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incorrect and objectionable, the fact being that the Moon has no air at all.

The existence of the celebrated "Man in the Moon" has been frequently questioned by modern philosophers. The whole subject is involved in doubt and obscurity. The only authority we have for believing that such an individual exists, and has been seen and spoken with, is a fragment of an old poem composed by an ancient Astronomer of the name of Goose, which has been handed down to us as follows:

"The man in the Moon came down too soon
To inquire the way to Norwich;
The man in the South, he burned his mouth,
Eating cold, hot porridge."

The evidence conveyed in this distich is, however, rejected by the skeptical, among modern Astronomers, who consider the passage an allegory. "The man in the South," being supposed typical of the late John C. Calhoun, and the "cold, hot porridge," alluded to the project of nullification.

END OF LECTURE FIRST

Note by the Author—Itinerant Lecturers are cautioned against making use of the above production, without obtaining the necessary authority from the proprietors of the Pioneer Magazine. To those who may obtain such authority, it may be well to state that at the close of the Lecture it was the intention of the author to exhibit and explain to the audience an orrery, accompanying and interspersing his remarks by a choice selection of popular airs on the hand-organ.

An economical orrery may be constructed by attaching eighteen wires of graduated lengths to the shaft of a[Pg 69] candlestick, apples of different sizes being placed at their extremities to represent the Planets, and a central orange resting on the candlestick, representing the Sun.

An orrery of this description is, however, liable to the objection that if handed around among the audience for examination, it is seldom returned uninjured. The author has known an instance in which a child four years of age, on an occasion of this kind, devoured in succession the planets Jupiter and Herschel, and bit a large spot out of the Sun before he could be arrested.

J.P.

[Pg 70]

AT AUNTY'S HOUSE By James Whitcomb Riley
One time, when we'z at Aunty's house—
'Way in the country!—where
They's ist but woods—an' pigs, an' cows—
An' all's out-doors an' air!—
An' orchurd-swing; an' churry-trees—
An' churries in 'em!—Yes, an' these-
Here red-head birds steals all they please,
An' tetch 'em ef you dare!—
W'y, wunst, one time, when we wuz there,
We et out on the porch!
Wite where the cellar-door wuz shut
The table wuz; an' I
Let Aunty set by me an' cut
My vittuls up—an' pie.
'Tuz awful funny!—I could see
The red-heads in the churry-tree;
An' bee-hives, where you got to be
So keerful, goin' by;—
An' "Comp'ny" there an' all!—an' we—
We et out on the porch!
An' I ist et p'surves an' things
'At Ma don't 'low me to—
An' chickun-gizzurds—(don't like wings
Like Parunts does! do you?)
An' all the time, the wind blowed there,
An' I could feel it in my hair,[Pg 71]
An' ist smell clover ever'where!—
An' a' old red-head flew
Purt' nigh wite over my high-chair,
When we et on the porch!
[Pg 72] WILLY AND THE LADY By Gelett Burgess
Leave the lady, Willy, let the racket rip,
She is going to fool you, you have lost your grip,
Your brain is in a muddle and your heart is in a whirl,
Come along with me, Willy, never mind the girl!
Come and have a man-talk;
Come with those who can talk;
Light your pipe and listen, and the boys will see you through;
Love is only chatter,
Friends are all that matter;
Come and talk the man-talk; that's the cure for you!
Leave the lady, Willy, let her letter wait,
You'll forget your troubles when you get it straight,
The world is full of women, and the women full of wile;
Come along with me, Willy, we can make you smile!
Come and have a man-talk,
A rousing black-and-tan talk,
There are plenty there to teach you; there's a lot for you to do;[Pg 73]
Your head must stop its whirling
Before you go a-girling;
Come and talk the man-talk; that's the cure for you!
Leave the lady, Willy, the night is good and long,
Time for beer and 'baccy, time to have a song;
Where the smoke is swirling, sorrow if you can—
Come along with me, Willy, come and be a man!
Come and have a man-talk,
Come with those who can talk,
Light your pipe and listen, and the boys will see you through;
Love is only chatter,
Friends are all that matter;
Come and talk the man-talk; that's the cure for you!
Leave the lady, Willy, you are rather young;
When the tales are over, when the songs are sung,
When the men have made you, try the girl again;
Come along with me, Willy, you'll be better then!
Come and have a man-talk,
Forget your girl-divan talk;
You've got to get acquainted with another point of view!
Girls will only fool you;
We're the ones to school you;
Come and talk the man-talk; that's the cure for you!
[Pg 74] THE ITINERANT TINKER By Charles Raymond Macauley

Away off in front, and coming toward them along the same path, appeared a singularly misshapen figure. As they came nearer, Dickey saw that it was an old man carrying on his back, at each side and in front of him, some part or piece of almost every imaginable thing. Umbrellas, chair bottoms, panes of glass, knives, forks, pans, dusters, tubs, spoons and stove-lids, graters and grind-stones, saws and samovars,—"Almost everything one could possibly think of," said Dickey to himself.

The moment that the Fantasm caught sight of the strange figure he stopped, and Dickey noticed that his face, which was tucked securely under his left arm, turned quite pale.

"Gracious me!" he exclaimed in a thoroughly frightened way. "There's the Itinerant Tinker again! Now," he added hastily and dolefully, "I shall have to leave you and run for it."

"Why, you're surely not afraid of him!" Dickey exclaimed incredulously. Dickey was really surprised, for the old man, so far as he could judge from that distance, wore an extremely mild and kindly look. "Why do you have to run?" he asked.

"Why? Why?" the Fantasm fairly shouted. "I told you a moment ago that he was the Itinerant Tinker! He tries to mend every[Pg 75] broken and unbroken thing in Fantasma Land! Every time he catches me," went on the Fantasm, as he edged cautiously away, "he tries to glue on my head. It's very annoying—and, besides, it hurts! Good-by, Dickey!" he called, and disappeared forthwith into the bushes.

"Isn't he a droll person?" thought Dickey. "He never stops with me more than ten minutes at a time but what he either loses his head or runs away."

By that time the Itinerant Tinker had come up to where Dickey stood. He sat wearily down on a boulder by the wayside, removed some of the heavier merchandise from off his back, and proceeded to mop his face vigorously with a great red handkerchief. Dickey waited several minutes for the old man to speak; but the Itinerant Tinker only regarded him solemnly. He did not even smile.

"It's very warm work, sir," ventured Dickey, at last, "carrying all that stuff—isn't it?"

"Stuff?" returned the Itinerant Tinker, in a very mild, but unmistakably hurt tone of voice.

"Well—" Dickey hesitated timidly.

"Don't call them stuff, please," sighed the Itinerant Tinker; "call them necessary commodities."

"But whatever one does call them," Dickey persisted, "they still make you warm to carry them all about, don't they?"

The Itinerant Tinker nodded his head and sighed again.

Again Dickey waited for a considerable space of time. But the old man would have been perfectly content to sit there for ever, Dickey thought, without speaking. "I do wish he would[Pg 76] talk," said he to himself. "It's awfully annoying to have him sit there and look at one without saying a word."

"What do you mend, sir?" Dickey inquired at last.

"I tried once," sighed the Itinerant Tinker, sadly, "to mend the break of day. It took me twenty-seven hours and eleven minutes to fix it, and it broke every twenty-four. At that rate how long would it take to patch them all together?"

Another distressing silence.

"Have you figured that out?" whispered the Itinerant Tinker at length.

"I haven't tried," Dickey admitted.

"I tried once," the Itinerant Tinker said, "but I ran out of paper and gave it up. Then, when the night fell," he resumed dolefully, after another long interval of silence, "I tried to prop it up. But I met with the same difficulty that confronted me in patching up the day, and was forced to abandon that too."

"In which direction were you going when I met you?" Dickey asked.

The Itinerant Tinker pointed ahead of him along the path and mopped his bald head.

"But where?" insisted Dickey.

"To the Crypt. I was going to the Crypt," murmured the Itinerant Tinker, "to see whether I couldn't get some umbrellas to mend."

"But they don't need umbrellas in the Crypt, do they?" Dickey asked, surprised.

"No, they don't," sighed the Itinerant Tinker; "and that's the reason I'm going there."

"If you don't mind," said Dickey, "I should like to go with you."[Pg 77]

Without a word of reply the Itinerant Tinker rose slowly and painfully to his feet, rearranged on his back the merchandise he had laid aside, and started off up the hill, with Dickey following closely at his heels.

"I tried to mend the Great Dipper once," resumed the Itinerant Tinker, at length. "I only succeeded, however, in crooking the handle; but it looks better that way, I think."

"How did you manage to reach it?" asked Dickey, a little doubtfully.

"I climbed up the Milky Way," replied the Itinerant Tinker, sadly. "In order to reach it after I got there, I was obliged to stand on the horn of the moon. It was a very perilous undertaking."

Dickey couldn't believe quite all that the Itinerant Tinker was telling him. But his mild and gentle eyes wore such a serious expression that he very much disliked to doubt the old man's word.

"Speaking of the moon," went on the Itinerant Tinker after a while, "I tried once to make her stand up—after she had set, you know. It proved a thankless task. She treated me very rudely, indeed. By the by, have you seen the Flighty-wight?"

"No, sir; I have not," replied Dickey.

"He's always jumping at conclusions, you know. I jumped at a conclusion once, fell into disgrace, and was very much cut up over it. I tried to patch him up and he called me an old meddler! You haven't heard of such ingratitude before, I fancy?"

"It was very mean of him, I think," said Dickey, sympathetically.[Pg 78]

"Oh, that's nothing," pursued the Itinerant Tinker, in a melancholy tone. "That's nothing! I once attempted to solder a new tip on the Wizard's wand. He turned me into a rabbit, he did."

"Whatever did you do then?" asked Dickey.

"I protested, of course. He merely said that he was only making game of me. But if there's any one thing that I can do better than another," went on the Itinerant Tinker, after another embarrassing pause, "it's piecing together a split infinitive. Would you like me to show you how it's done?"

"Indeed, I should," Dickey eagerly answered; "very much, indeed."

"Very well, then. Just give me time to set down these necessary commodities, and I'll show you exactly the manner in which it's done and undone."

After he had rid himself of his awkward burden, the Itinerant Tinker carefully selected a saw from his kit of tools.

"Is that a log over there?" he asked, pointing toward a mound of earth. "I'm a trifle nearsighted, you know."

"No," Dickey replied. "But there's one off there, just to the

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