Remarks by Bill Nye (free ebook reader for pc TXT) 📖
- Author: Bill Nye
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He awoke as day dawned, and, when he found himself astride the mule of another, a slight shudder passed the entire length of his frame. He then fully realized that he had made his debut as a somnambulist. He seemed to think that he who starts out to be a somnambulist should never turn back. So he pressed on, while the red sun stepped out into the awful quiet of the dusty waste and gradually moved up into the sky, and slowly added another day to those already filed away in the dark maw of ages.
Night came again at last, and with it other somnambulists similar to the first, only that they were riding on their own beasts. Some somnambulists ride their own animals, while others are content to bestride the steeds of strangers.
The man on the anonymous mule halted at last at the mouth of a deep canon. He did so at the request of other somnambulists. Mechanically he got down from the back of the mule and stood under a stunted mountain pine.
After awhile he began to ascend the tree by means of his neck. When he had reached the lower branch of the tree he made a few gestures with his feet by a lateral movement of the legs. He made several ineffectual efforts to kick some pieces out of the horizon, and then, after he had gently oscilliated a few times, he assumed a pendent and perpendicular position at right angles with the limb of the tree.
The other somnambulists then took the mule safely back to his corral, and the tragedy of a night was over.
The London Post very truly says that where somnambulism can be proved it is a good defense in a criminal action. It was so held in this case.
Various methods are suggested for rousing the somnambulist, such as tickling the feet, for instance; but in all my own experience, I never knew of a more radical or permanent cure than the one so imperfectly given above. It might do in some cases to tickle the feet of a somnambulist discovered in the act of riding away on an anonymous mule, but how could you successfully tickle the soles of his feet while he is standing on them? In such cases, the only true way would be to suspend the somnambulist in such a way as to give free access to the feet from below, and, at the same time, give him a good, wide horizon to kick at.
Modern Architecture.
It may be premature, perhaps, but I desire to suggest to anyone who may be contemplating the erection of a summer residence for me, as a slight testimonial of his high regard for my sterling worth and symmetrical escutcheon—a testimonial more suggestive of earnest admiration and warm personal friendship than of great intrinsic value, etc., etc., etc., that I hope he will not construct it on the modern plan of mental hallucination and morbid delirium tremens peculiar to recent architecture.
Of course, a man ought not to look a gift house in the gable end, but if my friends don't know me any better than to build me a summer cottage and throw in odd windows that nobody else wanted, and then daub it up with colors they have bought at auction and applied to the house after dark with a shotgun, I think it is time that we had a better understanding.
{Illustration: THE ARCHITECT.}
Such a structure does not come within either of the three classes of renaissance. It is neither Florentine, Roman, or Venetian. Any man can originate such a style if he will only drink the right kind of whiskey long enough and then describe the feelings to an amanuensis.
Imagine the sensation that one of these modern, sawed-off cottages would create a hundred years from now, if it should survive! But that is impossible. The only cheering feature of the whole matter is that these creatures of a disordered imagination must soon pass away, and the bright sunlight of hard horse sense shine in through the shattered dormers and gables and gnawed-off architecture of the average summer resort.
A friend of mine a few days ago showed me his new house with much pride. He asked me what I thought of it. I told him I liked it first-rate. Then I went home and wept all night. It was my first falsehood.
The house, taken as a whole, looked to me like a skating rink that had started out to make money, and then suddenly changed its mind and resolved to become a tannery. Then ten feet higher it lost all self-respect and blossomed into a full-blown drunk and disorderly, surrounded by the smokestack of a foundry and the bright future of thirty days ahead with the chain gang. That's the way it looked to me.
The roofs were made of little odds and ends of misfit rafters and distorted shingles that somebody had purchased at a sheriff's sale, and the rooms and stairs were giddy in the extreme.
I went in and rambled around among the cross-eyed staircases and other night-mares till reason tottered on her throne. Then I came out and stood on the architectural wart, called the side porch, to get fresh air. This porch was painted a dull red, and it had wooden rosettes at the corners that looked like a new carbuncle on the nose of a social wreck.
Farther up on the demoralized lumber pile I saw, now and then, places where the workman's mind had wandered and he had nailed on his clapboards wrong side up, and then painted them with Paris green that he had intended to use on something else.
It was an odd looking structure, indeed. If my friend got all the material for nothing from people who had fragments of paint and lumber left over after they failed, and then if the workmen constructed it of night for mental relaxation and intellectual repose, without charge, of course the scheme was a financial success, but architecturally the house is a gross violation of the statutes in such cases made and provided, and against the peace and dignity of the State.
There is a look of extreme poverty about the structure which a man might struggle for years to acquire and then fail. No one could look upon it without a feeling of heartache for the man who built that house, and probably struggled on year after year, building a little at a time as he could steal the lumber, getting a new workman each year, building a knob here and a protuberance there, putting in a three-cornered window at one point and a yellow tile or a wad of broken glass and other debris at another, patiently filling in around the ranch with any old rubbish that other people had got through with, painting it as he went along, taking what was left in the bottom of the pots after his neighbors had painted their bob-sleds or their tree boxes—little favors thankfully received—and then surmounting the whole pile with a potpourri of roof, and grand farewell incubus
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