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should think, just looking at the envelope, and then... You see, what was the use? I could guess exactly the sort of thing that would be in it, and reading it would only have hurt a lot more. The thing was done, so why bother about explanations? What good are explanations, anyway? They don't help. They don't do anything... I burned it, Ginger. The last letter I shall ever get from him. I made a bonfire on the bathroom floor, and it smouldered and went brown, and then flared a little, and every now and then I lit another match and kept it burning, and at last it was just black ashes and a stain on the tiles. Just a mess!

“Ginger, burn this letter, too. I'm pouring out all the poison to you, hoping it will make me feel better. You don't mind, do you? But I know you don't. If ever anybody had a real pal...

“It's a dreadful thing, fascination, Ginger. It grips you and you are helpless. One can be so sensible and reasonable about other people's love affairs. When I was working at the dance place I told you about there was a girl who fell in love with the most awful little beast. He had a mean mouth and shiny black hair brushed straight back, and anybody would have seen what he was. But this girl wouldn't listen to a word. I talked to her by the hour. It makes me smile now when I think how sensible and level-headed I was. But she wouldn't listen. In some mysterious way this was the man she wanted, and, of course, everything happened that one knew would happen.

“If one could manage one's own life as well as one can manage other people's! If all this wretched thing of mine had happened to some other girl, how beautifully I could have proved that it was the best thing that could have happened, and that a man who could behave as Gerald has done wasn't worth worrying about. I can just hear myself. But, you see, whatever he has done, Gerald is still Gerald and Sally is still Sally and, however much I argue, I can't get away from that. All I can do is to come howling to my redheaded pal, when I know just as well as he does that a girl of any spirit would be dignified and keep her troubles to herself and be much too proud to let anyone know that she was hurt.

“Proud! That's the real trouble, Ginger. My pride has been battered and chopped up and broken into as many pieces as you broke Mr. Scrymgeour's stick! What pitiful creatures we are. Girls, I mean. At least, I suppose a good many girls are like me. If Gerald had died and I had lost him that way, I know quite well I shouldn't be feeling as I do now. I should have been broken-hearted, but it wouldn't have been the same. It's my pride that is hurt. I have always been a bossy, cocksure little creature, swaggering about the world like an English sparrow; and now I'm paying for it! Oh, Ginger, I'm paying for it! I wonder if running away is going to do me any good at all. Perhaps, if Mr. Faucitt has some real hard work for me to do...

“Of course, I know exactly how all this has come about. Elsa's pretty and attractive. But the point is that she is a success, and as a success she appeals to Gerald's weakest side. He worships success. She is going to have a marvellous career, and she can help Gerald on in his. He can write plays for her to star in. What have I to offer against that? Yes, I know it's grovelling and contemptible of me to say that, Ginger. I ought to be above it, oughtn't I—talking as if I were competing for some prize... But I haven't any pride left. Oh, well!

“There! I've poured it all out and I really do feel a little better just for the moment. It won't last, of course, but even a minute is something. Ginger, dear, I shan't see you for ever so long, even if we ever do meet again, but you'll try to remember that I'm thinking of you a whole lot, won't you? I feel responsible for you. You're my baby. You've got started now and you've only to stick to it. Please, please, please don't 'make a hash of it'! Good-bye. I never did find that photograph of me that we were looking for that afternoon in the apartment, or I would send it to you. Then you could have kept it on your mantelpiece, and whenever you felt inclined to make a hash of anything I would have caught your eye sternly and you would have pulled up.

“Good-bye, Ginger. I shall have to stop now. The mail is just closing.

“Always your pal, wherever I am.—-SALLY.”

Ginger laid the letter down, and a little sound escaped him that was half a sigh, half an oath. He was wondering whether even now some desirable end might not be achieved by going to Chicago and breaking Gerald Foster's neck. Abandoning this scheme as impracticable, and not being able to think of anything else to do he re-lit his pipe and started to read the letter again.





CHAPTER XII. SOME LETTERS FOR GINGER

Laurette et Cie,

Regent Street,

London, W.,

England.

January 21st.

Dear Ginger,—I'm feeling better. As it's three months since I last wrote to you, no doubt you will say to yourself that I would be a poor, weak-minded creature if I wasn't. I suppose one ought to be able to get over anything in three months. Unfortunately, I'm afraid I haven't quite succeeded in doing that, but at least I have managed to get my troubles stowed away in the cellar, and I'm not dragging them out and looking at them all the time. That's something, isn't it?

I ought to give you all my impressions of London, I suppose; but I've grown so used to the place that I don't think I have any now. I seem to have been here years and years.

You will see by the address that Mr. Faucitt has not yet sold his inheritance. He expects to do so very soon, he tells me—there is a rich-looking man with whiskers and a keen eye whom he is always lunching with, and I think big deals are in progress. Poor dear! he is crazy to get away into the country and settle down and grow ducks and things. London has disappointed him. It is not the place it used to be. Until quite lately, when he grew resigned, he used to wander about in a disconsolate sort of way, trying to locate the landmarks of his youth. (He has not been in England for nearly thirty years!) The trouble is, it seems, that about once in every thirty years a sort of craze for change comes over London, and they paint a shop-front red instead of blue, and that upsets the returned exile dreadfully. Mr. Faucitt feels like Rip Van Winkle. His first shock was when he found that the Empire was a theatre now instead of a music-hall. Then he was told that another music-hall, the Tivoli, had been pulled down altogether. And when on top of that he went to look at the baker's shop in Rupert Street, over which he had lodgings in the eighties, and discovered that it had been turned into a dressmaker's, he grew very melancholy, and only cheered up a little when a lovely magenta

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