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Books by Lee Hollis

Hayley Powell Mysteries

DEATH OF A KITCHEN DIVA

DEATH OF A COUNTRY FRIED REDNECK

DEATH OF A COUPON CLIPPER

DEATH OF A CHOCOHOLIC

DEATH OF A CHRISTMAS CATERER

DEATH OF A CUPCAKE QUEEN

DEATH OF A BACON HEIRESS

DEATH OF A PUMPKIN CARVER

DEATH OF A LOBSTER LOVER

DEATH OF A COOKBOOK AUTHOR

DEATH OF A WEDDING CAKE BAKER

DEATH OF A BLUEBERRY TART

DEATH OF A WICKED WITCH

Collections

EGGNOG MURDER

(with Leslie Meier and Barbara Ross)

YULE LOG MURDER

(with Leslie Meier and Barbara Ross)

HAUNTED HOUSE MURDER

(with Leslie Meier and Barbara Ross)

CHRISTMAS CARD MURDER

(with Leslie Meier and Peggy Ehrhart)

Poppy Harmon Mysteries

POPPY HARMON INVESTIGATES

POPPY HARMON AND THE HUNG JURY

POPPY HARMON AND THE PILLOW TALK KILLER

Maya & Sandra Mysteries

MURDER AT THE PTA

MURDER AT THE BAKE SALE

Published by Kensington Publishing Corp.

Poppy Harmon and the Pillow Talk Killer

LEE HOLLIS

ww.kensingtonbooks.com

All copyrighted material within is Attributor Protected.

Table of Contents

Also by

Title Page

Copyright Page

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.

KENSINGTON BOOKS are published by

Kensington Publishing Corp.

119 West 40th Street

New York, NY 10018

Copyright © 2021 by Rick Copp

All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

The K logo is a trademark of Kensington Publishing Corp.

Library of Congress Control Number: 2020945315

ISBN: 978-1-4967-3037-4

ISBN-10: 1-4967-3037-2

First Kensington Hardcover Edition: April 2021

ISBN-13: 978-1-4967-3039-8 (ebook)

ISBN-10: 1-4967-3039-9 (ebook)

For George and Alex

Chapter 1

It had been over thirty years since Poppy Harmon had stepped foot on an actual Hollywood film set. Granted, this shoot was set up at a high-end resort hotel in the heart of Palm Springs and not some cavernous soundstage on the Paramount lot where her mid-1980s television series Jack Colt, PI had been filmed, but there was a feeling of warm familiarity, an infusion of happy memories, because back in her heyday when Poppy was an actress with a regular TV role, she had never once taken it for granted. She had always been hyperaware of just how lucky she was to have scored such a cushy, well-paying gig at the time, especially after so many years in her late teens and early twenties struggling, waiting tables, modeling skimpy swimwear at car shows, and answering phones at a call center for a household appliance company.

Poppy watched as the crew busily set up lights by the shimmering pool where the next scene was to be shot as a bright-eyed, eager, enthusiastic PA who had introduced himself as Timothy led her and Matt through the resort.

Matt was like a kid in a candy store, excitedly soaking up everything he saw: a makeup woman powdering the face of a vaguely recognizable actor; a forty-something man in a gray T-shirt and red baseball cap, slumped over in his director’s chair, perusing a script; some kind of set decorator or production designer painstakingly arranging red bougainvillea in the background of the set as the cinematographer stared through the lens of his camera, working on getting his shot just right.

Poppy knew Matt was in his element. This had been his dream for most of his young life. He had wanted so desperately to become a successful actor, the next Ryan Gosling or Chris Hemsworth, or whoever was the hot superstar of the moment. But life never works out exactly as you expect, and now the talented young man found himself playing the role of Matt Flowers, the public face, the de facto head, of the Desert Flowers Detective Agency. He wasn’t on billboards and buses, or in the front row of the Academy Awards, but he was successful and surprisingly good at the part he was playing.

When Poppy, along with her two best pals, Iris and Violet, had first started the Palm Springs–based investigative firm, no one would hire them. Mostly due to people’s ageist preconceptions that three mature women in their sixties were utterly incapable of solving cases or handling potentially dangerous situations. Enter Matt. Young, virile, disarmingly charming. He had risen to the challenge of playing a master detective wholeheartedly, and his performance had put their fledgling business on the map. Now they had more clients than they knew what to do with.

Including Danika Delgado, a rising young actress and social media influencer who had heard about Matt’s daring exploits online and had called the Desert Flowers office, which was located in Iris’s garage, to inquire about hiring them.

Actually, Danika did not call personally. One of her three personal assistants had left the message on voicemail. Poppy, Iris, and Violet were clueless as to who Danika Delgado even was, but Matt had certainly heard of her, which became quite clear when he whooped and hollered about being a

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