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sacredly secret from the prying eyes of the public.

It is singular, but it is none the less the never dying truth, that the only time that paste ever stuck anything at all, was when I applied it to my wife and that picture. After that it did everything but adhere. It gourmed and it gummed everything, but that was all.

The man who wrote the recipe may have been stuck on it, but nothing else ever was.

{Illustration: I LOST MY BALANCE.}

{9318}

Finally a friend came along who helped me pick the paper off the dog and soothe my wife. He said that what this paste needed was more glue and a quart of molasses. I added these ingredients, and constructed a quart of chemical molasses which looked like crude ginger bread in a molten state.

Then, with the aid of my friend, I proceeded to paper the room. The paper would seem to adhere at times, and then it would refrain from adhering. This was annoying, but we succeeded in applying the paper to the walls in a way that showed we were perfectly sincere about it. We didn't seek to mislead anybody or cover up anything. Any one could see where each roll of paper tried to be amicable with its neighbor—also where we had tried the laying on of hands in applying the paper.

We got all the paper on in good shape—also the bronze. But they were in different places. The paper was on the walls, but the bronze was mostly on our clothes and on our hands. I was very tired when I got through, and I went to bed early, hoping to get much needed rest. In the morning, when I felt fresh and rested, I thought that the paper would look better to me.

There is where I fooled myself. It did not look better to me. It looked worse.

All night long I could occasionally hear something crack like a Fourth of July. I did not know at the time what it was, but in the morning I discovered.

It seems that, during the night, that paper had wrinkled itself up like the skin on the neck of a pioneer hen after death. It had pulled itself together with so much zeal that the room was six inches smaller each way and the carpet didn't fit.

There is only one way to insure success in the publication of recipes. They must be tried by the editor himself before they are printed. If you have a good recipe for paste, you must try it before you print it. If you have a good remedy for botts, you must get a botty horse somewhere and try the remedy before you submit it. If you think of publishing the antidote for a certain poison, you should poison some one and try the antidote on him, in order to test it, before you bamboozle the readers of your paper.

This, of course, will add a good deal of extra work for the editor, but editors need more work. All they do now is to have fun with each other, draw their princely salaries, and speak sarcastically of the young poet who sings,

“You have came far o'er the sea, And I've went away from thee.”







Sixty Minutes in America.

The following selections are from the advance sheets of a forthcoming work with the above title, to be published by M. Foll de Roll. It is possible that other excerpts will be made from the book, in case the present harmonious state of affairs between France and America is not destroyed by my style of translation.

In the preface M. Foll de Roll says: “France has long required a book of printed writings about that large, wide land of whom we listen to so much and yet so little sabe, as the piquant Californian shall say. America is considerable. America I shall call vast. She care nothing how high freedom shall come, she must secure him. She exclaims to all people: 'You like freedom pretty well, but you know nothing of it. We throw away every day more freedom than you shall see all your life. Come to this place when you shall run out of freedom. We make it. Do not ask us for money, but if you want personal liberty, please look over our vast stock before you elsewhere go.'

“So everybody goes to America, where he shall be free to pay cash for what the American has for sale.

“In this book will be found everything that the French people want to know of that singular land, for did I not cross it from New Jersey City, the town where all the New York people have to go to get upon the cars, through to the town of San Francisco?

“For years the writer of this book has had it in his mind to go across America, and then tell the people of France, in a small volume costing one franc, all about the grotesque land of the freedom bird.”

In the opening chapter he alludes to New York casually, and apologizes for taking up so much space.

“When you shall land in New York, you shall feel a strange sensation. The stomach is not so what we should call 'Rise up William Riley,' to use an Americanism which will not bear translation. I ride along the Rue de Twenty-three, and want to eat everything my eyes shall fall upon.

“I stay at New York all night, and eat one large supper at 6 o'clock, and again at 9. At 12 I awake and eat the inside of my hektograph, and then lie down once more to sleep. The hektograph will be henceforth, as the American shall say, no good, but what is that when a man is starving in a foreign land?

“I leave New York in the morning on the Ferry de Pavonia, a steamer that goes to New Jersey City. Many people go to New York to buy food and clothes. Then you shall see them return to the woods, where they live the rest of the time. Some of the females are quite petite and, as the Americans have it, 'scrumptious.' One stout girl at New Jersey City, I was told, was 'all wool and a yard wide.'

“The relations between New York and New Jersey City are quite amicable, and the inhabitants seem to spend much of their time riding to and fro on the Ferry de Pavonia and other steamers. When I talked to them in their own language they would laugh with great glee, and say they could not parley voo Norwegian very good.

“The Americans are very fond of witnessing what may be called the tournament de slug. In this, two men wearing upholstered mittens shake hands, and then one strikes at the other with his right hand, so as to mislead him, and, while he is taking care of that, the first man hits him with his left and knocks out some of his teeth. Then the other man spits out his loose teeth and hits his antagonist on the nose, or feeds him with the thumb of his upholstered mitten for some time. Half the gate money goes to the hospital where these men

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