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*** START OF THIS PROJECT GUTENBERG EBOOK THE TALKING HORSE *** Produced by David Clarke, Martin Pettit and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE TALKING HORSE AND OTHER TALES

 

BY F. ANSTEY AUTHOR OF 'VICE VERSÂ' 'THE GIANT'S ROBE'
'THE PARIAH' ETC.

 

SECOND EDITION

 

LONDON
SMITH, ELDER, & CO., 15 WATERLOO PLACE
1892 [All rights reserved]

 

PREFACE

These stories originally appeared in 'Macmillan's,' 'Longman's,' 'Atalanta,' 'The Cornhill,' 'The Graphic,' 'Aunt Judy's,' 'The Reflector,' and Unwin's 'Christmas Annual,' respectively.

F. A.

 

CONTENTS
THE TALKING HORSE THE GOOD LITTLE GIRL A MATTER OF TASTE PART I PART II DON; THE STORY OF A GREEDY DOG TAKEN BY SURPRISE PALEFACE AND REDSKIN ACT THE FIRST ACT THE SECOND ACT THE THIRD SHUT OUT TOMMY'S HERO A CANINE ISHMAEL MARJORY

[Pg 1]

THE TALKING HORSE

It was on the way to Sandown Park that I met him first, on that horribly wet July afternoon when Bendigo won the Eclipse Stakes. He sat opposite to me in the train going down, and my attention was first attracted to him by the marked contrast between his appearance and his attire: he had not thought fit to adopt the regulation costume for such occasions, and I think I never saw a man who had made himself more aggressively horsey. The mark of the beast was sprinkled over his linen: he wore snaffle sleeve-links, a hard hunting-hat, a Newmarket coat, and extremely tight trousers. And with all this, he fell as far short of the genuine sportsman as any stage super who ever wore his spurs upside down in a hunting-chorus. His expression was mild and inoffensive, and his watery pale eyes and receding chin gave one the idea that he was hardly to be trusted astride anything more spirited than a gold-headed cane. And yet, somehow, he aroused compassion rather than any sense of the ludicrous: he had that look of shrinking self-effacement which comes of a recent humiliation, and, in spite of all extravagances, he was obviously a[Pg 2] gentleman; while something in his manner indicated that his natural tendency would, once at all events, have been to avoid any kind of extremes.

He puzzled and interested me so much that I did my best to enter into conversation with him, only to be baffled by the jerky embarrassment with which he met all advances, and when we got out at Esher, curiosity led me to keep him still in view.

Evidently he had not come with any intention of making money. He avoided the grand stand, with the bookmakers huddling in couples, like hoarse lovebirds; he kept away from the members' inclosure, where the Guards' band was endeavouring to defy the elements which emptied their vials into the brazen instruments; he drifted listlessly about the course till the clearing-bell rang, and it seemed as if he was searching for some one whom he only wished to discover in order to avoid.

Sandown, it must be admitted, was not as gay as usual that day, with its 'deluged park' and 'unsummer'd sky,' its waterproofed toilettes and massed umbrellas, whose sides gleamed livid as they caught the light—but there was a general determination to ignore the unseasonable dampness as far as possible, and an excitement over the main event of the day which no downpour could quench.

The Ten Thousand was run: ladies with marvellously confected bonnets lowered their umbrellas without a murmur, and smart men on drags shook hands[Pg 3] effusively as, amidst a frantic roar of delight, Bendigo strode past the post. The moment after, I looked round for my incongruous stranger, and saw him engaged in a well-meant attempt to press a currant bun upon a carriage-horse tethered to one of the trees—a feat of abstraction which, at such a time, was only surpassed by that of Archimedes at the sack of Syracuse.

After that I could no longer control my curiosity—I felt I must speak to him again, and I made an opportunity later, as we stood alone on a stand which commanded the finish of one of the shorter courses, by suggesting that he should share my umbrella.

Before accepting he glanced suspiciously at me through the rills that streamed from his unprotected hat-brim. 'I'm afraid,' I said, 'it is rather like shutting the stable-door after the steed is stolen.'

He started. 'He was stolen, then,' he cried; 'so you have heard?'

I explained that I had only used an old proverb which I thought might appeal to him, and he sighed heavily.

'I was misled for the moment,' he said: 'you have guessed, then, that I have been accustomed to horses?'

'You have hardly made any great secret of it.'

'The fact is,' he said, instantly understanding this allusion to his costume, 'I—I put on these things so[Pg 4] as not to lose the habit of riding altogether—I have not been on horseback lately. At one time I used to ride constantly—constantly. I was a regular attendant in Rotten Row—until something occurred which shook my nerve, and I am only waiting now for the shock to subside.'

I did not like to ask any questions, and we walked back to the station, and travelled up to Waterloo in company, without any further reference to the subject.

As we were parting, however, he said, 'I wonder if you would care to hear my full story some day? I cannot help thinking it would interest you, and it would be a relief to me.'

I was ready enough to hear whatever he chose to tell me; and persuaded him to dine with me at my rooms that evening, and unbosom himself afterwards, which he did to an extent for which I confess I was unprepared.

That he himself implicitly believed in his own story, I could not doubt; and he told it throughout with the oddest mixture of vanity and modesty, and an obvious struggle between a dim perception of his own absurdity and the determination to spare himself in no single particular, which, though it did not overcome my scepticism, could not fail to enlist sympathy. But for all that, by the time he entered upon the more sensational part of his case, I was driven to form conclusions respecting it which, as they will probably[Pg 5] force themselves upon the reader's own mind, I need not anticipate here.

I give the story, as far as possible, in the words of its author; and have only to add that it would never have been published here without his full consent and approval.

 

'My name,' said he, 'is Gustavus Pulvertoft. I have no occupation, and six hundred a year. I lived a quiet and contented bachelor until I was twenty-eight, and then I met Diana Chetwynd for the first time. We were spending Christmas at the same country-house, and it did not take me long to become the most devoted of her many adorers. She was one of the most variously accomplished girls I had ever met. She was a skilled musician, a brilliant amateur actress; she could give most men thirty out of a hundred at billiards, and her judgment and daring across the most difficult country had won her the warm admiration of all hunting-men. And she was neither fast nor horsey, seeming to find but little pleasure in the society of mere sportsmen, to whose conversation she infinitely preferred that of persons who, like myself, were rather agreeable than athletic. I was not at that time, whatever I may be now, without my share of good looks, and for some reason it pleased Miss Chetwynd to show me a degree of favour which she accorded to no other member of the house-party.

[Pg 6]

It was annoying to feel that my unfamiliarity with the open-air sports in which she delighted debarred me from her company to so great an extent; for it often happened that I scarcely saw her until the evening, when I sometimes had the bliss of sitting next to her at dinner; but on these occasions I could not help seeing that she found some pleasure in my society.

I don't think I have mentioned that, besides being exquisitely lovely, Diana was an heiress, and it was not without a sense of my own presumption that I allowed myself to entertain the hope of winning her at some future day. Still, I was not absolutely penniless, and she was her own mistress, and I had some cause, as I have said, for believing that she was, at least, not ill-disposed towards me. It seemed a favourable sign, for instance, when she asked me one day why it was I never rode. I replied that I had not ridden for years—though I did not add that the exact number of those years was twenty-eight.

'Oh, but you must take it up again!' she said, with the prettiest air of imperiousness. 'You ought to ride in the Row next season.'

'If I did,' I said, 'would you let me ride with you sometimes?'

'We should meet, of course,' she said; 'and it is such a pity not to keep up your riding—you lose so much by not doing so.'

Was I wrong in taking this as an intimation that,[Pg 7] by following her advice, I should not lose my reward? If you had seen her face as she spoke, you would have thought as I did then—as I do now.

And so, with this incentive, I overcame any private misgivings, and soon after my return to town attended a fashionable riding-school near Hyde Park, with the fixed determination to acquire the whole art and mystery of horsemanship.

That I found learning a pleasure I cannot conscientiously declare. I have passed happier hours than those I spent in cantering round four bare whitewashed walls on a snorting horse, with my interdicted stirrups crossed upon the saddle. The riding-master informed me from time to time that I was getting on, and I knew instinctively when I was coming off; but I must have made some progress, for my instructor became more encouraging. 'Why, when you come here first, Mr. Pulvertoft, sir, you were like a pair o' tongs on a wall, as they say; whereas now—well, you can tell yourself how you are,' he would say; though, even then, I occasionally had reason to regret that I was not on a wall. However, I persevered, inspired by the thought that each fresh horse I crossed (and some were very fresh indeed) represented one more barrier surmounted between myself and Diana, and encouraged by the discovery, after repeated experiments, that tan was rather soothing to fall upon than otherwise.

When I walked in the Row, where a few horsemen[Pg 8] were performing as harbingers of spring, I criticised their riding, which I thought indifferent, as they neglected nearly all the rules. I began to anticipate a day when I should exhibit a purer and more classic style of equestrianism. And one morning I saw Diana, who pulled up her dancing mare to ask me if I had remembered her advice, and I felt proudly able to reply that I should certainly make my appearance in the Row before very long.

From that day I was perpetually questioning my riding-master as to when he considered I should be ripe enough for Rotten Row. He was dubious, but not actually dissuasive. 'It's like this, you see, sir,' he explained, 'if you get hold of a quiet, steady horse—why, you won't come to no harm; but if you go out on an animal that will take advantage of you, Mr. Pulvertoft, why, you'll be all no-how on him, sir.'

They would have mounted me at the school; but I knew most of the stud there, and none of them quite came up to my ideal of a 'quiet, steady horse;' so I went to a neighbouring job-master, from whom I had occasionally hired a brougham, and asked to be shown an animal he could recommend to one who had not had much practice lately. He admitted candidly enough that most of his horses 'took a deal of riding,' but added that it so happened that he had one just then which would suit me 'down to the ground'—a phrase which grated unpleasantly on my nerves, though I consented to see the horse. His aspect[Pg 9] impressed me most favourably. He was a chestnut of noble proportions, with a hogged mane; but what reassured me was the expression of his eye, indicating as it did a self-respect and sagacity which one would hardly expect for seven and sixpence an hour.

'You won't get a showier Park 'ack than what he is, not to be so quiet,' said his owner. 'He's what you may call a kind 'oss, and as

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