Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. The Man in the Iron Mask by Alexandre Dumas (ereader for android txt) 📖
- Author: Alexandre Dumas
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A long silence ensued, which gave, for a moment, repose to the troubled imagination of Athos; and as he felt that that which he saw was not terminated, he applied more attentively the eyes of his understanding on the strange spectacle which his imagination had presented. This spectacle was soon continued for him. A mild pale moon rose behind the declivities of the coast, streaking at first the undulating ripples of the sea, which appeared to have calmed after the roaring it had sent forth during the vision of Athos—the moon, we say, shed its diamonds and opals upon the briers and bushes of the hills. The gray rocks, so many silent and attentive phantoms, appeared to raise their heads to examine likewise the field of battle by the light of the moon, and Athos perceived that the field, empty during the combat, was now strewn with fallen bodies.
An inexpressible shudder of fear and horror seized his soul as he recognized the white and blue uniforms of the soldiers of Picardy, with their long pikes and blue handles, and muskets marked with the fleur-de-lis on the butts. When he saw all the gaping wounds, looking up to the bright heavens as if to demand back of them the souls to which they had opened a passage,—when he saw the slaughtered horses, stiff, their tongues hanging out at one side of their mouths, sleeping in the shiny blood congealed around them, staining their furniture and their manes,—when he saw the white horse of M. de Beaufort, with his head beaten to pieces, in the first ranks of the dead, Athos passed a cold hand over his brow, which he was astonished not to find burning. He was convinced by this touch that he was present, as a spectator, without delirium’s dreadful aid, the day after the battle fought upon the shores of Gigelli by the army of the expedition, which he had seen leave the coast of France and disappear upon the dim horizon, and of which he had saluted with thought and gesture the last cannon-shot fired by the duke as a signal of farewell to his country.
Who can paint the mortal agony with which his soul followed, like a vigilant eye, these effigies of clay-cold soldiers, and examined them, one after the other, to see if Raoul slept among them? Who can express the intoxication of joy with which Athos bowed before God, and thanked Him for not having seen him he sought with so much fear among the dead? In fact, fallen in their ranks, stiff, icy, the dead, still recognizable with ease, seemed to turn with complacency towards the Comte de la Fere, to be the better seen by him, during his sad review. But yet, he was astonished, while viewing all these bodies, not to perceive the survivors. To such a point did the illusion extend, that this vision was for him a real voyage made by the father into Africa, to obtain more exact information respecting his son.
Fatigued, therefore, with having traversed seas and continents, he sought repose under one of the tents sheltered behind a rock, on the top of which floated the white fleur-de-lised pennon. He looked for a soldier to conduct him to the tent of M. de Beaufort. Then, while his eye was wandering over the plain, turning on all sides, he saw a white form appear behind the scented myrtles. This figure was clothed in the costume of an officer; it held in its hand a broken sword; it advanced slowly towards Athos, who, stopping short and fixing his eyes upon it, neither spoke nor moved, but wished to open his arms, because in this silent officer he had already recognized Raoul. The comte attempted to utter a cry, but it was stifled in his throat. Raoul, with a gesture, directed him to be silent, placing his finger on his lips and drawing back by degrees, without Athos being able to see his legs move. The comte, still paler than Raoul, followed his son, painfully traversing briers and bushes, stones and ditches, Raoul not appearing to touch the earth, no obstacle seeming to impede the lightness of his march. The comte, whom the inequalities of the path fatigued, soon stopped, exhausted. Raoul still continued to beckon him to follow him. The tender father, to whom love restored strength, made a last effort, and climbed the mountain after the young man, who attracted him by gesture and by smile.
At length he gained the crest of the hill, and saw, thrown out in black, upon the horizon whitened by the moon, the aerial form of Raoul. Athos reached forth his hand to get closer to his beloved son upon the plateau, and the latter also stretched out his; but suddenly, as if the young man had been drawn away in his own despite, still retreating, he left the earth, and Athos saw the clear blue sky shine between the feet of his child and the ground of the hill. Raoul rose insensibly into the void, smiling, still calling with gesture:—he departed towards heaven. Athos uttered a cry of tenderness and terror. He looked below again. He saw a camp destroyed, and all those white bodies of the royal army, like so many motionless atoms. And, then, raising his head, he saw the figure of his son still beckoning him to climb the mystic void.
Chapter LVIII. The Angel of Death.
Athos was at this part of his marvelous vision, when the charm was suddenly broken by a great noise rising from the outer gates. A horse was heard galloping over the hard gravel of the great alley, and the sound of noisy and animated conversations ascended to the chamber in which the comte was dreaming. Athos did not stir from the place he occupied; he scarcely turned his head towards the door to ascertain the sooner what these noises could be. A heavy step ascended the stairs; the horse, which had recently galloped, departed slowly towards the stables. Great hesitation appeared in the steps, which by degrees approached the chamber. A door was opened, and Athos, turning a little towards the part of the room the noise came from, cried, in a weak voice:
“It is a courier from Africa, is it not?”
“No, monsieur le comte,” replied a voice which made the father of Raoul start upright in his bed.
“Grimaud!” murmured he. And the sweat began to pour down his face. Grimaud appeared in the doorway. It was no longer the Grimaud we have seen, still young with courage and devotion, when he jumped the first into the boat destined to convey Raoul de Bragelonne to the vessels of the royal fleet. ‘Twas now a stern and pale old man, his clothes covered with dust, and hair whitened by old age. He trembled whilst leaning against the door-frame, and was near falling on seeing, by the light of the lamps, the countenance of his master. These two men who had lived so long together in a community of intelligence, and whose eyes, accustomed to economize expressions, knew how to say so many things silently—these two old friends, one as noble as the other in heart, if they were unequal in fortune and birth, remained tongue-tied whilst looking at each other. By the exchange of a single glance they had just read to the bottom of each other’s hearts. The old servitor bore upon his countenance the impression of a grief already old, the outward token of a grim familiarity with woe. He appeared to have no longer in use more than a single version of his thoughts. As formerly he was accustomed not to speak much, he was now accustomed not to smile at all. Athos read at a glance all these shades upon the visage of his faithful servant, and in the same tone he would have employed to speak to Raoul in his dream:
“Grimaud,” said he, “Raoul is dead. Is it not so?”
Behind Grimaud the other servants listened breathlessly, with their eyes fixed upon the bed of their sick master. They heard the terrible question, and a heart-breaking silence followed.
“Yes,” replied the old man, heaving the monosyllable from his chest with a hoarse, broken sigh.
Then arose voices of lamentation, which groaned without measure, and filled with regrets and prayers the chamber where the agonized father sought with his eyes the portrait of his son. This was for Athos like the transition which led to his dream. Without uttering a cry, without shedding a tear, patient, mild, resigned as a martyr, he raised his eyes towards Heaven, in order there to see again, rising above the mountain of Gigelli, the beloved shade that was leaving him at the moment of Grimaud’s arrival. Without doubt, while looking towards the heavens, resuming his marvelous dream, he repassed by the same road by which the vision, at once so terrible and sweet, had led him before; for after having gently closed his eyes, he reopened them and began to smile: he had just seen Raoul, who had smiled upon him. With his hands joined upon his breast, his face turned towards the window, bathed by the fresh air of night, which brought upon its wings the aroma of the flowers and the woods, Athos entered, never again to come out of it, into the contemplation of that paradise which the living never see. God willed, no doubt, to open to this elect the treasures of eternal beatitude, at this hour when other men tremble with the idea of being severely received by the Lord, and cling to this life they know, in the dread of the other life of which they get but merest glimpses by the dismal murky torch of death. Athos was spirit-guided by the pure serene soul of his son, which aspired to be like the paternal soul. Everything for this just man was melody and perfume in the rough road souls take to return to the celestial country. After an hour of this ecstasy, Athos softly raised his hands as white as wax; the smile did not quit his lips, and he murmured low, so low as scarcely to be audible, these three words addressed to God or to Raoul:
“HERE I AM!”
And his hands fell slowly, as though he himself had laid them on the bed.
Death had been kind and mild to this noble creature. It had spared him the tortures of the agony, convulsions of the last departure; had opened with an indulgent finger the gates of eternity to that noble soul. God had no doubt ordered it thus that the pious remembrance of this death should remain in the hearts of those present, and in the memory of other men—a death which caused to be loved the passage from this life to the other by those whose existence upon this earth leads them not to dread the last judgment. Athos preserved, even in the eternal sleep, that placid and sincere smile—an ornament which was to accompany him to the tomb. The quietude and calm of his fine features made his servants for a long time doubt whether he had really quitted life. The comte’s people wished to remove Grimaud, who, from a distance, devoured the face now quickly growing marble-pale, and did not approach, from pious fear of bringing to him the breath of death. But Grimaud, fatigued as he was, refused to leave the room. He sat himself down upon the threshold, watching his master with the vigilance of a sentinel, jealous to receive either his first waking look or his last dying sigh. The noises all were quiet in the house—every one respected the slumber of their lord. But Grimaud, by anxiously listening, perceived that the comte no longer breathed. He raised himself with his hands leaning on the ground, looked to see if there did not appear some motion in the body of his master.
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