Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Textiles and Clothing by Kate Heintz Watson (best free ebook reader txt) 📖
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Flannelette—A half cotton or all cotton flannel-like fabric.
Frieze—A thick, shaggy, heavy nap woolen overcoat cloth.
Gingham was first manufactured in Gonghamp in France and was known as Madras gingham. Seersucker gingham was originally a thin linen fabric made in the East Indies. Zephyr gingham is a soft fine variety of Scotch and French ginghams, are superior qualities, heavier in weight.
Fur Beaver—A long napped cloth imitation fur.
Grass cloth—A fine, smooth, linen woven in checks of blue and white, red and white, etc., used for dish towels; also a thin dress material of ramie and cotton, etc.
Grenadine—A thick silk gauze, either plain with a solid design or pattern upon it or combined in stripes with other weaves, as satin, moire, etc.
Grosgrain—A close-woven, finely ribbed or corded silk with but little lustre.
Haircloth—A cloth woven of horse hair, from which it takes its name, for weft with cotton or linen warp; used for facings, linings, furniture cover, etc.
Holland—A stout, plain-wove, unbleached, linen cloth used for linings, window shades, etc.
Homespun—A cloth woven on hand looms or made in imitation of such cloth for both men's and women's wear.
Hop-sacking—A plain woven canvas dress fabric of wool.
Huchaback—A corruption of huckster-back, meaning originally pedler's ware—Toweling made of all linen, linen and cotton, cotton and wool, either by the yard or as separate towels; the part wool huck always separate towels.
Irish linen—Full bleached, fine, plain woven linen used for shirts, collars, cuffs, etc., of different widths.
Jersey cloth—Woolen stockinette.
Kaikai—A thin Japanese silk.
Kersey—A heavy, closely woven cloth with a smooth face and glossy finish.
Kerseymere—A fine, twilled, woolen cloth of peculiar texture, one thread of warp and two of wool being always above.
Khaki—A light, yellow-brown colored cotton cloth used for army service in hot countries.
Ladies' cloth—A fine, wide, wool flannel, slightly napped, similar to broadcloth.
Lusterine—A thin, twilled, cotton lining finished with high lustre in imitation of silk.
Marseilles—A sort of figured pique, used for women's and children's clothes and for men's coats.
Matelasse—A silk and wool or all wool brocade, usually for coats.
Melton—A stout woolen cloth, fulled, sheared, and finished without a nap; like Kersey, but without a gloss.
Merino—A thin woolen fabric made of the fine wool of the marion sheep, generally used for women's and children's wear, vestings, and underclothing.
Mohair—A shiny fabric of great durability, made from the wool of the Angora goat; used for both men's and women's clothing.
Moire—The water effect produced on silk, moreen, and like fabrics. The finest watered silks are known as Moire Antique. Moreen is a woolen or mixed fabric to which the same process has been applied.
Moleskin—A medium heavy twilled cotton cloth, napped inside; used for men's wear and ornamental purposes.
Muslin—A cotton fabric of various classes and names; bleached and unbleached, half bleached, cambric, book muslin, long cloth, mull, organdie, lawns, etc.; used for all purposes.
Nankeen—A peculiar fabric of a pale dull yellow or orange color, woven out of the fibrous tissue which lies between the outer and sap-wood of a tree or shrub that grows in the East Indies and especially in China. The name is derived from the city of Nankin. An imitation is made out of cotton, colored with Annato. The genuine nankeen is never more than eighteen or twenty inches wide and is used for light summer clothing.
Overcoating—Fabrics woven especially for overcoats—covert, kersey, melton, beaver, frieze, vicuna, whipcord, cheviot, chinchilla, etc., made of both wool and worsted.
Pique—A heavy cotton cloth having a surface that is corded or having a raised lozenge pattern; used for women's and children's suits, men's vests, etc.
Prunella—Lasting cloth.
Sateen—A close twilled cotton fabric, soft and glossy, used for lining.
Satin—A silk fabric having a high lustre on its face.
Satinet—A cheap clothing material similar to cassimere, made with a cotton warp and a filling of short, inferior, shoddy wool which is mixed with enough long wool to enable it to be spun and woven in a way to bring that filling to the surface of the cloth; afterwards fulled, sheared, and the pattern printed on the face.
Serge—A lining of cotton or linen warp and a wool or mohair filling, woven three-leaf twill.
Serge—A fine, diagonal, twilled, worsted—both all worsted and with a worsted warp and woolen filling; used for men's and women's suits.
Shetlands—Very shaggy overcoatings, named from the Shetland pony, the coat of which it is supposed to imitate in appearance.
Shoddy—Waste thrown off in spinning—shredded rags, and bits of cloth manipulated into new cloth.
Sicilian—A mohair fabric.
Silesia—A light, close-woven, fine twilled cotton fabric used for dress linings, etc.
Stockinet—A plain, elastic texture made on a knitting frame, used for underwear, etc.
Surah—A twilled silk similar to serge; first made in Surat, India.
Tricot—A double-twill cloth having both a warp and filling effect.
Tweed—Much like homespun in appearance, both being either twilled or plain. They are made from rough worsted yarn spun at home. In tweed the yarn is harder twisted, giving a more distinct twill. It is generally more compact, less rough, and better finished than homespun.
Uniform cloth—Cloth suitable for uniforms, usually a stout, fulled, woolen cloth, similar to kersey.
Venetian—A cloth milled and cropped bare in finish.
Vicuna—A soft twilled cloth similar to cheviot, made of the Andes vicuna, hence its name.
Whipcord—A worsted cloth having a small, prominent twill.
Yacht cloth—A flannel heavier than ordinary serge or flannel.
Cord—The general term is applied to any fabric in which the lines run in the same direction as the selvage.
Count—In spinning, the number given to any thread or yarn, except silk, to indicate its relative fineness, based on the number of yards required to weigh one pound.
Felt—A cloth of wool, hair, fur, etc., not woven, but felted together; used for hats, slippers, boot tops, etc.
Flock—Finely divided woolen waste used in finishing cheap woolens.
Kemps—Fibers or hair like structure that sometimes come in wool, always in goat hair. They do not take the dye.
Mercerized—A term applied to cotton fabrics of which the yarn is chemically treated with a strong solution of caustic soda, giving the appearance of silk, more or less permanent; named after Mercer, discoverer of the process.
Mill ends—Trade term referring to short lengths, seconds, damaged pieces, etc., of cloth, embroideries, etc., that accumulate in mills and shops and are usually sold at a nominal price.
Narrow cloth—Trade term for fabrics less than 29 inches wide. Wider cloths are called broad cloths.
Oil-boiled—Trade term for colors so treated to insure permanence.
Oiled silk—The plain silk boiled in oil. Silk boiled in oil and dried, becoming translucent and waterproof; used as a perspiration guard.
Pepper-and-salt—A black and white or grayish mixture, effected in weaving.
Rubber cloth—Usually cotton sheeting or drilling with a coating of rubber on one side; used as a protective cloth for various purposes.
Shepherd check—Tiny checks, usually black and white.
Twilled—Woven in such a manner as to produce lines or ribs diagonally or across the surface of the fabric.
Woolens—Name of fabrics or carded wool, usually soft woven.
Worsteds—Fabrics made of combed wool, usually hard woven. The combing is the process of arranging the fibers of wool, mohair, cotton, linen, into a parallel condition, preparatory to spinning into a smooth, even and regular yarn. The perfected application of the combing principle.
BIBLIOGRAPHY ON TEXTILES Historical and ArtThrough a special arrangement with the American School of Correspondence we are able to lend or sell to our students some of their textile books, which are technical though simple. Price 50 cents per part, postage 4c.
Note.—Books may be ordered through the School or may be borrowed by members for one week. Send postage with request.
U. S. Government PublicationFree of the Department of Agriculture, Washington, D. C.:
Cotton Seed and Its Products, Farmers' Bulletin No. 36.
Raising Sheep, Farmers' Bulletin No. 96.
The Angora Goat, Farmers' Bulletin No. 137.
Silk Worm Culture, Farmers' Bulletin No. 165.
Essential Steps in Securing an Early Crop of Cotton,
Farmers' Bulletin No. 217.
The Cotton Seed Industry, Reprint No. 239.
The Hemp Industry in U. S., Reprint No. 254.
Improvement of Cotton by Seed Selection, Reprint No. 279.
The Growing of Long-Staple Upland Cotton, Reprint No. 314.
Principal Commercial Plant Fibers, Reprint No. 321.
For sale by the Superintendent of Documents, Washington, D. C. Send coin or money order,—stamps not accepted:
The Cotton Plant: Its History, Botany, Chemistry, Enemies, and Uses. Bulletin No. 33.
Office of Experiment Stations. Price 60c.
Cotton Culture in Egypt. Bulletin No. 42. Price 5c.
Cultivation of Ramie. Report No. 7. Price 10c.
Culture of Hemp and Jute. Report No. 8. Price 10c.
Flax Culture for Seed and Fiber. Report No. 10. Price 10c.
TEST QUESTIONS
The following questions constitute the "written recitation" which the regular members of the A. S. H. E. answer in writing and send in for the correction and comment of the instructor. They are intended to emphasize and fix in the memory the most important points in the lesson.
TEXTILES AND CLOTHING PART IRead Carefully. Place your name and address on the first sheet of the test. Use a light grade of paper and write on one side of the sheet only. Leave space between the answers for the notes of the instructor. Answer every question fully. Read the lesson paper a number of times before attempting to answer the question.
1. Give a brief outline of the craft of spinning, primitive and modern.
2. Outline the same for weaving.
3. Describe the hand loom.
4. Describe the cotton fiber. What kinds are there?
5. Who invented the cotton gin and how did this invention affect the cotton industry?
6. Give the chief characteristics of wool. Name the wool and fur bearing animals. How does wool differ from hair?
7. Trace briefly the preparation of wool from the fleece to the finished product.
8. Describe flax and outline the method for the preparation of the fibers. What is the name of the manufactured product of flax?
9. Name some other bast fibers and their products?
10. How do the textile fibers compare in the raw state in condition and price?
11. Give a brief description of silk from the egg to the woven cloth.
12. (a) What is the chief constituent of the vegetable fibers? (b) How does their affinity for dyestuffs compare with wool and silk? (c) How do the alkalies affect wool?
13. Describe the principal weaves and give examples of each.
14. (a) How are cotton and flax bleached? (b) What is a mordant? (c) How should material be prepared for dyeing? (d) State what you know about old time methods of dyeing.
15. How are print goods made? Name some printed fabrics.
16. Define woolens and worsteds.
17. Describe the finishing
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