked his door, and stumbling over the threshold groped in the darkness for the electric button. The light showed him a telegram on the table, and he forgot everything else as he caught it up.

"No letter from France," the message read.

It fell from Darrow's hand to the floor, and he dropped into a chair by the table and sat gazing at the dingy drab and olive pattern of the carpet. She had not written, then; she had not written, and it was manifest now that she did not mean to write. If she had had any intention of explaining her telegram she would certainly, within twenty-four hours, have followed it up by a letter. But she evidently did not intend to explain it, and her silence could mean only that she had no explanation to give, or else that she was too indifferent to be aware that one was needed.

Darrow, face to face with these alternatives, felt a recrudescence of boyish misery. It was no longer his hurt vanity that cried out. He told himself that he could have borne an equal amount of pain, if only it had left Mrs. Leath's image untouched; but he could not bear to think of her as trivial or insincere. The thought was so intolerable that he felt a blind desire to punish some one else for the pain it caused him.

As he sat moodily staring at the carpet its silly intricacies melted into a blur from which the eyes of Mrs. Leath again looked out at him. He saw the fine sweep of her brows, and the deep look beneath them as she had turned from him on their last evening in London. "This will be good-bye, then," she had said; and it occurred to him that her parting phrase had been the same as Sophy Viner's.

At the thought he jumped to his feet and took down from its hook the coat in which he had left Miss Viner's letter. The clock marked the third quarter after midnight, and he knew it would make no difference if he went down to the post-box now or early the next morning; but he wanted to clear his conscience, and having found the letter he went to the door.

A sound in the next room made him pause. He had become conscious again that, a few feet off, on the other side of a thin partition, a small keen flame of life was quivering and agitating the air. Sophy's face came hack to him insistently. It was as vivid now as Mrs. Leath's had been a moment earlier. He recalled with a faint smile of retrospective pleasure the girl's enjoyment of her evening, and the innumerable fine feelers of sensation she had thrown out to its impressions.

It gave him a curiously close sense of her presence to think that at that moment she was living over her enjoyment as intensely as he was living over his unhappiness. His own case was irremediable, but it was easy enough to give her a few more hours of pleasure. And did she not perhaps secretly expect it of him? After all, if she had been very anxious to join her friends she would have telegraphed them on reaching Paris, instead of writing. He wondered now that he had not been struck at the moment by so artless a device to gain more time. The fact of her having practised it did not make him think less well of her; it merely strengthened the impulse to use his opportunity. She was starving, poor child, for a little amusement, a little personal life--why not give her the chance of another day in Paris? If he did so, should he not be merely falling in with her own hopes?

At the thought his sympathy for her revived. She became of absorbing interest to him as an escape from himself and an object about which his thwarted activities could cluster. He felt less drearily alone because of her being there, on the other side of the door, and in his gratitude to her for giving him this relief he began, with indolent amusement, to plan new ways of detaining her. He dropped back into his chair, lit a cigar, and smiled a little at the image of her smiling face. He tried to imagine what incident of the day she was likely to be recalling at that particular moment, and what part he probably played in it. That it was not a small part he was certain, and the knowledge was undeniably pleasant.

Now and then a sound from her room brought before him more vividly the reality of the situation and the strangeness of the vast swarming solitude in which he and she were momentarily isolated, amid long lines of rooms each holding its separate secret. The nearness of all these other mysteries enclosing theirs gave Darrow a more intimate sense of the girl's presence, and through the fumes of his cigar his imagination continued to follow her to and fro, traced the curve of her slim young arms as she raised them to undo her hair, pictured the sliding down of her dress to the waist and then to the knees, and the whiteness of her feet as she slipped across the floor to bed...

He stood up and shook himself with a yawn, throwing away the end of his cigar. His glance, in following it, lit on the telegram which had dropped to the floor. The sounds in the next room had ceased, and once more he felt alone and unhappy.

Opening the window, he folded his arms on the sill and looked out on the vast light-spangled mass of the city, and then up at the dark sky, in which the morning planet stood.


VI

At the Theatre Francais, the next afternoon, Darrow yawned and fidgeted in his seat.

The day was warm, the theatre crowded and airless, and the performance, it seemed to him, intolerably bad. He stole a glance at his companion, wondering if she shared his feelings. Her rapt profile betrayed no unrest, but politeness might have caused her to feign an interest that she did not feel. He leaned back impatiently, stifling another yawn, and trying to fix his attention on the stage. Great things were going forward there, and he was not insensible to the stern beauties of the ancient drama. But the interpretation of the play seemed to him as airless and lifeless as the atmosphere of the theatre. The players were the same whom he had often applauded in those very parts, and perhaps that fact added to the impression of staleness and conventionality produced by their performance. Surely it was time to infuse new blood into the veins of the moribund art. He had the impression that the ghosts of actors were giving a spectral performance on the shores of Styx.

Certainly it was not the most profitable way for a young man with a pretty companion to pass the golden hours of a spring afternoon. The freshness of the face at his side, reflecting the freshness of the season, suggested dapplings of sunlight through new leaves, the sound of a brook in the grass, the ripple of tree-shadows over breezy meadows...

When at length the fateful march of the cothurns was stayed by the single pause in the play, and Darrow had led Miss Viner out on the balcony overhanging the square before the theatre, he turned to see if she shared his feelings. But the rapturous look she gave him checked the depreciation on his lips.

"Oh, why did you bring me out here? One ought to creep
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