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Love Lane.'

"'Get out with you, Cobbs!'--that was that there boy's expression--'you're joking.'

"'Begging your pardon, sir,' says Cobbs, 'there really is Love Lane. And a pleasant walk it is, and proud I shall be to show it to yourself and Mrs. Harry Walmers, Jr.'

"'Norah, dear,' said Master Harry, 'this is curious. We really ought to see Love Lane. Put on your bonnet, my sweetest darling, and we will go there with Cobbs.'

"Boots leaves me to judge what a beast he felt himself to be, when that young pair told him, as they all three jogged along together, that they had made up their minds to give him two thousand guineas a year as head-gardener, on account of his being so true a friend to 'em. Boots could have wished at the moment that the earth would have opened and swallowed him up; he felt so mean with their beaming eyes a-looking at him, and believing him. Well, sir, he turned the conversation as well as he could, and he took 'em down Love Lane to the water-meadows, and there Master Harry would have drowned himself in half a moment more, a-getting out a water-lily for her--but nothing frightened that boy. Well, sir, they was tired out. All being so new and strange to 'em, they was tired as tired could be. And they laid down on a bank of daisies, like the children in the wood, leastways meadows, and fell asleep.

"Well, sir, they woke up at last, and then one thing was getting pretty clear to Boots, namely, that Mrs. Harry Walmers', Jr., temper was on the move. When Master Harry took her round the waist she said he 'teased her so,' and when he says, 'Norah, my young May Moon, your Harry tease you?' she tells him, 'Yes; and I want to go home!'

"However, Master Harry he kept up, and his noble heart was as fond as ever. Mrs. Walmers turned very sleepy about dusk and began to cry. Therefore, Mrs. Walmers went off to bed as per yesterday; and Master Harry ditto repeated.

"About eleven or twelve at night comes back the inn-keeper in a chaise, along with Mr. Walmers and an elderly lady. Mr. Walmers looks amused and very serious, both at once, and says to our missis, 'We are very much indebted to you, ma'am, for your kind care of our little children, which we can never sufficiently acknowledge. Pray, ma'am where is my boy?' Our missis says, 'Cobbs has the dear children in charge, sir. Cobbs, show forty!' Then he says to Cobbs, 'Ah, Cobbs! I am glad to see _you_. I understand you was here!' And Cobbs says, 'Yes, sir. Your most obedient, sir.'

"I may be surprised to hear Boots say it, perhaps, but Boots assures me that his heart beat like a hammer, going up-stairs. 'I beg your pardon, sir,' says he, while unlocking the door; 'I hope you are not angry with Master Harry. For Master Harry is a fine boy, sir, and will do you credit and honor.' And Boots signifies to me that if the fine boy's father had contradicted him in the daring state of mind in which he then was, he thinks he should have 'fetched him a crack,' and taken the consequences.

"But Mr. Walmers only says, 'No, Cobbs. No, my good fellow. Thank you!' And the door being open, goes in.

"Boots goes in too, holding the light, and he sees Mr. Walmers go up to the bedside, bend gently down, and kiss the little sleeping face. Then he stands looking at it for a minute, looking wonderfully like it; and then he gently shakes the little shoulder.

"'Harry, my dear boy! Harry!'

"Master Harry starts up and looks at him. Looks at Cobbs, too. Such is the honor of that mite that he looks at Cobbs to see whether he has brought him into trouble.

"'I am not angry, my child. I only want you to dress yourself and come home.'

"'Yes, pa.'

"Master Harry dresses himself quickly. His breast begins to swell when he has nearly finished, and it swells more and more as he stands a-looking at his father; his father standing a-looking at him, the quiet image of him.

"'Please may I'--the spirit of that little creatur', and the way he kept his rising tears down!--'Please, dear pa--may I--kiss Norah before I go?'

"'You may, my child.'

"So he takes Master Harry in his hand, and Boots leads the way with the candle, and they come to that other bedroom; where the elderly lady is seated by the bed, and poor little Mrs. Harry Walmers, Jr., is fast asleep. There the father lifts the child up to the pillow, and he lays his little face down for an instant by the little warm face of poor unconscious little Mrs. Harry Walmers, Jr., and gently draws it to him--a sight so touching to the chambermaids who are peeping through the door that one of them calls out, 'It's a shame to part 'em!' But this chambermaid was always, as Boots informs me, a soft-hearted one. Not that there was any harm in that girl. Far from it."


FOOTNOTES:

[A] For the benefit of some of our young readers, it may be well to explain that this is about the same as a bill of twenty-five dollars would be in America.

[B] A biffin is a red apple, growing near Norfolk, and generally eaten after having been baked.



IV.

LITTLE DORRIT.

MANY years ago, when people could be put in prison for debt, a poor gentleman, who was unfortunate enough to lose all his money, was brought to the Marshalsea prison, which was the prison where debtors were kept. As there seemed no prospect of being able to pay his debts, his wife and their two little children came to live there with him. The elder child was a boy of three; the younger a little girl of two years old, and not long afterwards another little girl was born. The three children played in the courtyard, and on the whole were happy, for they were too young to remember a happier state of things.

But the youngest child, who had never been outside the prison walls, was a thoughtful little creature, and wondered what the outside world could be like. Her great friend, the turnkey, who was also her godfather, became very fond of her, and as soon as she could walk and talk he brought a little arm-chair and stood it by his fire at the lodge, and coaxed her with cheap toys to come and sit with him. In return the child loved him dearly, and would often bring her doll to dress and undress as she sat in the little arm-chair. She was still a very tiny creature when she began to understand that everyone did not live locked up inside high walls with spikes at the top, and though she and the rest of the family might pass through the door that the great key opened, her father could not; and she would look at him with a wondering pity in her tender little heart.

One day, she was sitting in the lodge gazing wistfully up at the sky through the barred window. The turnkey, after watching her some time, said:

"Thinking of the fields, ain't you?"

"Where are they?" she asked.

"Why, they're--over there, my dear," said the turnkey, waving his key vaguely, "just about there."

"Does anybody open them and shut them? Are they locked?"

"Well," said the turnkey, not knowing what to say, "not in general."

"Are they pretty, Bob?" She called him Bob, because he wished it.

"Lovely. Full of flowers. There's buttercups, and there's daisies, and there's--" here he hesitated not knowing the names of many flowers--"there's dandelions, and all manner of games."

"Is it very pleasant to be there, Bob?"

"Prime," said the turnkey.

"Was father ever there?"

"Hem!" coughed the turnkey. "O yes, he was there, sometimes."

"Is he sorry not to be there now?"

"N--not particular," said the turnkey.

"Nor any of the people?" she asked, glancing at the listless crowd within. "O are you quite sure and certain, Bob?"

At this point, Bob gave in and changed the subject to candy. But after this chat, the turnkey and little Amy would go out on his free Sunday afternoons to some meadows or green lanes, and she would pick grass and flowers to bring home, while he smoked his pipe; and then they would go to some tea-gardens for shrimps and tea and other delicacies, and would come back hand in hand, unless she was very tired and had fallen asleep on his shoulder.

When Amy was only eight years old, her mother died; and the poor father was more helpless and broken-down than ever, and as Fanny was a careless child and Edward idle, the little one, who had the bravest and truest heart, was led by her love and unselfishness to be the little mother of the forlorn family, and struggled to get some little education for herself and her brother and sister.

At first, such a baby could do little more than sit with her father, deserting her livelier place by the high fender, and quietly watching him. But this made her so far necessary to him that he became accustomed to her, and began to be sensible of missing her when she was not there. Through this little gate, she passed out of her childhood into the care-laden world.

What her pitiful look saw, at that early time, in her father, in her sister, in her brother, in the jail; how much or how little of the wretched truth it pleased God to make plain to her, lies hidden with many mysteries. It is enough that she was inspired to be something which was not what the rest were, and to be that something, different and laborious, for the sake of the rest. Inspired? Yes. Shall we speak of a poet or a priest, and not of the heart impelled by love and self-devotion to the lowliest work in the lowliest way of life?

The family stayed so long in the prison that the old man came to be known as "The Father of the Marshalsea;" and little Amy, who had never known any other home, as "The Child of the Marshalsea."

At thirteen she could read and keep accounts--that is, could put down in words and figures how much the bare necessaries that they wanted would cost, and how much less they had to buy them with. She had been, by snatches of a few weeks at a time, to an evening school outside, and got her sister and brother sent to day-schools from time to time during three or four years. There was no teaching for any of them at home; but she knew well--no one better--that a man so broken as to be the Father of the Marshalsea, could be no father to his own children.

To these scanty means of improvement, she added another of her own contriving. Once among the crowd of prisoners there appeared a dancing-master. Her sister had a great desire to learn the dancing-master's art, and seemed to have a taste that way. At thirteen years old, the Child of the Marshalsea presented herself to the dancing-master, with a little bag in her hand, and offered her humble petition.

"If you please, I was born here, sir."

"Oh! you are the young lady, are you?" said the dancing-master, surveying the small figure and uplifted face.

"Yes, sir."

"And what
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