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face, the gravity of which was contradicted by the faint smile that seemed to lurk about the corner of her mouth. She was certainly not pretty, and Sally, watching her with keen interest, was surprised that Fillmore had had the sense to disregard surface homeliness and recognize her charm. Deep down in Fillmore, Sally decided, there must lurk an unsuspected vein of intelligence.

“Hello?” said Miss Winch, amiably.

Mr. Bunbury seemed profoundly moved.

“Miss Winch, did I or did I not ask you to refrain from chewing gum during rehearsal?”

“That's right, so you did,” admitted Miss Winch, chummily.

“Then why are you doing it?”

Fillmore's fiancée revolved the criticized refreshment about her tongue for a moment before replying.

“Bit o' business,” she announced, at length.

“What do you mean, a bit of business?”

“Character stuff,” explained Miss Winch in her pleasant, drawling voice. “Thought it out myself. Maids chew gum, you know.”

Mr. Bunbury ruffled his orange hair in an over-wrought manner with the palm of his right hand.

“Have you ever seen a maid?” he asked, despairingly.

“Yes, sir. And they chew gum.”

“I mean a parlour-maid in a smart house,” moaned Mr. Bunbury. “Do you imagine for a moment that in a house such as this is supposed to be the parlour-maid would be allowed to come into the drawing-room champing that disgusting, beastly stuff?”

Miss Winch considered the point.

“Maybe you're right.” She brightened. “Listen! Great idea! Mr. Foster can write in a line for Elsa, calling me down, and another giving me a good come-back, and then another for Elsa saying something else, and then something really funny for me, and so on. We can work it up into a big comic scene. Five or six minutes, all laughs.”

This ingenious suggestion had the effect of depriving the producer momentarily of speech, and while he was struggling for utterance, there dashed out from the wings a gorgeous being in blue velvet and a hat of such unimpeachable smartness that Sally ached at the sight of it with a spasm of pure envy.

“Say!”

Miss Mabel Hobson had practically every personal advantage which nature can bestow with the exception of a musical voice. Her figure was perfect, her face beautiful, and her hair a mass of spun gold; but her voice in moments of emotion was the voice of a peacock.

“Say, listen to me for just one moment!”

Mr. Bunbury recovered from his trance.

“Miss Hobson! Please!”

“Yes, that's all very well...”

“You are interrupting the rehearsal.”

“You bet your sorrowful existence I'm interrupting the rehearsal,” agreed Miss Hobson, with emphasis. “And, if you want to make a little easy money, you go and bet somebody ten seeds that I'm going to interrupt it again every time there's any talk of writing up any darned part in the show except mine. Write up other people's parts? Not while I have my strength!”

A young man with butter-coloured hair, who had entered from the wings in close attendance on the injured lady, attempted to calm the storm.

“Now, sweetie!”

“Oh, can it, Reggie!” said Miss Hobson, curtly.

Mr. Cracknell obediently canned it. He was not one of your brutal cave-men. He subsided into the recesses of a high collar and began to chew the knob of his stick.

“I'm the star,” resumed Miss Hobson, vehemently, “and, if you think anybody else's part's going to be written up... well, pardon me while I choke with laughter! If so much as a syllable is written into anybody's part, I walk straight out on my two feet. You won't see me go, I'll be so quick.”

Mr. Bunbury sprang to his feet and waved his hands.

“For heaven's sake! Are we rehearsing, or is this a debating society? Miss Hobson, nothing is going to be written into anybody's part. Now are you satisfied?”

“She said...”

“Oh, never mind,” observed Miss Winch, equably. “It was only a random thought. Working for the good of the show all the time. That's me.”

“Now, sweetie!” pleaded Mr. Cracknell, emerging from the collar like a tortoise.

Miss Hobson reluctantly allowed herself to be reassured.

“Oh, well, that's all right, then. But don't forget I know how to look after myself,” she said, stating a fact which was abundantly obvious to all who had had the privilege of listening to her. “Any raw work, and out I walk so quick it'll make you giddy.”

She retired, followed by Mr. Cracknell, and the wings swallowed her up.

“Shall I say my big speech now?” inquired Miss Winch, over the footlights.

“Yes, yes! Get on with the rehearsal. We've wasted half the morning.”

“Did you ring, madam?” said Miss Winch to Elsa, who had been reading her magazine placidly through the late scene.

The rehearsal proceeded, and Sally watched it with a sinking heart. It was all wrong. Novice as she was in things theatrical, she could see that. There was no doubt that Miss Hobson was superbly beautiful and would have shed lustre on any part which involved the minimum of words and the maximum of clothes: but in the pivotal role of a serious play, her very physical attributes only served to emphasize and point her hopeless incapacity. Sally remembered Mr. Faucitt's story of the lady who got the bird at Wigan. She did not see how history could fail to repeat itself. The theatrical public of America will endure much from youth and beauty, but there is a limit.

A shrill, passionate cry from the front row, and Mr. Bunbury was on his feet again. Sally could not help wondering whether things were going particularly wrong to-day, or whether this was one of Mr. Bunbury's ordinary mornings.

“Miss Hobson!”

The action of the drama had just brought that emotional lady on left centre and had taken her across to the desk which stood on the other side of the stage. The desk was an important feature of the play, for it symbolized the absorption in business which, exhibited by her husband, was rapidly breaking Miss Hobson's heart. He loved his desk better than his young wife, that was what it amounted to, and no wife can stand that sort of thing.

“Oh, gee!” said Miss Hobson, ceasing to be the distressed wife and becoming the offended star. “What's it this time?”

“I suggested at the last rehearsal and at the rehearsal before and the

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