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my own part—while I do not uphold past experiments in this direction as being particularly convincing—I must confess that I see no inherent improbability in the facts themselves. If we have an etheric body, this is doubtless more or less detachable, at times—indeed, the ingenious author of The Maniac suggests that the premature loosening of this body is the cause of much insanity. (See also my own remarks along the same general lines in the Annals of Psychical Science, October-December 1909, pp. 657-67; "Concerning Abnormal Mental Life.") This etheric body is doubtless highly sensitive to external forces and energies acting upon it, and would also feel physical pressure, etc., when applied. If this were true, we should have a ready explanation for these cases of exteriorized sensibility.

But it would not even be necessary for us to assume this! If the phenomena of exteriorization of motivity be true (the phenomena produced by Eusapia Palladino, for example) then we have here nervous energy or "fluid" existing beyond the periphery of the body—that is, in space, detached from the nerves. And if a motor current can exist and travel in this manner, why not a sensory current? It would only have to travel in the opposite direction. For these reasons, therefore, I am disposed to regard the phenomena of exteriorized sensibility as highly probable, if not actually proved.

FOOTNOTES:

[48] See the article on "Witches' Unguents" in the Occult Review, April 1912, pp. 275-77.

CHAPTER XII

SCIENTIFIC TRUTHS CONTAINED IN FAIRY STORIES

How many of us, re-reading the fairy stories of our childhood have for a moment believed that many of these tales might be based upon scientific truths? Of course it is probable that most of these stories have no basis of fact behind them, but that they are merely the product of the story-teller's imagination—just as similar stories today are produced in this manner. But, on the other hand, it is quite conceivable that many of the seemingly fabulous accounts are in truth based upon realities; and that genuine occurrences may have happened, giving birth to these tales. We all know the general character of many of the legends. I may mention, as typical of the marvellous things done: becoming visible and invisible, as did "Jack the Giant Killer"; the existence of giants and dwarfs, as in Little Tom Thumb; incredibly rapid growth of vegetation, as in Jack and the Beanstalk; being suddenly transported without effort through immense distances and seeing at the other end of such a journey scenes and events actually transpiring at the time—as occurred in many of the Arabian Nights stories; cases in which plates and dishes washed themselves, and many other household feats were performed, as in Prince Hildebrand and Princess Ida; cases of long sleep, such as the Sleeping Beauty; cases in which human beings have been transformed into animals, and vice versa, as in Beauty and the Beast; cases in which palaces have sprung up over night, existing on the desert plain, only to vanish the next night and leave it as barren as before—as so often happened in the Arabian Nights.

Let us first of all consider the cases in which persons have caused themselves to vanish and reappear at will. This power of becoming visible and invisible to others is not limited to mythical times, but may be reproduced today by artificial means. If a sensitive subject be hypnotized (and there is some analogy to the hypnotic pass in the fact that the fairy invariably waved her wand before the eyes of the onlooker), hallucinations of various types may be induced. Thus, our subject may be persuaded to see, for instance, a dog walking across the carpet, whereas there is no dog there. He may be persuaded that there is a stream in front of him flowing through the drawing-room, and that it is necessary for him, in order to prevent his feet from becoming wet, to take off his shoes and socks, and turn up his trousers. Hypnotic suggestion will perform this, and it may be said that suggestion alone, even when the subject is not in the hypnotic state, may be employed to produce many of these hallucinatory pictures. On the contrary, it is possible to suggest to our subject that such and such an object is gradually diminishing in size, and finally that it disappears altogether. He sees and describes this diminution, and finally looks in vain for the object which, he asserts, has vanished, but which, as a matter of fact, is perfectly visible to all others not under the influence of the suggestion. We frequently suffer from these "negative hallucinations," as they are called, in our ordinary daily life. We cannot find an object which is perfectly visible—resting in the very centre of the area over which we are searching diligently. Suddenly we discover it; it seems incredible to us that we have not seen it before; it seems to have sprung into being as though placed there by some invisible hand. Nevertheless it had remained throughout in the one position, and the only remarkable factor was our inability to see it. Such cases are well known to psychologists (the power of suggestion in inducing both positive and negative hallucinations), and this—both in the normal and the hypnotic state—is well recognized.

Now it is only necessary for us to extend our conception somewhat in order to see the scientific truths contained in many fairy stories, in which one of the characters—hero, fairy, or what not—becomes visible and invisible at will. It is only necessary for us to conceive that some degree of mental influence had been brought to bear upon the minds of the onlookers, and that suggestion had been skilfully employed, in order to account for many of these stories. I know of a case in which the operator made his subject, who remained practically in a normal state throughout, see him floating about the room—whisking over chairs and tables, as though the law of gravity had no further influence upon him!

We might, perhaps, also account for "invisibility" in one or two other ways. Thus, the magician or fairy might possess the power of interposing some veil or screen between himself and the seer—etheric or physical—by some act of will. Or we could suppose that some chemical might be applied to the body, rendering its structure and tissues transparent. (One is here reminded of H. G. Wells' Invisible Man.) Or, we might assume that the magician possessed the power of neutralizing light-waves, reflected from his body, by some method of "interference"—thus rendering himself invisible. This might be due either to a greater understanding of the laws of physics—i.e., the ability to manipulate light-energy in this manner, or to some purely psychic power—volitional, etc. Precise instructions for doing this have indeed been published (Equinox, vol. iii.). Of course, all such speculations as these are purely fantastic, until some proof of their possibility be forthcoming.

It may be thought that this knowledge was not possessed by the ancients to the requisite extent; but there is abundant evidence to show that "mesmerism" has been practised from very ancient times. It is probable that the passage in Exodus vii, 10, 11, 12, refers to this, when it says: "Aaron cast down his rod before Pharaoh and before his servants, and it became a serpent. Then Pharaoh also called for the wise men and the sorcerers: and they also, the magicians of Egypt, did in like manner with their enchantments. For they cast down every man his rod, and they became serpents; but Aaron's rod swallowed up their rods." It is interesting to note that Professor S. S. Baldwin, otherwise known as "The White Mahatma," recently saw a very similar feat performed in Egypt, and gives an account of it in his book, The Secrets of Mahatma Land Explained. Doubtless the effects in both cases were produced by suggestion, and a species of hypnotic influence. That the ancients were well versed in magic, and the power of suggestion and personal influence, is best illustrated by an old Egyptian papyrus at present in the British Museum, which contains an account of a magical séance given by a certain Tchatcha-em-ankh before King Khufu, 3766 b. c. In this manuscript it is stated of the magician: "He knoweth how to bind on a head which hath been cut off; he knoweth how to make a lion follow him, as if led by a rope; and he knoweth the number of the stars of the house (constellation) of Thoth." The decapitation trick is thus no new thing, while the experiment performed with the lion, possibly a hypnotic feat, shows hypnotism to be old.

In the Arabian Nights, and in various other fairy tales, we also read of the sudden appearance and disappearance of palaces, castles, and other buildings of monumental character. This strange phenomenon has frequently been paralleled in recent times. It is a species of hallucination, induced by auto-suggestion or hetero-suggestion—that is, suggestion given to oneself, or suggestion from outsiders. Madame Blavatsky, in her Nightmare Tales, relates an interesting experience of this character:

"A curious optical effect then occurred. The room, which had been previously partially lighted by the sunbeam, grew darker and darker as the star increased in radiance, until we found ourselves in an Egyptian gloom. The star twinkled, trembled, and turned, at first with a slow, gyratory motion, then faster and faster, increasing its circumference at every rotation until it formed a brilliant disk, and we no longer saw the dwarf, who seemed absorbed in its light.... All being now ready, the dervish, without uttering a word, or removing his gaze from the disk, stretched out a hand, and taking hold of mine he drew me to his side, and pointed to the luminous shield. Looking at the place indicated, we saw large patches appear, like those of the moon. These gradually formed themselves into figures, that began moving themselves about in higher relief than their natural colours. They neither appeared like a photograph nor an engraving, still less like the reflection of images on a mirror, but as if the disk were a cameo, and they were raised above its surface—then endowed with life and motion. To my astonishment and my friend's consternation, we recognized the bridge leading from Galata to Stamboul spanning the Golden Horn from the new to the old city. There were the people hurrying to and fro, steamers and caiques gliding on the blue Bosphorus, the many-coloured buildings, villas, palaces reflected in the water; and the whole picture illuminated by the noonday sun. It passed like a panorama, but so vivid was the impression that we could not tell whether it or ourselves were in motion. All was bustle and life, but not a sound broke the oppressive stillness. It was noiseless as a dream. It was a phantom picture.... The scene faded away, and Miss H—— placed herself in turn by the side of the dervish."

We thus see that expectancy and suggestion alone may induce sufficiently abnormal mental states to ensure the occurrence of such images—especially in a mind previously wrought by imagination, superstition, love, or any emotion tending to bring about its temporary lack of balance. The visions induced would, of course, be mental, and not physical, in their character; they would nevertheless appear just as real to the onlooker.

Closely akin to these visions are those in which, it is reported, journeys have been made through space on a magic carpet—as in the Arabian Nights—or merely at the wish or command of some fairy or magician. Frequently, in such cases, it is reported that a vision is seen at the other end of the journey, coinciding with reality. It may be that the princess is, at that moment,

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