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The Project Gutenberg eBook, Akbar, Emperor of India, by Richard von Garbe, Translated by Lydia G. Robinson

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Title: Akbar, Emperor of India

Author: Richard von Garbe

Release Date: November 23, 2004 [eBook #14134]

Language: English

Character set encoding: ISO-8859-1

***START OF THE PROJECT GUTENBERG EBOOK AKBAR, EMPEROR OF INDIA***

 

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This book was produced from images scanned by
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  AKBAR,
EMPEROR OF INDIA A PICTURE OF LIFE AND CUSTOMS FROM
THE SIXTEENTH CENTURY BY DR. RICHARD VON GARBE RECTOR OF THE UNIVERSITY OF TUBINGEN
  TRANSLATED FROM THE GERMAN BY LYDIA G. ROBINSON Reprinted from "The Monist" of April, 1909 Chicago
The Open Court Publishing Company 1909

AKBAR DIRECTING THE TYING-UP OF A WILD ELEPHANT.

AKBAR DIRECTING THE TYING-UP OF A WILD ELEPHANT.
Tempera painting in the Akbar Namahby Abu'l Fazl. Photographed from the original in the India Museum for The Place of Animals in Human Thought by the Countess Evelyn Martinengo Cesaresco.

  LIST OF ILLUSTRATIONS. Akbar Directing the Tying-up of a Wild Elephant (Frontispiece) Akbar, Emperor of India Mausoleum of Akbar's Father, Humâyun View of Fathpur Akbar's Grave Mausoleum of Akbar at Sikandra The Chakra the Indian Emblem of Empire,

AKBAR, EMPEROR OF INDIA.[A]

The student of India who would at the same time be an historian, discovers to his sorrow that the land of his researches is lamentably poor in historical sources. And if within the realm of historical investigation, a more seductive charm lies for him in the analysis of great personalities than in ascertaining the course of historical development, then verily may he look about in vain for such personalities in the antiquity and middle ages of India. Not that the princely thrones were wanting in great men in ancient India, for we find abundant traces of them in Hindu folk-lore and poetry, but these sources do not extend to establishing the realistic element in details and furnishing life-like portraits of the men themselves. That the Hindu has ever been but little interested in historical matters is a generally recognized fact. Religious and philosophical speculations, dreams of other worlds, of previous and future existences, have claimed the attention of thoughtful minds to a much greater degree than has historical reality.

The misty myth-woven veil which hangs over persons and events of earlier times, vanishes at the beginning of the modern era which in India starts with the Mohammedan conquest, for henceforth the history of India is written by foreigners. Now we meet with men who take a decisive part in the fate of India, and they appear as sharply outlined, even though generally unpleasing, personalities.

Islam has justly been characterized as the caricature of a religion. Fanaticism and fatalism are two conspicuously irreligious emotions, and it is exactly these two emotions, which Islam understands how to arouse in savage peoples, to which it owes the part it has played in the history of the world, and the almost unprecedented success of its diffusion in Asia, Africa and Europe.

About 1000 A.D. India was invaded by the Sultan Mahmud of Ghasna. "With Mahmud's expedition into India begins one of the most horrible periods of the history of Hindustan. One monarch dethrones another, no dynasty continues in power, every accession to the throne is accompanied by the murder of kinsmen, plundering of cities, devastation of the lowlands and the slaughter of thousands of men, women and children of the predecessor's adherents; for five centuries northwest and northern India literally reeked with the blood of multitudes."[1] Mohammedan dynasties of Afghan, Turkish and Mongolian origin follow that of Ghasna. This entire period is filled with an almost boundless series of battles, intrigues, imbroglios and political revolutions; nearly all events had the one characteristic in common, that they took place amid murder, pillage and fire.

 
AKBAR, EMPEROR OF INDIA. From Noer's Kaiser Akbar, (Frontispiece to Vol. II).

AKBAR, EMPEROR OF INDIA.
From Noer's Kaiser Akbar, (Frontispiece to Vol. II).

 

The most frightful spectacle throughout these reeking centuries is the terrible Mongolian prince Timur, a successor of Genghis-Khan, who fell upon India with his band of assassins in the year 1398 and before his entry into Delhi the capital, in which he was proclaimed Emperor of India, caused the hundred thousand prisoners whom he had captured in his previous battles in the Punjab, to be slaughtered in one single day, because it was too inconvenient to drag them around with him. So says Timur himself with shameless frankness in his account of the expedition, and he further relates that after his entry into Delhi, all three districts of the city were plundered "according to the will of God."[2] In 1526 Baber, a descendant of Timur, made his entry into Delhi and there founded the dominion of the Grand Moguls (i.e., of the great Mongols). The overthrow of this dynasty was brought about by the disastrous reign of Baber's successor Aurungzeb, a cruel, crafty and treacherous despot, who following the example of his ancestor Timur, spread terror and alarm around him in the second half of the seventeenth and the beginning of the eighteenth centuries. Even to-day Hindus may be seen to tremble when they meet the sinister fanatical glance of a Mohammedan.

Princes with sympathetic qualities were not entirely lacking in the seven centuries of Mohammedan dominion in India, and they shine forth as points of light from the gloomy horror of this time, but they fade out completely before the luminous picture of the man who governed India for half a century (1556-1605) and by a wise, gentle and just reign brought about a season of prosperity such as the land had never experienced in the millenniums of its history. This man, whose memory even to-day is revered by the Hindus, was a descendant of Baber, Abul Fath Jelâleddin Muhammed, known by the surname Akbar "the Great," which was conferred upon the child even when he was named, and completely supplanted the name that properly belonged to him. And truly he justified the epithet, for great, fabulously great, was Akbar as man, general, statesman and ruler,—all in all a prince who deserves to be known by every one whose heart is moved by the spectacle of true human greatness.[3]

When we wish to understand a personality we are in the habit of ascertaining the inherited characteristics, and investigating the influences exercised upon it by religion, family, environment, education, youthful impressions, experience, and so forth. Most men are easily comprehensible as the products of these factors. The more independent of all such influences, or the more in opposition to them, a personality develops, the more attractive and interesting will it appear to us. At the first glance it looks as if the Emperor Akbar had developed his entire character from himself and by his own efforts in total independence of all influences which in other cases are thought to determine the character and nature of a man. A Mohammedan, a Mongol, a descendant of the monster Timur, the son of a weak incapable father, born in exile, called when but a lad to the government of a disintegrated and almost annihilated realm in the India of the sixteenth century,—which means in an age of perfidy, treachery, avarice, and self-seeking,—Akbar appears before us as a noble man, susceptible to all grand and beautiful impressions, conscientious, unprejudiced, and energetic, who knew how to bring peace and order out of the confusion of the times, who throughout his reign desired the furtherance of his subjects' and not of his own interest, who while increasing the privileges of the Mohammedans, not only also declared equality of rights for the Hindus but even actualized that equality, who in every conceivable way sought to conciliate his subjects so widely at variance with each other in race, customs, and religion, and who finally when the narrow dogmas of his religion no longer satisfied him, attained to a purified faith in God, which was independent of all formulated religions.

A closer observation, however, shows that the contrast is not quite so harsh between what according to our hypotheses Akbar should have been as a result of the forces which build up man, and what he actually became. His predilection for science and art Akbar had inherited from his grandfather Baber and his father Humâyun. His youth, which was passed among dangers and privations, in flight and in prison, was certainly not without a beneficial influence upon Akbar's development into a man of unusual power and energy. And of significance for his spiritual development was the circumstance that after his accession to the throne his guardian put him in the charge of a most excellent tutor, the enlightened and liberal minded Persian Mir Abdullatîf, who laid the foundation for Akbar's later religious and ethical views. Still, however high we may value the influence of this teacher, the main point lay in Akbar's own endowments, his susceptibility for such teaching as never before had struck root with any Mohammedan prince. Akbar had not his equal in the history of Islam. "He is the only prince grown up in the Mohammedan creed whose endeavor it was to ennoble the limitation of this most separatistic of all religions into a true religion of humanity."[4]

Even the external appearance of Akbar appeals to us sympathetically. We sometimes find reproduced a miniature from Delhi which pictures Akbar as seated; in this the characteristic features of the Mongolian race appear softened and refined to a remarkable degree.[B] The shape of the head is rather round, the outlines are softened, the black eyes large, thoughtful, almost dreamy, and only very slightly slanting, the brows full and bushy, the lips somewhat prominent and the nose a tiny bit hooked. The face is beardless except for the rather thin closely cut moustache which falls down over the curve of the month in soft waves. According to the description of his son, the Emperor Jehângir, Akbar's complexion is said to have been the yellow of wheat; the Portuguese Jesuits who came to his court called it plainly white. Although not exactly beautiful, Akbar seemed beautiful to many of his contemporaries, including Europeans, probably because of the august and at the same time kind and winsome expression which his countenance bore. Akbar was rather tall, broad-shouldered, strongly built and had long arms and hands.

Akbar, the son of the dethroned Emperor Humâyun, was born on October 14, 1542, at Amarkot in Sindh, two years after his father had been deprived of his kingdom by the usurper Shêr Chân. After an exile of fifteen years, or rather after an aimless wandering and flight of that length, the indolent pleasure-and opium-loving Humâyun was again permitted to return to his capital in 1555,—not through his own merit but that of his energetic general Bairâm Chân, a Turk who in one decisive battle had overcome the Afghans, at that time in possession of the dominion. But Humâyun was not long to enjoy his regained throne; half a year later he fell down a stairway in his palace and died. In January 1556 Akbar, then thirteen years of age, ascended the throne. Because of his youthful years Bairâm Chân assumed the regency as guardian of the realm or "prince-father" as it is expressed in Hindî, and guided the wavering ship of state with a strong hand. He

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