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Captain Kettle came at last reluctantly, died for his country in record time, and flashed back again to the saucer. He had an important appointment. Sorry to appear rude and all that sort of thing, don't you know, but he had to see a cat about a mouse.

'Well?' said Trentham, when his sister looked in upon him an hour later.

'Oh, Dick, it's the nicest cat I ever saw. I shall never be happy if I don't get it.'

'Have you bought it?' asked the practical Trentham.

'My dear Dick, I couldn't. We couldn't bargain about a cat during tea. Why, I never met Mrs Prater before this afternoon.'

'No, I suppose not,' admitted Trentham, gloomily. 'Anyhow, look here, if anything turns up to make the beak want to get rid of it, I'll tell him you're dead nuts on it. See?'

For a fortnight after this episode matters went on as before. Mrs Williamson departed, thinking regretfully of the cat she had left behind her.

Captain Kettle died for his country with moderate regularity, and on one occasion, when he attempted to extract some milk from the very centre of a fag's tea-party, almost died for another reason. Then the end came suddenly.

Trentham had been invited to supper one Sunday by Mr Prater. When he arrived it became apparent to him that the atmosphere was one of subdued gloom. At first he could not understand this, but soon the reason was made clear. Captain Kettle had, in the expressive language of the man in the street, been and gone and done it. He had been left alone that evening in the drawing-room, while the House was at church, and his eye, roaming restlessly about in search of evil to perform, had lighted upon a cage. In that cage was a special sort of canary, in its own line as accomplished an artiste as Captain Kettle himself. It sang with taste and feeling, and made itself generally agreeable in a number of little ways. But to Captain Kettle it was merely a bird. One of the poets sings of an acquaintance of his who was so constituted that 'a primrose by the river's brim a simple primrose was to him, and it was nothing more'. Just so with Captain Kettle. He was not the cat to make nice distinctions between birds. Like the cat in another poem, he only knew they made him light and salutary meals. So, with the exercise of considerable ingenuity, he extracted that canary from its cage and ate it. He was now in disgrace.

'We shall have to get rid of him,' said Mr Prater.

'I'm afraid so,' said Mrs Prater.

'If you weren't thinking of giving him to anyone in particular, sir,' said Trentham, 'my sister would be awfully glad to take him, I know. She was very keen on him when she came to see me.'

'That's excellent,' said Prater. 'I was afraid we should have to send him to a home somewhere.'

'I suppose we can't keep him after all?' suggested Mrs Prater.

Trentham waited in suspense.

'No,' said Prater, decidedly. 'I think not.' So Captain Kettle went, and the House knew him no more, and the Tabby Terror was at an end.







12 — THE PRIZE POEM

Some quarter of a century before the period with which this story deals, a certain rich and misanthropic man was seized with a bright idea for perpetuating his memory after death, and at the same time harassing a certain section of mankind. So in his will he set aside a portion of his income to be spent on an annual prize for the best poem submitted by a member of the Sixth Form of St Austin's College, on a subject to be selected by the Headmaster. And, he added—one seems to hear him chuckling to himself—every member of the form must compete. Then he died. But the evil that men do lives after them, and each year saw a fresh band of unwilling bards goaded to despair by his bequest. True, there were always one or two who hailed this ready market for their sonnets and odes with joy. But the majority, being barely able to rhyme 'dove' with 'love', regarded the annual announcement of the subject chosen with feelings of the deepest disgust.

The chains were thrown off after a period of twenty-seven years in this fashion.

Reynolds of the Remove was indirectly the cause of the change. He was in the infirmary, convalescing after an attack of German measles, when he received a visit from Smith, an ornament of the Sixth.

'By Jove,' remarked that gentleman, gazing enviously round the sick-room, 'they seem to do you pretty well here.'

'Yes, not bad, is it? Take a seat. Anything been happening lately?'

'Nothing much. I suppose you know we beat the M.C.C. by a wicket?'

'Yes, so I heard. Anything else?'

'Prize poem,' said Smith, without enthusiasm. He was not a poet.

Reynolds became interested at once. If there was one role in which he fancied himself (and, indeed, there were a good many), it was that of a versifier. His great ambition was to see some of his lines in print, and he had contracted the habit of sending them up to various periodicals, with no result, so far, except the arrival of rejected MSS. at meal-times in embarrassingly long envelopes. Which he blushingly concealed with all possible speed.

'What's the subject this year?' he asked.

'The College—of all idiotic things.'

'Couldn't have a better subject for an ode. By Jove, I wish I was in the Sixth.'

'Wish I was in the infirmary,' said Smith.

Reynolds was struck with an idea.

'Look here, Smith,' he said, 'if you like I'll do you a poem, and you can send it up. If it gets the prize—'

'Oh, it won't get the prize,' Smith put in eagerly. 'Rogers is a cert. for that.'

'If it gets the prize,' repeated Reynolds, with asperity, 'you'll have to tell the Old Man all about it. He'll probably curse a bit, but that can't be helped. How's this for a beginning?

"Imposing pile, reared up 'midst pleasant grounds, The scene of many a battle, lost or won, At cricket or at football; whose red walls Full many a sun has kissed 'ere day is done."'

'Grand. Couldn't you get in something about the M.C.C. match? You could make cricket rhyme with wicket.' Smith sat entranced with his ingenuity, but the other treated so material a suggestion with scorn.

'Well,' said Smith, 'I must be off now. We've got a House-match on. Thanks awfully about the poem.'

Left to himself, Reynolds set himself seriously to the composing of an ode that should do him justice. That is to say, he drew up a chair and table

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