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cuff.

“How was it, then? Where did you meet Alexey Alexandrovitch?” Her voice sounded in an unnatural and jarring tone.

“We ran up against each other in the doorway.”

“And he bowed to you like this?”

She drew a long face, and half-closing her eyes, quickly transformed her expression, folded her hands, and Vronsky suddenly saw in her beautiful face the very expression with which Alexey Alexandrovitch had bowed to him. He smiled, while she laughed gaily, with that sweet, deep laugh, which was one of her greatest charms.

“I don’t understand him in the least,” said Vronsky. “If after your avowal to him at your country house he had broken with you, if he had called me out⁠—but this I can’t understand. How can he put up with such a position? He feels it, that’s evident.”

“He?” she said sneeringly. “He’s perfectly satisfied.”

“What are we all miserable for, when everything might be so happy?”

“Only not he. Don’t I know him, the falsity in which he’s utterly steeped?⁠ ⁠… Could one, with any feeling, live as he is living with me? He understands nothing, and feels nothing. Could a man of any feeling live in the same house with his unfaithful wife? Could he talk to her, call her ‘my dear’?”

And again she could not help mimicking him: “ ‘Anna, ma chère; Anna, dear!’ ”

“He’s not a man, not a human being⁠—he’s a doll! No one knows him; but I know him. Oh, if I’d been in his place, I’d long ago have killed, have torn to pieces a wife like me. I wouldn’t have said, ‘Anna, ma chère’! He’s not a man, he’s an official machine. He doesn’t understand that I’m your wife, that he’s outside, that he’s superfluous.⁠ ⁠… Don’t let’s talk of him!⁠ ⁠…”

“You’re unfair, very unfair, dearest,” said Vronsky, trying to soothe her. “But never mind, don’t let’s talk of him. Tell me what you’ve been doing? What is the matter? What has been wrong with you, and what did the doctor say?”

She looked at him with mocking amusement. Evidently she had hit on other absurd and grotesque aspects in her husband and was awaiting the moment to give expression to them.

But he went on:

“I imagine that it’s not illness, but your condition. When will it be?”

The ironical light died away in her eyes, but a different smile, a consciousness of something, he did not know what, and of quiet melancholy, came over her face.

“Soon, soon. You say that our position is miserable, that we must put an end to it. If you knew how terrible it is to me, what I would give to be able to love you freely and boldly! I should not torture myself and torture you with my jealousy.⁠ ⁠… And it will come soon, but not as we expect.”

And at the thought of how it would come, she seemed so pitiable to herself that tears came into her eyes, and she could not go on. She laid her hand on his sleeve, dazzling and white with its rings in the lamplight.

“It won’t come as we suppose. I didn’t mean to say this to you, but you’ve made me. Soon, soon, all will be over, and we shall all, all be at peace, and suffer no more.”

“I don’t understand,” he said, understanding her.

“You asked when? Soon. And I shan’t live through it. Don’t interrupt me!” and she made haste to speak. “I know it; I know for certain. I shall die; and I’m very glad I shall die, and release myself and you.”

Tears dropped from her eyes; he bent down over her hand and began kissing it, trying to hide his emotion, which, he knew, had no sort of grounds, though he could not control it.

“Yes, it’s better so,” she said, tightly gripping his hand. “That’s the only way, the only way left us.”

He had recovered himself, and lifted his head.

“How absurd! What absurd nonsense you are talking!”

“No, it’s the truth.”

“What, what’s the truth?”

“That I shall die. I have had a dream.”

“A dream?” repeated Vronsky, and instantly he recalled the peasant of his dream.

“Yes, a dream,” she said. “It’s a long while since I dreamed it. I dreamed that I ran into my bedroom, that I had to get something there, to find out something; you know how it is in dreams,” she said, her eyes wide with horror; “and in the bedroom, in the corner, stood something.”

“Oh, what nonsense! How can you believe.⁠ ⁠…”

But she would not let him interrupt her. What she was saying was too important to her.

“And the something turned round, and I saw it was a peasant with a disheveled beard, little, and dreadful looking. I wanted to run away, but he bent down over a sack, and was fumbling there with his hands.⁠ ⁠…”

She showed how he had moved his hands. There was terror in her face. And Vronsky, remembering his dream, felt the same terror filling his soul.

“He was fumbling and kept talking quickly, quickly in French, you know: Il faut le battre, le fer, le broyer, le pétrir.⁠ ⁠… And in my horror I tried to wake up, and woke up⁠ ⁠… but woke up in the dream. And I began asking myself what it meant. And Korney said to me: ‘In childbirth you’ll die, ma’am, you’ll die.⁠ ⁠…’ And I woke up.”

“What nonsense, what nonsense!” said Vronsky; but he felt himself that there was no conviction in his voice.

“But don’t let’s talk of it. Ring the bell, I’ll have tea. And stay a little now; it’s not long I shall.⁠ ⁠…”

But all at once she stopped. The expression of her face instantaneously changed. Horror and excitement were suddenly replaced by a look of soft, solemn, blissful attention. He could not comprehend the meaning of the change. She was listening to the stirring of the new life within her.

IV

Alexey Alexandrovitch, after meeting Vronsky on his own steps, drove, as he had intended, to the Italian opera. He sat through two acts there, and saw everyone he had wanted to see. On

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