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had the hardihood to observe: “What is, then, Uncle Timothy?”

“All this newfangled volunteerin’ and expense⁠—lettin’ money out of the country.”

Just then Aunt Hester brought in the map, handling it like a baby with eruptions. With the assistance of Euphemia it was laid on the piano, a small Colwood grand, last played on, it was believed, the summer before Aunt Ann died, thirteen years ago. Timothy rose. He walked over to the piano, and stood looking at his map while they all gathered round.

“There you are,” he said; “that’s the position up to date; and very poor it is. H’m!”

“Yes,” said Francie, greatly daring, “but how are you going to alter it, Uncle Timothy, without more men?”

“Men!” said Timothy; “you don’t want men⁠—wastin’ the country’s money. You want a Napoleon, he’d settle it in a month.”

“But if you haven’t got him, Uncle Timothy?”

“That’s their business,” replied Timothy. “What have we kept the Army up for⁠—to eat their heads off in time of peace! They ought to be ashamed of themselves, comin’ on the country to help them like this! Let every man stick to his business, and we shall get on.”

And looking round him, he added almost angrily:

“Volunteerin’, indeed! Throwin’ good money after bad! We must save! Conserve energy that’s the only way.” And with a prolonged sound, not quite a sniff and not quite a snort, he trod on Euphemia’s toe, and went out, leaving a sensation and a faint scent of barley-sugar behind him.

The effect of something said with conviction by one who has evidently made a sacrifice to say it is ever considerable. And the eight Forsytes left behind, all women except young Nicholas, were silent for a moment round the map. Then Francie said:

“Really, I think he’s right, you know. After all, what is the Army for? They ought to have known. It’s only encouraging them.”

“My dear!” cried Aunt Juley, “but they’ve been so progressive. Think of their giving up their scarlet. They were always so proud of it. And now they all look like convicts. Hester and I were saying only yesterday we were sure they must feel it very much. Fancy what the Iron Duke would have said!”

“The new colour’s very smart,” said Winifred; “Val looks quite nice in his.”

Aunt Juley sighed.

“I do so wonder what Jolyon’s boy is like. To think we’ve never seen him! His father must be so proud of him.”

“His father’s in Paris,” said Winifred.

Aunt Hester’s shoulder was seen to mount suddenly, as if to ward off her sister’s next remark, for Juley’s crumpled cheeks had gushed.

“We had dear little Mrs. MacAnder here yesterday, just back from Paris. And whom d’you think she saw there in the street? You’ll never guess.”

“We shan’t try, Auntie,” said Euphemia.

“Irene! Imagine! After all this time; walking with a fair beard.⁠ ⁠
”

“Auntie! you’ll kill me! A fair beard.⁠ ⁠
”

“I was going to say,” said Aunt Juley severely, “a fair-bearded gentleman. And not a day older; she was always so pretty,” she added, with a sort of lingering apology.

“Oh! tell us about her, Auntie,” cried Imogen; “I can just remember her. She’s the skeleton in the family cupboard, isn’t she? And they’re such fun.”

Aunt Hester sat down. Really, Juley had done it now!

“She wasn’t much of a skeleton as I remember her,” murmured Euphemia, “extremely well-covered.”

“My dear!” said Aunt Juley, “what a peculiar way of putting it⁠—not very nice.”

“No, but what was she like?” persisted Imogen.

“I’ll tell you, my child,” said Francie; “a kind of modern Venus, very well-dressed.”

Euphemia said sharply: “Venus was never dressed, and she had blue eyes of melting sapphire.”

At this juncture Nicholas took his leave.

“Mrs. Nick is awfully strict,” said Francie with a laugh.

“She has six children,” said Aunt Juley; “it’s very proper she should be careful.”

“Was Uncle Soames awfully fond of her?” pursued the inexorable Imogen, moving her dark luscious eyes from face to face.

Aunt Hester made a gesture of despair, just as Aunt Juley answered:

“Yes, your Uncle Soames was very much attached to her.”

“I suppose she ran off with someone?”

“No, certainly not; that is⁠—not precisely.”

“What did she do, then, Auntie?”

“Come along, Imogen,” said Winifred, “we must be getting back.”

But Aunt Juley interjected resolutely: “She⁠—she didn’t behave at all well.”

“Oh, bother!” cried Imogen; “that’s as far as I ever get.”

“Well, my dear,” said Francie, “she had a love affair which ended with the young man’s death; and then she left your uncle. I always rather liked her.”

“She used to give me chocolates,” murmured Imogen, “and smell nice.”

“Of course!” remarked Euphemia.

“Not of course at all!” replied Francie, who used a particularly expensive essence of gillyflower herself.

“I can’t think what we are about,” said Aunt Juley, raising her hands, “talking of such things!”

“Was she divorced?” asked Imogen from the door.

“Certainly not,” cried Aunt Juley; “that is⁠—certainly not.”

A sound was heard over by the far door. Timothy had re-entered the back drawing-room. “I’ve come for my map,” he said. “Who’s been divorced?”

“No one, Uncle,” replied Francie with perfect truth.

Timothy took his map off the piano.

“Don’t let’s have anything of that sort in the family,” he said. “All this enlistin’s bad enough. The country’s breakin’ up; I don’t know what we’re comin’ to.” He shook a thick finger at the room: “Too many women nowadays, and they don’t know what they want.”

So saying, he grasped the map firmly with both hands, and went out as if afraid of being answered.

The seven women whom he had addressed broke into a subdued murmur, out of which emerged Francie’s, “Really, the Forsytes⁠—!” and Aunt Juley’s: “He must have his feet in mustard and hot water tonight, Hester; will you tell Jane? The blood has gone to his head again, I’m afraid.⁠ ⁠
”

That evening, when she and Hester were sitting alone after dinner, she dropped a stitch in her crochet, and looked up:

“Hester, I can’t think where I’ve heard that dear Soames wants Irene to come back to him again. Who was it told us that George had made a funny drawing of him with the words, ‘He won’t be happy till he gets it.’ ”

“Eustace,”

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