Right Ho, Jeeves P. G. Wodehouse (ereader with android txt) 📖

Right Ho, Jeeves

By P. G. Wodehouse.

Table of Contents Titlepage Imprint Dedication Right Ho, Jeeves I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII Colophon Uncopyright Imprint

This ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.

This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive.

The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.

Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.

To
Raymond Needham, K.C.
With affection and admiration

Right Ho, Jeeves I

“Jeeves,” I said, “may I speak frankly?”

“Certainly, sir.”

“What I have to say may wound you.”

“Not at all, sir.”

“Well, then⁠—”

No⁠—wait. Hold the line a minute. I’ve gone off the rails.

I don’t know if you have had the same experience, but the snag I always come up against when I’m telling a story is this dashed difficult problem of where to begin it. It’s a thing you don’t want to go wrong over, because one false step and you’re sunk. I mean, if you fool about too long at the start, trying to establish atmosphere, as they call it, and all that sort of rot, you fail to grip and the customers walk out on you.

Get off the mark, on the other hand, like a scalded cat, and your public is at a loss. It simply raises its eyebrows, and can’t make out what you’re talking about.

And in opening my report of the complex case of Gussie Fink-Nottle, Madeline Bassett, my Cousin Angela, my Aunt Dahlia, my Uncle Thomas, young Tuppy Glossop and the cook, Anatole, with the above spot of dialogue, I see that I have made the second of these two floaters.

I shall have to hark back a bit. And taking it for all in all and weighing this against that, I suppose the affair may be said to have had its inception, if inception is the word I want, with that visit of mine to Cannes. If I hadn’t gone to Cannes, I shouldn’t have met the Bassett or bought that white mess jacket, and Angela wouldn’t have met her shark, and Aunt Dahlia wouldn’t have played baccarat.

Yes, most decidedly, Cannes was the point d’appui.

Right ho, then. Let me marshal my facts.

I went to Cannes⁠—leaving Jeeves behind, he having intimated that he did not wish to miss Ascot⁠—round about the beginning of June. With me travelled my Aunt Dahlia and her daughter Angela. Tuppy Glossop, Angela’s betrothed, was to have been of the party, but at the last moment couldn’t get away. Uncle Tom, Aunt Dahlia’s husband, remained at home, because he can’t stick the South of France at any price.

So there you have the layout⁠—Aunt Dahlia, Cousin Angela and self off to Cannes round about the beginning of June.

All pretty clear so far, what?

We stayed at Cannes about two months, and except for the fact that Aunt Dahlia lost her shirt at baccarat and Angela nearly got inhaled by a shark while aquaplaning, a pleasant time was had by all.

On July the twenty-fifth, looking bronzed and fit, I accompanied aunt and child back to London. At seven p.m. on July the twenty-sixth we alighted at Victoria. And at seven-twenty or thereabouts we parted with mutual expressions of esteem⁠—they to shove off in Aunt Dahlia’s car to Brinkley Court, her place in Worcestershire, where they were expecting to entertain Tuppy in a day or two; I to go to the flat, drop my luggage, clean up a bit, and put on the soup and fish preparatory to pushing round to the Drones for a bite of dinner.

And it was while I was at the flat, towelling the torso after a much-needed rinse, that Jeeves, as we chatted of this and that⁠—picking up the threads, as it were⁠—suddenly brought the name of Gussie Fink-Nottle into the conversation.

As I recall it, the dialogue ran something as follows:

Self: Well, Jeeves, here we are, what?

Jeeves: Yes, sir.

Self: I mean to say, home again.

Jeeves: Precisely, sir.

Self: Seems ages since I went away.

Jeeves: Yes, sir.

Self: Have a good time at Ascot?

Jeeves: Most agreeable, sir.

Self: Win anything?

Jeeves: Quite a satisfactory sum, thank you, sir.

Self: Good. Well, Jeeves, what news on the Rialto? Anybody been phoning or calling or anything during my abs.?

Jeeves: Mr. Fink-Nottle, sir, has been a frequent caller.

I stared. Indeed, it would not be too much to say that I gaped.

“Mr. Fink-Nottle?”

“Yes, sir.”

“You don’t mean Mr. Fink-Nottle?”

“Yes, sir.”

“But Mr. Fink-Nottle’s not in London?”

“Yes, sir.”

“Well, I’m blowed.”

And I’ll tell you why I was blowed. I found it scarcely possible to give credence to his statement. This Fink-Nottle, you see, was one of those freaks you come across from time to time during life’s journey who can’t stand London. He lived year in and year out, covered with moss, in a remote village down in Lincolnshire, never coming up even for the Eton and Harrow match. And when I asked him once if he didn’t find the time hang a bit heavy on his hands, he said, no, because he had a pond in his garden and studied the habits