Nude in Mink by Sax Rohmer (classic literature books txt) đ
- Author: Sax Rohmer
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âYou will instruct himâand then, you will leave.â
Ariosto stood up, and bowed.
âIt shall be done. Yetââ
âYou have prepared the little Jean?â
âAs you instructed me.â
âI will give you the exact time, later. Ian Forrester plays Hamlet tonight. Do you recall the last words spoke in the play by Hamlet, Ariosto?⊠They are, âthe rest is silenceâ.â
She dipped her fingers in the water.
2
Steel Maitland lay back in the armchair, a cheroot protruding at a truculent angle above his black beard. His eyes were half closed. He had been seated so for a long time, silent in thought.
Donovan typed industriously.
Donovan found the task which he had set himselfâthat of analysing the character and the motives of Sumuru, of endeavouring to account for her presence in Londonâa palliative. In some degree, it seemed to him, he was aiding in the quest for this inexplicable woman who had stolen Claudette from him.
The light was getting bad, but he typed on and did not interrupt his flow of ideas by crossing to the switch.
One thing about Sumuru seemed to be clear enough. She was not a petty criminal. She did not belong to the increasing gang of crooks who went out for furs and jewels, for loads of merchandise to sell to the Black Market. Her target was a more distant one. In short, Sumuru was an idealist of sorts.
She despised dictators and dictatorshipsâapparently because they were what she called âugly.â She condemned war. She believed, according to available evidence, that she had some super-plan to exile war for ever. Her crimes of violence were presumably directed, and directed exclusively, against those who sought to interfere with the development of this super-plan.
Yet what did it all boil down to, unless to a new dictatorshipâa dictatorship of women?
Would the world of selected beauty envisaged by Sumuru be a better world to live in than those of Franco? ⊠of Stalin? ⊠of Attlee?
From his own personal point of view, Donovan doubted it.
He did not approve of the types of society favoured by any one of these. But, little as he knew of Sumuruâs ideal state, he could find small ground for awarding it higher marks.
She might promise, as other tyrants had promised, a glorious future to citizens of her dream empire, but, once that empire had been established, would her promises be fulfilled?
Analogies came readily to his mind. They were terrifying, exact. Sumuruâs manner of dealing with obstacles bore a close resemblance to the ways of Herod, of Nero, of Hitler. Her fanaticism must be accepted. Her ideals, also, perhaps were sincere. But he found it hard to reconcile death by rigor Kubus with any scheme of beautyâŠ
Who was this woman?
The police and Secret Service of the world had failed to find out.
Her capital expenditure must be enormous.
What were the sources of her revenue?
âYouâll strain your eyes.â
The warning growl came from Maitland. Rattling of keys ceased.
âYes.â Donovan sighed. âGetting mighty dark. Letâs light up.â
As he crossed the room, the doorbell rang.
âThis will be Ives,â said Maitland.
It was, and a moment later the inspector joined them.
âAny news?â Donovan asked, automatically.
Ives shook his head.
âNone on my side.â He stared at Steel Maitland. âGiven the job up, Doctor?â
Maitland knocked a short cone of ash from his cheroot.
âItâs given me up. I just donât know what move to make! The Paris Surete reported this afternoon that no trace can be found of Marcel Duquesne. Their investigations are at a standstill. But I have been thinking hard for the last hour âand do you know what I have been trying to think out?â
âCanât imagine.â
âIâll tell you. I have been trying to recapture a memory. I have been struggling desperately to recall where and when I first met Sumuru â
âYou have spoken of this several times,â said Donovan. âIt puzzles me. Because I canât imagine anyone ever forgetting her.â
âNor can I,â Maitland agreed. âBut I think I can explain the lapse. Itâs one of those cases of misdirection, as the stage magicians call it. I mean that I must have met her under circumstances which left a totally erroneous impression in some way ⊠If only I could place that first meeting!â
âIt might help, or it might not,â Ives declared dourly. âFor my part, I find the whole thing bewildering, and the longer I work on the case the more I feel that Iâm fighting with phantoms! Hereâs Scotland Yard combing London for a woman nobody can describe, who lives in a house like a palace that nobody can find!â
âYou must have asked yourself more than once if there is such a person,â Donovan suggested.
âI have! You must remember, thereâs absolutely no evidence to prove it.â
âSo you tell me,â Donovan replied wearily. âWhat about a drink before we start?â
That curious crowd which assembles before a West End theatre on the occasion of an important first night had dispersed by the time that they arrived. As the car drew in to the kerb:
âIâm not hoping for much,â said Inspector Ives. âHeaven knows, I should be glad of a glimpse of this miracle woman, but I donât expect to find her sitting in the stalls.â
âWe shall see,â Maitland murmured. âI am beginning to wishââ
âBeginning to wish what?â Donovan asked.
But Maitland shook his head.
âToo late now, anyway.â
As they went in, the manager hurried forward to meet them.
âDr. Steel Maitland? ⊠My name is Granville.â
âGood evening.â Maitland shook hands. âChief Inspector Ives and Mr. Mark Donovan.â
Mr. Granville, a quietly spoken little man who looked overworked, greeted them with a tired smile.
âThereâs not a seat in the house, as you may suppose. But you could stand at the back of the pit. The first act is nearly over, and when the houselights go up you can take a good look around the audience. Most of them will be coming out during the interval.â
âThanks,â said Ives. âWill you lead the way.â
The way was along a narrow passage. At its end a door was unlocked by Granville.
âJust slip through here,â he whispered. âI will rejoin you when the curtainâs downâŠâ
They found themselves in the darkened theatre.
â⊠And therefore as a stranger give it welcome,
There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.
But comeââ
Forresterâs fine voice dominated a hushed audienceâŠ
Maitland bent to Donovanâs ear.
âAm I going mad, Donovan? Can you see that woman in the O.P. stage box? Note the profileââ
âGood God!â Donovan muttered. âCan it be?â
âI could almost swear to it⊠Stay where you are! Sâsh! We wonât get around until the end of the sceneâŠâ
âOr such ambiguous giving out, to note
That you know aught of me:âthis not to do,
So grace and mercy at your most need help you,
Swear.â
âSwear,â the ghostly voice echoed; and Hamlet answered:
âRest, rest, pertumbed spirit! So, gentlemen,
With all my love I do commend me to you:
And what so poor a man as Hamlet is
May do, to express his love and friending to you,
God willing, shall not lack. Let us go in together;
And still your fingers on your lips, I pray.
The time is out of joint:âO cursed spite.
That ever I was born to set it right!
Nay, come, letâs go together âŠâ
The curtain fell, its fall loosing a storm of applause pent up throughout the scene.
âQuick!â Maitland rapped. âThrough here! The way we came! We must get to that box!â
ON the stage, that nervous tension prevailed which seizes, like quivering fingers, upon all concerned with a first night. The stage manager perspired abundantly. Those who had appeared in Act One were taking their curtains in appointed order.
Applause was enthusiastic, and sustained.
âMr. Forrester!⊠Mr. Forrester!⊠Keep the house light down, George ⊠Mr. Forrester!â
The moment had come for the star to acknowledge the plaudits of his audience.
But no one could find him.
Now, the audience began to call out.
âIan Forrester!⊠Ian Forrester!â
âWhat the devilâs become of Ian?â one of the actors asked another. âHas he collapsed somewhere?â
âI canât think. Heâs been frightfully strung up all dayâmore than normally strung up, I mean.â
Alarmed by the uproar in the gallery, where stamping had started, in time to the reiterated chant, âIan ForresterâIan Forrester.â A harassed stage director ran upstairs and threw open the door of Forresterâs dressing-room.
âIs Mr. Forrester here, dresser?â
âNo, sir. He hasnât come up yetâŠâ
So matters stood, backstage.
In front of the house. Steel Maitland had found Mr. Granville. As Donovan came up, he heard:
âWell. Dr. Maitland the party in the stage box? YesâI suppose it could be arranged. Although I canât imagine why you should wish to see Lady Carradaleââ
âLady Carradale, you say?â
âYes. Lord Carradale was killed in an air crash in the war, you may remember â
âOh but she has guests.â
âA gentleman. I believe. No one else. Excuse meâI will see what I can do.â
Granville hurried away.
âYou know, Maitland,â said Donovan. âIâm not so sure about that box party. I took another look from the far corner of the pit rail, and I could see no one in there that looked a bit likeââ
âIâm sure of that profile!â Maitland answered. âWhatâs more, thereâs something very queer going on⊠Listen to the audience.â
From where they stood, by the door of the office, it reached them, muffledâstamping of feet and the crying of Forresterâs name.
âIan ForresterâŠâ
âIan ForresterâŠâ
âIâll slip through the pass-door,â Ives muttered, âand try to find out whatâs become of him.â
The inspector poked his head in at the box-office window, and the clerkâs voice was heardââYou would have to see the managerââ
âLook at that!â Ives tossed a card on to the glazed plan. âShow me the pass-door.â
The clerk came out, and hurried off, closely followed by Ives.
â⊠Ian Forrester âŠâ
âIan ForresterâŠâ
Granville returned, looking more overworked than ever.
âIf you will come this way, Dr. Maitland,â he said nervouslyââthe audience is getting quite out of hand. I canât imagine why they donât put up the houselights. Ian Forrester is refusing to take his curtain, for some reason.â
Meanwhile, Inspector Ives was making a room-to-room search, amid a scene of consternation. People were running hither and thither quite aimlessly.
âPut up the houselights!â
âWhereâs Granville? We shall want him on the stageâŠâ
All dressing-room doors were open, and the occupants of the rooms not to be foundâwith one exception. On this, closed, door Ives rapped sharply.
âIs Mr. Forrester in there?â
âHe is not, sir,â a voice replied. âMy name is Merrick. I am Ianâs understudyâand I have less than four minutes to dressâŠâ
2
Granville rapped on the door of the box, opened it, and announced:
âDr. Steel Maitland, who wishes to see you, Lady Carradale.â
Maitland stepped in, followed by Donovan. As the door had been opened, uproar from the auditorium burst upon them like a tempest. Apparently, hope had not been abandoned that the missing actor would be found, for the houselights remained obstinately lowered. But many people were filing out from the stalls. There was a charivari of excited comment. And, from upstairs, there came a concerted and deafening demand for Ian Forresterâs appearance.
There were two people in the box: a big, burly man whose grey hair was cropped close to his skull, Teutonic fashion, and who wore tortoiseshell rimmed spectacles; and a woman, lying back in a chair set in the shadow, who surveyed the intruders somewhat superciliously through raised lorgnettes. She was of a dark,
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