The Grammar of English Grammars by Goold Brown (read books for money TXT) 📖

well denotes continuance, we employ the participle in ing in that sense also: as, "I'll teach you all what's owing to your Queen."—Dryden. That is—what is due, or owed. "The books continue selling; i.e. upon the sale, or to be sold."—Priestley's Gram., p. 111. "So we say the brass is forging; i.e. at the forging, or in [being forged."]—Ib. "They are to blame; i.e. to be blamed."—Ib. Hence some grammarians seem to think, that in our language the distinction between active and passive verbs is of little consequence: "Mr. Grant, however, observes, p. 65, 'The component parts of the English verb, or name of action, are few, simple, and natural; they, consist of three words, as plough, ploughing, ploughed. Now these words, and their inflections, may be employed either actively or passively. Actively, 'They plough the fields; they are ploughing the fields; they ploughed, or have ploughed, the fields.' Passively, 'The fields plough well; the fields are ploughing; the fields are ploughed.' This passive use of the present tense and participle is, however, restricted to what he denominates 'verbs of external, material, or mechanical action;' and not to be extended to verbs of sensation and perception; e.g. love, feel, see, &c."—Nutting's Gram., p. 40. MODIFICATIONS.

Verbs have modifications of four kinds; namely, Moods, Tenses, Persons and Numbers.

MOODS.

Moods [229] are different forms of the verb, each of which expresses the being, action, or passion, in some particular manner.

There are five moods; the Infinitive, the Indicative, the Potential, the Subjunctive, and the Imperative.

The Infinitive mood is that form of the verb, which expresses the being, action, or passion, in an unlimited manner, and without person or number: as, "To die,—to sleep;—To sleep!—perchance, to dream!"

The Indicative mood is that form of the verb, which simply indicates or declares a thing: as, I write; you know: or asks a question; as, "Do you know?"—"Know ye not?"

The Potential mood is that form of the verb which expresses the power, liberty, possibility, or necessity, of the being, action, or passion: as, "I can walk; he may ride; we must go."

The Subjunctive mood is that form of the verb, which represents the being, action, or passion, as conditional, doubtful, and contingent: as, "If thou go, see that thou offend not."—"See thou do it not."—Rev., xix, 10.

The Imperative mood is that form of the verb which is used in commanding, exhorting, entreating, or permitting: as, "Depart thou."—"Be comforted."—"Forgive me."—"Go in peace."

OBSERVATIONS.

OBS. 1.—The Infinitive mood is so called in opposition to the other moods, in which the verb is said to be finite. In all the other moods, the verb has a strict connexion, and necessary agreement in person and number, with some subject or nominative, expressed or understood; but the infinitive is the mere verb, without any such agreement, and has no power of completing sense with a noun. In the nature of things, however, all being, action, or passion, not contemplated abstractly as a thing, belongs to something that is, or acts, or is acted upon. Accordingly infinitives have, in most instances, a reference to some subject of this kind; though their grammatical dependence connects them more frequently with some other term. The infinitive mood, in English, is distinguished by the preposition to; which, with a few exceptions, immediately precedes it, and may be said to govern it. In dictionaries, and grammars, to is often used as a mere index, to distinguish verbs from the other parts of speech. But this little word has no more claim to be ranked as a part of the verb, than has the conjunction if, which is the sign of the subjunctive. It is the nature of a preposition, to show the relation of different things, thoughts, or words, to each other; and this "sign of the infinitive" may well be pursued separately as a preposition, since in most instances it manifestly shows the relation between the infinitive verb and some other term. Besides, by most of our grammarians, the present tense of the infinitive mood is declared to be the radical form of the verb; but this doctrine must be plainly untrue, upon the supposition that this tense is a compound.

OBS. 2.—The Indicative mood is so called because its chief use is, to indicate, or declare positively, whatever one wishes to say. It is that form of the verb, which we always employ when we affirm or deny any thing in a direct and independent manner. It is more frequently used, and has a greater number of tenses, than any other mood; and is also, in our language, the only one in which the principal verb is varied in termination. It is not, however, on all occasions, confined to its primary use; else it would be simply and only declarative. But we use it sometimes interrogatively, sometimes conditionally; and each of these uses is different from a simple declaration. Indeed, the difference between a question and an assertion is practically very great. Hence some of the old grammarians made the form of inquiry a separate mood, which they called the Interrogative Mood. But, as these different expressions are distinguished, not by any difference of form in the verb itself, but merely by a different order, choice, or delivery of the words, it has been found most convenient in practice, to treat them as one mood susceptible of different senses. So, in every conditional sentence, the prot'asis, or condition, differs considerably from the apod'osis, or principal clause, even where both are expressed as facts. Hence some of our modern grammarians, by the help of a few connectives, absurdly merge a great multitude of Indicative or Potential expressions in what they call the Subjunctive Mood. But here again it is better to refer still to the Indicative or Potential mood whatsoever has any proper sign of such mood, even though it occur in a dependent clause.

OBS. 3.—The Potential mood is so called because the leading idea expressed by it, is that of the power of performing some action. This mood is known by the signs may, can, must, might, could, would, and should. Some of these auxiliaries convey other ideas than that of power in the agent; but there is no occasion to explain them severally here. The potential mood, like the indicative, may be used in asking a question; as, "Must I budge? must I observe you? must I stand and crouch under your testy humour?"—Shakspeare. No question can be asked in any other mood than these two. By some grammarians, the potential mood has been included in the subjunctive, because its meaning is often expressed in Latin by what in that language is called the subjunctive. By others, it has been entirely rejected, because all its tenses are compound, and it has been thought the words could as well be parsed separately. Neither of these opinions is sufficiently prevalent, or sufficiently plausible, to deserve a laboured refutation. On the other hand, James White, in his Essay on the English Verb, (London, 1761,) divided this mood into the following five: "the Elective," denoted by may or might; "the Potential," by can or could; "the Determinative" by would; "the Obligative," by should; and "the Compulsive," by must. Such a distribution is needlessly minute. Most of these can as well be spared as those other "moods, Interrogative, Optative, Promissive, Hortative, Precative, &c.", which Murray mentions only to reject. See his Octavo Gram., p. 68.

OBS. 4.—The Subjunctive mood is so called because it is always subjoined to an other verb. It usually denotes some doubtful contingency, or some supposition contrary to fact. The manner of its dependence is commonly denoted by one of the following conjunctions; if, that, though, lest, unless. The indicative and potential moods, in all their tenses, may be used in the same dependent manner, to express any positive or potential condition; but this seems not to be a sufficient reason for considering them as parts of the subjunctive mood. In short, the idea of a "subjunctive mood in the indicative form," (which is adopted by Chandler, Frazee, Fisk, S. S. Greene, Comly, Ingersoll, R. C. Smith, Sanborn, Mack, Butler, Hart, Weld, Pinneo, and others,) is utterly inconsistent with any just notion of what a mood is; and the suggestion, which we frequently meet with, that the regular indicative or potential mood may be thrown into the subjunctive by merely prefixing a conjunction, is something worse than nonsense. Indeed, no mood can ever be made a part of an other, without the grossest confusion and absurdity. Yet, strange as it is, some celebrated authors, misled by an if, have tangled together three of them, producing such a snarl of tenses as never yet can have been understood without being thought ridiculous. See Murray's Grammar, and others that agree with his late editions.

OBS. 5.—In regard to the number and form of the tenses which should constitute the subjunctive mood in English, our grammarians are greatly at variance; and some, supposing its distinctive parts to be but elliptical forms of the indicative or the potential,[230] even deny the existence of such a mood altogether. On this point, the instructions published by Lindley Murray, however commended and copied, are most remarkably vague and inconsistent.[231] The early editions of his Grammar gave to this mood six tenses, none of which had any of the personal inflections; consequently there was, in all the tenses, some difference between it and the indicative. His later editions, on the contrary, make the subjunctive exactly like the indicative, except in the present tense, and in the choice of auxiliaries for the second-future. Both ways, he goes too far. And while at last he restricts the distinctive form of the subjunctive to narrower bounds than he ought, and argues against, "If thou loved, If thou knew," &c., he gives to this mood not only the last five tenses of the indicative, but also all those of the potential, with its multiplied auxiliaries; alleging, "that as the indicative mood is converted into the subjunctive, by the expression of a condition, motive, wish, supposition, &c.[232] being superadded to it, so the potential mood may, in like manner, be turned into the subjunctive."—Octavo Gram., p. 82. According to this, the subjunctive mood of every regular verb embraces, in one voice, as many as one hundred and thirty-eight different expressions; and it may happen, that in one single tense a verb shall have no fewer than fifteen different forms in each person and number. Six times fifteen are ninety; and so many are the several phrases which now compose Murray's pluperfect tense of the subjunctive mood of the verb to strow—a tense which most grammarians very properly reject as needless! But this is not all. The scheme not only confounds the moods, and utterly overwhelms the learner with its multiplicity, but condemns as bad English what the author himself once adopted and taught for the imperfect tense of the subjunctive mood, "If thou loved, If thou knew," &c., wherein he was sustained by Dr. Priestley, by Harrison, by Caleb Alexander, by John Burn, by Alexander Murray, the schoolmaster, and by others of high authority. Dr. Johnson, indeed, made the preterit subjunctive like the indicative; and this may have induced the author to change his plan, and inflect this part of the verb with st. But Dr. Alexander Murray, a greater linguist than either of them, very positively declares this to be wrong: "When such words as if, though, unless, except, whether, and the like, are used before verbs, they lose their terminations of est, eth, and s, in those persons which commonly have them. No speaker of good English, expressing himself conditionally, says, Though thou fallest, or Though he falls, but, Though thou fall, and Though he fall; nor, Though thou camest, but, Though, or although, thou came."—History of European Languages, Vol. i, p. 55.

OBS. 6.—Nothing is more important in the grammar of any language, than a knowledge of the true forms of its verbs. Nothing is more difficult in the grammar of our own, than to learn, in this instance and some others, what forms we ought to prefer. Yet some authors tell us, and Dr. Lowth among the rest, that our language is wonderfully simple and easy. Perhaps it is so. But do not its "simplicity and facility" appear greatest to those who know least about it?—i.e., least of its grammar, and least of its history? In citing a passage from the eighteenth chapter of Ezekiel, Lord Kames has taken the liberty to change the word hath to have seven times in one sentence. This he did, upon the supposition that the subjunctive mood has a perfect tense which differs from that of the indicative; and for such an idea he had the authority of Dr. Johnson's Grammar, and others. The sentence is this: "But if he be a robber, a shedder of blood; if he have eaten upon the mountains, and defiled his neighbour's wife;