Have you ever thought about what fiction is? Probably, such a question may seem surprising: and so everything is clear. Every person throughout his life has to repeatedly create the works he needs for specific purposes - statements, autobiographies, dictations - using not gypsum or clay, not musical notes, not paints, but just a word. At the same time, almost every person will be very surprised if he is told that he thereby created a work of fiction, which is very different from visual art, music and sculpture making. However, everyone understands that a student's essay or dictation is fundamentally different from novels, short stories, news that are created by professional writers. In the works of professionals there is the most important difference - excogitation. But, oddly enough, in a school literature course, you don’t realize the full power of fiction. So using our website in your free time discover fiction for yourself. Martin Chuzzlewit by Charles Dickens (top novels .txt) 📖
- Author: Charles Dickens
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Book online «Martin Chuzzlewit by Charles Dickens (top novels .txt) 📖». Author Charles Dickens
‘Let it go on,’ said Martin, rising. ‘Let it go on! I sought to know your mind, my dear, and you have shown it me. I wish you joy. Joy!’ he repeated, looking full upon her, and pointing to the wicket-gate where Jonas entered at the moment. And then, without waiting for his nephew, he passed out at another gate, and went away.
‘Oh, you terrible old man!’ cried the facetious Merry to herself. ‘What a perfectly hideous monster to be wandering about churchyards in the broad daylight, frightening people out of their wits! Don’t come here, Griffin, or I’ll go away directly.’
Mr Jonas was the Griffin. He sat down upon the grass at her side, in spite of this warning, and sulkily inquired:
‘What’s my uncle been a-talking about?’
‘About you,’ rejoined Merry. ‘He says you’re not half good enough for me.’
‘Oh, yes, I dare say! We all know that. He means to give you some present worth having, I hope. Did he say anything that looked like it?’
‘THAT he didn’t!’ cried Merry, most decisively.
‘A stingy old dog he is,’ said Jonas. ‘Well?’
‘Griffin!’ cried Miss Mercy, in counterfeit amazement; ‘what are you doing, Griffin?’
‘Only giving you a squeeze,’ said the discomfited Jonas. ‘There’s no harm in that, I suppose?’
‘But there is great deal of harm in it, if I don’t consider it agreeable,’ returned his cousin. ‘Do go along, will you? You make me so hot!’
Mr Jonas withdrew his arm, and for a moment looked at her more like a murderer than a lover. But he cleared his brow by degrees, and broke silence with:
‘I say, Mel!’
‘What do you say, you vulgar thing—you low savage?’ cried his fair betrothed.
‘When is it to be? I can’t afford to go on dawdling about here half my life, I needn’t tell you, and Pecksniff says that father’s being so lately dead makes very little odds; for we can be married as quiet as we please down here, and my being lonely is a good reason to the neighbours for taking a wife home so soon, especially one that he knew. As to crossbones (my uncle, I mean), he’s sure not to put a spoke in the wheel, whatever we settle on, for he told Pecksniff only this morning, that if YOU liked it he’d nothing at all to say. So, Mel,’ said Jonas, venturing on another squeeze; ‘when shall it be?’
‘Upon my word!’ cried Merry.
‘Upon my soul, if you like,’ said Jonas. ‘What do you say to next week, now?’
‘To next week! If you had said next quarter, I should have wondered at your impudence.’
‘But I didn’t say next quarter,’ retorted Jonas. ‘I said next week.’
‘Then, Griffin,’ cried Miss Merry, pushing him off, and rising. ‘I say no! not next week. It shan’t be till I choose, and I may not choose it to be for months. There!’
He glanced up at her from the ground, almost as darkly as he had looked at Tom Pinch; but held his peace.
‘No fright of a Griffin with a patch over his eye shall dictate to me or have a voice in the matter,’ said Merry. ‘There!’
Still Mr Jonas held his peace.
‘If it’s next month, that shall be the very earliest; but I won’t say when it shall be till tomorrow; and if you don’t like that, it shall never be at all,’ said Merry; ‘and if you follow me about and won’t leave me alone, it shall never be at all. There!v And if you don’t do everything I order you to do, it shall never be at all. So don’t follow me. There, Griffin!’
And with that, she skipped away, among the trees.
‘Ecod, my lady!’ said Jonas, looking after her, and biting a piece of straw, almost to powder; ‘you’ll catch it for this, when you ARE married. It’s all very well now—it keeps one on, somehow, and you know it—but I’ll pay you off scot and lot by-and-bye. This is a plaguey dull sort of a place for a man to be sitting by himself in. I never could abide a mouldy old churchyard.’
As he turned into the avenue himself, Miss Merry, who was far ahead, happened to look back.
‘Ah!’ said Jonas, with a sullen smile, and a nod that was not addressed to her. ‘Make the most of it while it lasts. Get in your hay while the sun shines. Take your own way as long as it’s in your power, my lady!’
IS IN PART PROFESSIONAL, AND FURNISHES THE READER WITH SOME VALUABLE HINTS IN RELATION TO THE MANAGEMENT OF A SICK CHAMBER
Mr Mould was surrounded by his household gods. He was enjoying the sweets of domestic repose, and gazing on them with a calm delight. The day being sultry, and the window open, the legs of Mr Mould were on the window-seat, and his back reclined against the shutter. Over his shining head a handkerchief was drawn, to guard his baldness from the flies. The room was fragrant with the smell of punch, a tumbler of which grateful compound stood upon a small round table, convenient to the hand of Mr Mould; so deftly mixed that as his eye looked down into the cool transparent drink, another eye, peering brightly from behind the crisp lemon-peel, looked up at him, and twinkled like a star.
Deep in the City, and within the ward of Cheap, stood Mr Mould’s establishment. His Harem, or, in other words, the common sitting room of Mrs Mould and family, was at the back, over the little counting-house behind the shop; abutting on a churchyard small and shady. In this domestic chamber Mr Mould now sat; gazing, a placid man, upon his punch and home. If, for a moment at a time, he sought a wider prospect, whence he might return with freshened zest to these enjoyments, his moist glance wandered like a sunbeam through a rural screen of scarlet runners, trained on strings before the window, and he looked down, with an artist’s eye, upon the graves.
The partner of his life, and daughters twain, were Mr Mould’s companions. Plump as any partridge was each Miss Mould, and Mrs M. was plumper than the two together. So round and chubby were their fair proportions, that they might have been the bodies once belonging to the angels’ faces in the shop below, grown up, with other heads attached to make them mortal. Even their peachy cheeks were puffed out and distended, as though they ought of right to be performing on celestial trumpets. The bodiless cherubs in the shop, who were depicted as constantly blowing those instruments for ever and ever without any lungs, played, it is to be presumed, entirely by ear.
Mr Mould looked lovingly at Mrs Mould, who sat hard by, and was a helpmate to him in his punch as in all other things. Each seraph daughter, too, enjoyed her share of his regards, and smiled upon him in return. So bountiful were Mr Mould’s possessions, and so large his stock in trade, that even there, within his household sanctuary, stood a cumbrous press, whose mahogany maw was filled with shrouds, and winding-sheets, and other furniture of funerals. But, though the Misses Mould had been brought up, as one may say, beneath his eye, it had cast no shadow on their timid infancy or blooming youth. Sporting behind the scenes of death and burial from cradlehood, the Misses Mould knew better. Hat-bands, to them, were but so many yards of silk or crape; the final robe but such a quantity of linen. The Misses Mould could idealise a player’s habit, or a court-lady’s petticoat, or even an act of parliament. But they were not to be taken in by palls. They made them sometimes.
The premises of Mr Mould were hard of hearing to the boisterous noises in the great main streets, and nestled in a quiet corner, where the City strife became a drowsy hum, that sometimes rose and sometimes fell and sometimes altogether ceased; suggesting to a thoughtful mind a stoppage in Cheapside. The light came sparkling in among the scarlet runners, as if the churchyard winked at Mr Mould, and said, ‘We understand each other;’ and from the distant shop a pleasant sound arose of coffin-making with a low melodious hammer, rat, tat, tat, tat, alike promoting slumber and digestion.
‘Quite the buzz of insects,’ said Mr Mould, closing his eyes in a perfect luxury. ‘It puts one in mind of the sound of animated nature in the agricultural districts. It’s exactly like the woodpecker tapping.’
‘The woodpecker tapping the hollow ELM tree,’ observed Mrs Mould, adapting the words of the popular melody to the description of wood commonly used in the trade.
‘Ha, ha!’ laughed Mr Mould. ‘Not at all bad, my dear. We shall be glad to hear from you again, Mrs M. Hollow elm tree, eh! Ha, ha! Very good indeed. I’ve seen worse than that in the Sunday papers, my love.’
Mrs Mould, thus encouraged, took a little more of the punch, and handed it to her daughters, who dutifully followed the example of their mother.
‘Hollow ELM tree, eh?’ said Mr Mould, making a slight motion with his legs in his enjoyment of the joke. ‘It’s beech in the song. Elm, eh? Yes, to be sure. Ha, ha, ha! Upon my soul, that’s one of the best things I know?’ He was so excessively tickled by the jest that he couldn’t forget it, but repeated twenty times, ‘Elm, eh? Yes, to be sure. Elm, of course. Ha, ha, ha! Upon my life, you know, that ought to be sent to somebody who could make use of it. It’s one of the smartest things that ever was said. Hollow ELM tree, eh? of course. Very hollow. Ha, ha, ha!’
Here a knock was heard at the room door.
‘That’s Tacker, I know,’ said Mrs Mould, ‘by the wheezing he makes. Who that hears him now, would suppose he’d ever had wind enough to carry the feathers on his head! Come in, Tacker.’
‘Beg your pardon, ma’am,’ said Tacker, looking in a little way. ‘I thought our Governor was here.’
‘Well! so he is,’ cried Mould.
‘Oh! I didn’t see you, I’m sure,’ said Tacker, looking in a little farther. ‘You wouldn’t be inclined to take a walking one of two, with the plain wood and a tin plate, I suppose?’
‘Certainly not,’ replied Mr Mould, ‘much too common. Nothing to say to it.’
‘I told ‘em it was precious low,’ observed Mr Tacker.
‘Tell ‘em to go somewhere else. We don’t do that style of business here,’ said Mr Mould. ‘Like their impudence to propose it. Who is it?’
‘Why,’ returned Tacker, pausing, ‘that’s where it is, you see. It’s the beadle’s son-in-law.’
‘The beadle’s son-in-law, eh?’ said Mould. ‘Well! I’ll do it if the beadle follows in his cocked hat; not else. We carry it off that way, by looking official, but it’ll be low enough, then. His cocked hat, mind!’
‘I’ll take care, sir,’ rejoined Tacker. ‘Oh! Mrs Gamp’s below, and wants to speak to you.’
‘Tell Mrs Gamp to come upstairs,’ said Mould. ‘Now Mrs Gamp, what’s YOUR news?’
The lady in question was by this time in the doorway, curtseying to Mrs Mould. At the same moment a peculiar fragrance was borne upon the breeze, as if a passing fairy had hiccoughed, and had previously been to a wine-vaults.
Mrs Gamp made no response to Mr Mould,
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