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pierced the night.

He rose, trembling to row further. He felt so tired that he could hardly hold the oars. But now there was no longer any danger. The storm had gone down, and the waves speedily laid themselves to rest.

“Now row us back to Venice,” said the stranger to the fisherman.

Cecco rowed the boat to Lido, where the Bishop went on shore, and to San Giorgio, where the knight left them. The first powerful stranger went with him all the way to the Rialto.

When they had landed at Riva degli Schiavoni he said to the fisherman:

“When it is daylight thou shalt go to the Doge and tell him what thou hast seen this night. Tell him that San Marco and San Giorgio and San Nicolo have tonight fought the evil spirits that would destroy Venice, and have put them to flight.”

“Yes, signor,” the fisherman answered, “I will tell everything. But how shall I speak so that the Doge will believe me?”

Then San Marco handed him a ring with a precious stone possessed of a wonderful lustre.

“Show this to the Doge,” he said, “then he will understand that it brings a message from me. He knows my ring, which is kept in San Marco’s treasury in the cathedral.”

The fisherman took the ring, and kissed it reverently.

“Further, thou shalt tell the Doge,” said the holy man, “that this is a sign that I shall never forsake Venice. Even when the last Doge has left Palazzo Ducali I will live and preserve Venice. Even if Venice lose her islands in the East and the supremacy of the sea, and no Doge ever again sets out on the Bucintoro, even then I will preserve the city beautiful and resplendent. It shall always be rich and beloved, always be lauded and its praises sung, always a place of joy for men to live in. Say this, Cecco, and the Doge will not forsake thee in thine old age.”

Then he disappeared; and soon the sun rose above the gate of the sea at Torcello. With its first beautiful rays it shed a rosy light over the white city and over the sea that shone in many colours. A red glow lay over San Giorgio and San Marco, and over the whole shore, studded with palaces. And in the lovely morning radiant Venetian ladies came out on to the loggias and greeted with smiles the rising day.

Venice was once again the beautiful goddess, rising from the sea in her shell of rose-coloured pearl. Beautiful as never before, she combed her golden hair, and threw the purple robe around her, to begin one of her happiest days. For a transport of bliss filled her when the old fisherman brought San Marco’s ring to the Doge, and she heard how the Saint, now, and until the end of time, would hold his protecting hand over her.

Santa Caterina of Siena

At Santa Caterina’s house in Siena, on a day towards the end of April, in the week when her fĂȘte is being celebrated, people come to the old house in the Street of the Dyers, to the house with the pretty loggia and with the many small chambers, which have now been converted into chapels and sanctuaries, bringing bouquets of white lilies; and the rooms are fragrant with incense and violets.

Walking through these rooms, one cannot help thinking that it is just as if she were dead yesterday, as if all those who go in and out of her home today had seen and known her.

But, on the other hand, no one could really think that she had died recently, for then there would be more grief and tears, and not only a quiet sense of loss. It is more as if a beloved daughter had been recently married, and had left the parental home.

Look only at the nearest houses. The old walls are still decorated as if for a fĂȘte. And in her own home garlands of flowers are still hanging beneath the portico and loggia, green leaves are strewn on the staircase and the doorstep, and large bouquets of flowers fill the rooms with their scent.

She cannot possibly have been dead five hundred years. It looks much more as if she had celebrated her marriage, and had gone away to a country from which she would not return for many years, perhaps never. Are not the houses decorated with nothing but red tablecloths, red trappings, and red silken banners, and are there not stuck red-paper roses in the dark garlands of oak-leaves? and the hangings over the doors and the windows, are they not red with golden fringes? Can one imagine anything more cheerful?

And notice how the old women go about in the house and examine her small belongings. It is as if they had seen her wear that very veil and that very shirt of hair. They inspect the room in which she lived, and point to the bedstead and the packets of letters, and they tell how at first she could not at all learn to write, but that it came to her all at once without her having learnt it. And only look at her writing⁠—how good and distinct! And then they point to the little bottle she used to carry at her belt, so as always to have a little medicine at hand in case she met a sick person, and they utter a blessing over the old lantern she held in her hand when she went and visited the sick in the long weary nights. It is just as if they would say: “Dear me⁠—dear me! that our little Caterina Benincasa should be gone, that she will never come any more and look after us old people!” And they kiss her picture, and take a flower from the bouquets to keep as a remembrance.

It looks as if those who were left in the home had long ago prepared themselves for the separation, and tried to do everything

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