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my first contribution appeared, and two years previous to my joining the staff, and find no fewer than eleven separate subjects from my pencil; and I may say that up to the last I probably contributed more work to Punch [Pg 233] than any other artist ever contributed in the same number of years, Leech not excepted. I do not claim that this was wholly due to artistic merit, but to a business one. I never refused to draw a subject I was asked to do, I never was at a loss for a subject, and I was never late. It was to this facility I owe the good terms on which the editor and I worked so pleasantly and for so long. Being accustomed to work at high pressure for the illustrated papers and magazines since boyhood, I confess that Punch work to me was my playtime.

I contributed over two thousand six hundred designs, from the smallest to the largest that ever appeared in its pages (the latter were published in the Christmas Numbers, 1890 and 1891), and I was not in receipt of a salary, but was paid for each drawing at my full rate. I have reason to think I drew in the time more money from Punch, proportionately, than any other contributor in its history in a like period. I read from time to time accounts of the remuneration men like myself receive. Of course these statements are invariably fiction, as in fact is nearly everything I have read outside Mr. Spielmann's careful analysis of Punch concerning myself and my friends.

I deal with my Parliamentary confessions, personal and artistic, in other chapters; I shall in this merely touch upon a few points in connection with Punch. The greater portion of my Parliamentary work, however, appeared in other periodicals, but it is probably by Punch work in this direction most of my readers identify me. I was fortunate, in the twelve years I represented Punch in Parliament with the pencil, in having the exceptional material for work upon Mr. Gladstone at his most interesting period, Parnell's rise and fall, Churchill's rise and fall, Bradlaugh's rise and fall, and a host of others strutting their brief hour on the political stage. Where are they now? Mr. Chamberlain alone interests the caricaturist. Parliament itself is dull, the public is apathetic, and everything appertaining to politics is flat and unprofitable. Yet as far back as 1885, in the figure "Punch," I asked for some new character, the familiar faces were getting worked out!

I had attended some sessions of Parliament before I made [Pg 234] the acquaintance of the official presiding over the Press Gallery. The Press Gallery is, as all know, directly over the Speaker. The front row is divided into little boxes where the representatives of the leading papers sit. The others are seated above them against the wall. These members of the Press look like a row of aged schoolboys very much troubled to write anything about Parliament to-day. Their monitor sits by the seat near the door, which in former days was in the middle of the Gallery.

FAMILIAR FACES. FAMILIAR FACES.
Mr. Punch (Cartoonist-in-Chief).
"Oh, I know all you Old Models. I want some New 'Character'!"

I shall never forget my first experience of this Press Gallery official. He was big, and fat, and greasy; in evening dress, [Pg 235] and he wore a real gold chain with a badge in front like a mayor or sheriff. He awed me—recollect I am now speaking of the day I attended as a comparatively new boy, and I trembled in his presence. There was no seat vacant except the one next to him. He sleeps! Nervously I slip into the seat. He wakes, and looks down at me.

"H'm! What are you?" is his sleepy remark.

HE SLEEPS. "HE SLEEPS."

"Punch," I reply.

"Ticket?"

"Left at home."

"Bring it next time."

"Certainly," say I, relieved. He slumbers again. I strain over to see who is speaking. This wakes the gentleman with the real gold chain again. He gazes down upon me. I feel smaller.

"What are you?"

"Punch."

"Eh! Where's ticket?"

"Left at home."

"Bring it next time. Saves bother, young fellow."

"Certainly," I reply, and, encouraged by his familiarity, I venture to ask, "Who is that speaking?" I just got the question out in time, for he was dozing off again.

"New Member," he replied, and, half dozing, he goes on, more to himself than to me: "One more fool! Find his level here! All fools here! Stuff you've been givin' them at your College Union. Rubbish! Yer perambulator's waitin' outside. Oh, follow yer Dad to the Upper House, an' look sharp about it." He mumbles. I well recollect the youthful Member, so criticised, labouring through his maiden speech. The eldest son of a [Pg 236] Peer, with a rather effeminate face, Saxon fairness of complexion, and with an apology for a moustache, it struck me that if petrified he would do very well as a dummy outside a tailor's establishment. Yet this youthful scion of a noble line has a good record. He carried off innumerable prizes at Eton, was a double first at Oxford, President of the Union, and a fellow of his college; one of the University Eight, and of the Eleven; distinguished at tennis, racquets, and football; hero of three balloon ascents; great at amateur theatricals; a writer upon every possible subject, including theology, for the leading magazines; member of sixteen London clubs; married a titled heiress, and is only thirty years of age.

HERE, I SAY, WHAT ARE YOU? "HERE, I SAY, WHAT ARE YOU?"
PUNCH, I REPLIED. "PUNCH," I REPLIED.

Some of his college friends sit in the Strangers' Gallery to hear their late President make his first great effort in the real Parliament. The effect disappoints them. Their champion is "funky." When the Oxford Eight were behind at Barnes Bridge, it was "Dolly's" muscle and nerve that pulled the crew together and won the race. When at Lord's the match was nearly over, and the Light Blues had won all but the shouting, "Dolly" went in last man and rattled up fifty in half an hour and won [Pg 237] the match. When at the Oxford Union he spoke upon the very question now before the House—namely, whether a tax should be imposed upon periwinkles—his oratory alone turned the scale, and gave his party the victory. Yet now his speech upon the periwinkle problem has certainly not impressed the House. Men listened for a time and then adjourned to dinner, and his splendid peroration, recognised by his friends as the same which he had delivered at the Oxford Union, failed to elicit a single cheer.

Curiosity, however, induced his supporters to remain and hear the reply. The next speaker was a contrast to their hero, and a titter went round among Dolly's friends in the Gallery. He was a type of the preaching Member. No doubt a very worthy soul, but hardly an Adonis to look at, nor a Cicero to listen to. Still he is sincere, and with his own class effective; and sincerity, after all, is the most valuable, and I may add the most rare, quality in the composition of an ordinary Member of Parliament.

My neighbour, the Usher, at this point opens his left eye, which takes in at a glance the Opposition side of the House, and breaks out in this style:

"All right, little 'un! Keep wot yer sayin' till Sunday. Yer sermon's sending me to sleep. Forcing taxation on the winks of the 'ungry Englishman will raise the country to revolt. Tommy rot! Here endeth the first lesson, thank goodness!"

The soliloquising official rolls off his seat chuckling along the Gallery. Envelopes are handed to him by the reporters. He rolls back to the door, opens it, gives the copy to the messengers waiting for it, and rolls back once more into his seat. In doing so he spies me.

I feel smaller.

"Here, I say, what are you?"

"Punch."

"Where's ticket?"

"Left at home."

"H'm! Don't forget it again."

"Certainly not."

I say nothing more, as I am too interested in his running commentary of the proceedings. A grunt. Shake down:

[Pg 238]

"Old Waddy, is it? Another sermon. Blow black plaster. Tell that to the juries, and use it again in chapel. Yer a good friend to us—get a count soon. Ah, I thought so. Joey Biggar up to count and snuff."

"Have a pinch?" he said to me.

"Thanks." I sneeze.

"What are you?" asked the man of the golden badge, looking down at me. I met his query as before.

Same demand.

Same reply.

Same promise.

I FEEL SMALLER! "I FEEL SMALLER!"

The electric bells were ringing for a "count out." He opened both eyes to watch if forty Members came in. They did; and three times forty.

"Torment 'em! Keep me here all night, I see."

Samuel Banks Waddy—Pleader, Preacher, Parliamentarian (as he is designated in a work on M.P.'s)—continues preaching. He is followed by the Leader of the House. My soliloquising friend continues:

"Ah, Old Morality—as Lucy calls ye—up at last. Move the closure, now then, that's right; speak of yer dooty to the House and Country. Set the Rads laughing, shut yer own mouth, and sit down. Oh lor! 'Ere's the Grand Old Muddler up. We're getting 'usky, old 'un; both of us have 'ad too much of this job. We're very much alike, Gladdy and me—both great eaters and great sleepers."

Mr. Gladstone was telling the House all about black plaster, and gave three points why it should not be used in public hospitals. With the third point he landed a blow at Home Rule, [Pg 239] and his ingenuity in doing so brought forth a derisive cheer from the Irish benches, which roused my neighbour.

I looked up at him smiling, as much as to say, "Just like the Old Parliamentary Hand."

"What are you?" he growled.

"Punch."

"Ticket?"

Same reply and promise.

Appeased, he continued:

"Words, words, words—no 'ed no tail. Oh, of course you remember the introduction of white plaster—3rd of June, 1840—why didn't you say half-past two o'clock? More convincing. No doubt you got into some scrape and 'ad to use it. Won't you catch it from the old woman in the Gallery when you get home if you say so! Can't 'ear yer, thank goodness. Scribblers will take down any rot you talk. They want me, I suppose. Blowed if the country wants you."

Again he rolls out of his seat, collects the reporters' copy, and gives it to the attendants.

"Who are you? Ah, Punch. Don't forget yer ticket."

Again he dozes.

"'Icks Beach up! 'Ave all the Board of Trade chaps up, capping each other. Funny thing—Board of Trade chap says anything, all the Board of Traders must have a word in. Same with Local Government Board—new man says anything, old 'uns put in a word for theirselves, just to keep the place warm for them to return. Board!—I'm bored—joke there for Lucy. Thought the Irish lot couldn't keep quiet much longer. Tanner up,—ought to know more about plaster than politics. Rum fellers, these doctors in the House; leave their patients at 'ome, and come here to try ours—'nother good joke for Lucy—make his 'air stand on end. Tanner sticking to the plaster—now then, young Tories, jeer 'im down. The Doctor's goin' it. Order! order! That's right, Brand, turn 'im out,—wouldn't stand 'im in any place else. City Fowler's bellowing,—scene a-brewing,—good copy for these quill-drivers."

Dr. Tanner had recited some harrowing tale about black [Pg 240] plaster being used in his native town by a hospital surgeon on the scratched face of some old woman who had joined "the boys" in a street fight, although she protested that pink suited her complexion.

"It was a base Saxon trick!" roared the infuriated Member for Cork County. "On a par with the mane, dirty doings of puppets and spalpeens like the Mimbers opposite."

"Order! order!" cried the Speaker. "The hon. Member must withdraw that expression."

"I'll not withdraw anything except by adding that they're all liars on the Tory benches."

"The hon. Member must withdraw."

The Doctor "exits" with a flourish, glares at the Conservative benches below the gangway, and hisses at them:

"Better order a ton of plaster, for you'll want it after I meet ye outside."

Mr. Labouchere and two or three Irish Members rise at once.

My neighbour sneers.

"Oh, sit down, ye rubbishy lot! Labby,—better keep yer jokes for yer paper. Bless me if Conybeare ain't left standing! Now for an hour of boredom."

"He is a bore,"

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