Nude in Mink by Sax Rohmer (classic literature books txt) đ
- Author: Sax Rohmer
- Performer: -
Book online «Nude in Mink by Sax Rohmer (classic literature books txt) đ». Author Sax Rohmer
Maitland bowed, as Granville withdrew.
âI am exceedingly sorry to disturb you, Lady Carradaleâ and you, sir. But I was under the impression that you had another guestââ
âYou were mistaken, Dr. Maitland.â Lady Carradale had a high, rather harsh voice. âA friend of yours, you thought?â
âWellâhardly a friend! My business was official.â
âIndeed! You donât look like a policeman.â
âNo. Beards are unusual in the police, Lady Carradale. I can only ask you to forgive me for this unwarranted intrusion.â
âBut not at all, Doctor. It is a pleasure. Will you and your friend honour us with your company?â
âMany thanks. My friendâMr. Donovanâand I are most appreciativeââ
The houselights went up.
All those on their way out, stopped, and turned!âas the tableau curtains were drawn apart, and Granville stepped on to the stage. The gallery became silent.
âLadies and gentlemenââ
âForgive me again, Lady Carradale ⊠I must go. Good night, and thank you.â
Maitland and Donovan hurried from the box. As the door closed:
âThrough to the stage!â said Maitland. âWe have been tricked, Donovan! She slipped out! There was someone else in that box! We must look up the history of Lady Carradale⊠through here!â
On the stage, a nervous hush prevailed. Granvilleâs voice could be heard, explaining to the audience that, owing to the sudden and inexplicable illness of Ian Forrester, the part of Hamlet during the rest of the play would be taken by Mr. Douglas Merrick. In these unhappy circumstances, he was sure, etcâŠ.
âBut where can be possibly have gone?â a womanâs voice whispered agitatedly.
And, quietly as possible, stage hands changed the set.
âIs that you, Ives?â Maitland asked suddenly.
Ives elbowed his way through a group and joined Maitland and Donovan.
âItâs me right enough. Come outside, where we can talk.â
âWhat news?â
As they stepped out into a narrow passage inside the stage door, Ives replied:
âHeâs got the news!â
Ives pointed to a man in his shirt sleeves seated in the doorkeeperâs boxâa stout, red-faced man who had a glass of whisky beside him and who appeared to be the only person in the building unaffected by the nightâs happenings.
âDoorkeeperâwhat do you know about all this?â Maitland demanded.
The doorkeeper leaned through his little window.
âAll there is to know, I reckon,â he replied. âJust before the curtain comes down, a chauffeur bloke hands me a noteâor rather, two notes. One for me, and one for Mr. Forrester. He says the one in a envelope must be handed to Mr. Forrester the moment he comes off. See? Well, I gets hold of his dresser and tells him to stand by on the sideââ
âDescribe the chauffeur,â snapped Maitland.
âBig chap. Very hairy.â
âGo on!â
âIâve just got back here, and I can tell the curtainâs down, and Iâm putting on my hat to nip along to the corner, when Mr. Forrester, dressed like he come off, runs past me and out into the street!â
He paused on this dramatic line.
âWellâgo on!â
âThere ainât no more to go on to. I can see thereâs a woman in the case, and I donât think a lot about it. I puts my hat on and goes along to the cornerââ
âBut why the hell didnât you report this before?â Ives growled.
âIâve told you, Inspector. When I come backâand Iâm not gone moreân three minutesâhow am I to know Mr. Forrester ainât in the theatre? Nobody tells meânot till you tell me.â
âMy God!â Maitland muttered, and grasped Donovanâs armâ_âShe_ has got him! Why didnât I realise his danger in time? Why didnât I foresee this!⊠Under our very eyes, Donovan! Under our very eyes âŠâ
3
Night was giving place to morning when a man wearing a grey chauffeurâs uniform entered, with almost silent tread, a charmingly feminine little boudoir, furnished in satinwood upholstered in violet, and stood before a long, narrow couch upon which Our Lady reclined.
She wore a loose rest-gown. A tray, with coffee and biscuits, stood beside it. She no more than glanced at the man. He stood, powerful fists clenched, head bowed.
âI am here, My Lady.â
âSo I observe, Philo. To reportâfailure?â
âNo, My Lady. Success.â
She sat up; and her remarkable eyes opened widely, so that their beauty became fearful.
âThen you have done well, Philo.â She lay back again, laughing gently. âFrom my box I saw the note handed to him in the wings as he left the stage. I knew that, so far, all went smoothly ⊠Sister Jean?â
âHas been prepared for her journey, My Lady.â
âHe got into the car withoutâurging?â
âThe moment he saw the little Jean lying back on the cushions, Madonna. I closed the door and drove off.â
âHow did he behave?â
âLike a madman, My Lady. But he could open neither of the doors. She was unconscious. On the Heathâat the spot selectedâI unlocked the door, and he leapt out and attacked me. In his fury he almost overpowered me. But I tripped himâand silenced him. I gave the injection near the top of the spine, as Ariosto had shown me⊠He did not awaken again â
âAnd you left him standing, as I ordered?â
âAs you ordered, My Lady.â
My Lady laughed again, softly, and extended her hand.
Philo bent and kissed the delicate fingers.
4
The next person to set eyes upon Ian Forrester was a man called Thorndale.
Thorndale was a gardener, one of whose duties was to tend the heating furnace of a house overlooking Reigate Heath. This necessitated his leaving home before six oâclock in the morning and walking from the town across a part of the Heath and golf-course. From a mound dominated by a giant fir he usually obtained his first glimpse of his employerâs chimneys, visible from that point above the crowns of encircling trees.
This was a misty, cold morning. In fact, the mist was so dense in patches as to deserve the name of fog.
One such patch occurred in the dip immediately below the mound supporting the King fir, and here, grumbling to himself, Thorndale paused to try to re-light his pipe, which had gone out largely because of lack of tobacco.
However, an artist in coaxing a cinder into a flame, he contrived to get his pipe going again, and resumed his slow tramp, both hands thrust into his topcoat pockets. He climbed up the path to the mound, and to some extent, out of the mist. As he passed the great mast of the tree, he paused for a moment, staring.
Someone appeared to be standing thereâa man in black.
âGood morning, sir,â called Thorndale. âBit foggy like.â
He went on his wayâbut received no reply.
This simply led him to suppose that the stranger who stood by the big tree was a surly fellow⊠then, led him to wonder.
Had there been someone there? Or had he imagined it?
He turned back.
Reclimbing the mound from the other side, he obtained a clear view of the figure. He had not been mistaken. There was a man there right enough. ButâŠ
Thorn daleâs pipe fell on to the turf.
A moment later he was running, headlong, even his precious old pipe forgotten, in the direction of a garage fronting the Heath at which as he passed he had seen men at workâŠ
âWhat are you talking about, mate? Whatâs the panic?â
An older man, and a daft looking boy, joined the mechanic to whom Thorndale had tried to tell his strange news.
âIâm talking about a ghost!â said Thorndale, breathless, but defiant. âThereâs a man up thereââhe made vague gestures in the direction of the mist wantoning over the Heathââstanding under a tree⊠Heâs all in blackâwith a dagger in his beltâJewels on his hands ⊠A ghost, I tell you!â
The two men and the boy exchanged glances.
âBarmy,â said the boy.
The mechanic aimed a blow at himâwhich the daft boy ducked.
âNo harm done if we go and see.â
ââThatâs all Iâm asking!â
âIâm staying here,â the older man announced, with a suspicious look at Thorndale.
And so a procession of three inquirers set out for the big fir tree.
Within ten paces of it, the mechanic pulled up.
âBlimey!â he remarked.
âWhat did I tell you?â
It was the daft boy who approached the pallid statue of Hamletâwho touched itâwho fell back, shriekingâwho ran like a hunted, wild thing across the Heath, directionless, without purpose.
âHeâs turned to stone!â he shrieked as he ran. âHeâs turned to stone âŠâ So was found the body of Ian Forrester.
âNICE view of the Embankment from this part of Scotland Yard, Ives.â
âYes, Doctor, very nice. Every time I look out I wonder if Sumuru is walking by down there. Because I shouldnât know her if I saw her.â
âMânoâŠâ Maitland lighted a cheroot. âThis case must be giving you nightmares, Inspector. I hear that the Commissioner has been blowing off steam.â
âHe has,â said Ives grimly. âThere was a conference yesterday. You see, although breaking up this organisation, Order, or whatever the gang may be called, is a Secret Service jobâand your pidginâtheir murders are my job⊠and I can make no headway â
He banged a large, muscular hand on the desk, angrily. Maitland nodded, and:
âThe newspapers are getting very sarcastic, too,â he remarked. âThe death of Sir Miles Tristram was passed over without much fuss, but the death of a popular actor is another cup of tea entirely. Then, all these disappearances are beginning to arouse public uneasiness. Questions in the House and so on.â
âDonât I know it!â groaned Ives. âMy particular, private hell is due to the fact that Iâm perfectly well aware who is responsible for them. But (a) I have no evidence against her; (b) I donât know who she is or where she is!â
Maitland replaced his lighter in his pocket.
âPersonally, I never go far without a bodyguard. Sumuru doesnât jib at trifling obstacles, and Iâm undoubtedly a nuisance to her. Itâs true that she recovered all the tangible evidence I possessed, but she canât strangle my memory without strangling me!â
He stood up, and began to pace restlessly about the office.
âYou know,â said Ives, slowly, âthe death of that poor young actor gave me an idea. I donât know how itâll appeal to youâbut I think itâs worth considering.â
Maitland paused, looking at him.
âWhat is it?â
âWell, Ian Forrester was murderedâa spectacular business âmerely because of an affair with a girl (who canât be traced) belonging to this female StalinâI take it, as a sort of warning to others. Very well. What about your American friendâMr. Donovan?â
âWell, what about him?â
âHeâs tied up with one of these girls, too, isnât he?â
âYesâClaudette Duquesne. Heâs desperate about her. But, of course, she has disappeared!â
âQuite so. Butâand Iâm working entirely on your own theory here, Doctorâthis woman Sumuru may have some use for Mr. Donovan, or think she has. It certainly looks that way to me. So, suppose you were to disappear?â
Maitland walked over to the desk and stood looking down at the inspector. His cheroot assumed a very truculent angle.
âWhat!â
âIt could easily be arranged. Give the impression that Mr. Donovanâs movements were no longer under supervision. The gang might take the opportunity to bring him and the girl together again. You see my point?â
Maitland laughed, but not mirthfully.
âYesâI see your point, Ives. But Donovan is an old friend. I wouldnât dare to expose him to such danger âŠâ
Ives leaned forward.
âI donât believe the danger would be so great as you think. I could undertake never to let him out of sight of the C.I.D.,
Comments (0)