Middlemarch George Eliot (essential reading txt) 📖

aware when Lydgate had ridden away, and she had stepped into the garden, with the impulse to go at once to her husband. But she hesitated, fearing to offend him by obtruding herself; for her ardor, continually repulsed, served, with her intense memory, to heighten her dread, as thwarted energy subsides into a shudder; and she wandered slowly round the nearer clumps of trees until she saw him advancing. Then she went towards him, and might have represented a heaven-sent angel coming with a promise that the short hours remaining should yet be filled with that faithful love which clings the closer to a comprehended grief. His glance in reply to hers was so chill that she felt her timidity increased; yet she turned and passed her hand through his arm.

Mr. Casaubon kept his hands behind him and allowed her pliant arm to cling with difficulty against his rigid arm.

There was something horrible to Dorothea in the sensation which this unresponsive hardness inflicted on her. That is a strong word, but not too strong: it is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness⁠—calling their denial knowledge. You may ask why, in the name of manliness, Mr. Casaubon should have behaved in that way. Consider that his was a mind which shrank from pity: have you ever watched in such a mind the effect of a suspicion that what is pressing it as a grief may be really a source of contentment, either actual or future, to the being who already offends by pitying? Besides, he knew little of Dorothea’s sensations, and had not reflected that on such an occasion as the present they were comparable in strength to his own sensibilities about Carp’s criticisms.

Dorothea did not withdraw her arm, but she could not venture to speak. Mr. Casaubon did not say, “I wish to be alone,” but he directed his steps in silence towards the house, and as they entered by the glass door on this eastern side, Dorothea withdrew her arm and lingered on the matting, that she might leave her husband quite free. He entered the library and shut himself in, alone with his sorrow.

She went up to her boudoir. The open bow-window let in the serene glory of the afternoon lying in the avenue, where the lime-trees cast long shadows. But Dorothea knew nothing of the scene. She threw herself on a chair, not heeding that she was in the dazzling sun-rays: if there were discomfort in that, how could she tell that it was not part of her inward misery?

She was in the reaction of a rebellious anger stronger than any she had felt since her marriage. Instead of tears there came words:⁠—

“What have I done⁠—what am I⁠—that he should treat me so? He never knows what is in my mind⁠—he never cares. What is the use of anything I do? He wishes he had never married me.”

She began to hear herself, and was checked into stillness. Like one who has lost his way and is weary, she sat and saw as in one glance all the paths of her young hope which she should never find again. And just as clearly in the miserable light she saw her own and her husband’s solitude⁠—how they walked apart so that she was obliged to survey him. If he had drawn her towards him, she would never have surveyed him⁠—never have said, “Is he worth living for?” but would have felt him simply a part of her own life. Now she said bitterly, “It is his fault, not mine.” In the jar of her whole being, Pity was overthrown. Was it her fault that she had believed in him⁠—had believed in his worthiness?⁠—And what, exactly, was he?⁠—She was able enough to estimate him⁠—she who waited on his glances with trembling, and shut her best soul in prison, paying it only hidden visits, that she might be petty enough to please him. In such a crisis as this, some women begin to hate.

The sun was low when Dorothea was thinking that she would not go down again, but would send a message to her husband saying that she was not well and preferred remaining upstairs. She had never deliberately allowed her resentment to govern her in this way before, but she believed now that she could not see him again without telling him the truth about her feeling, and she must wait till she could do it without interruption. He might wonder and be hurt at her message. It was good that he should wonder and be hurt. Her anger said, as anger is apt to say, that God was with her⁠—that all heaven, though it were crowded with spirits watching them, must be on her side. She had determined to ring her bell, when there came a rap at the door.

Mr. Casaubon had sent to say that he would have his dinner in the library. He wished to be quite alone this evening, being much occupied.

“I shall not dine, then, Tantripp.”

“Oh, madam, let me bring you a little something?”

“No; I am not well. Get everything ready in my dressing room, but pray do not disturb me again.”

Dorothea sat almost motionless in her meditative struggle, while the evening slowly deepened into night. But the struggle changed continually, as that of a man who begins with a movement towards striking and ends with conquering his desire to strike. The energy that would animate a crime is not more than is wanted to inspire a resolved submission, when the noble habit of the soul reasserts itself. That thought with which Dorothea had gone out to meet her husband⁠—her conviction that he had been asking about the possible arrest of all his work, and that the answer must have wrung his heart, could not be long without rising beside the image of him, like