Antic Hay Aldous Huxley (philippa perry book .TXT) 📖

never dared to look, but hurried past as though she were not there, or sometimes, when the fog was more than ordinarily cold and stifling, paused for an instant with averted eyes to drop a brown coin into her tray of matches. And then there were the murderers hanged at eight o’clock, while one was savouring, almost with voluptuous consciousness, the final dream-haunted doze. There was the phthisical charwoman who used to work at his father’s house, until she got too weak and died. There were the lovers who turned on the gas and the ruined shopkeepers jumping in front of trains. Had one a right to be contented and well-fed, had one a right to one’s education and good taste, a right to knowledge and conversation and the leisurely complexities of love?

He looked once more through the railings at the park’s impenetrable, rustic night, at the lines of beaded lamps. He looked, and remembered another night, years ago, during the war, when there were no lights in the park and the electric moons above the roadway were in almost total eclipse. He had walked up this street alone, full of melancholy emotions which, though the cause of them was different, were in themselves much the same as the melancholy emotions which swelled windily up within him tonight. He had been most horribly in love.

“What did you think,” he asked abruptly, “of Myra Viveash?”

“Think?” said Shearwater. “I don’t know that I thought very much about her. Not a case for ratiocination exactly, is she? She seemed to me entertaining enough, as women go. I said I’d lunch with her on Thursday.”

Gumbril felt, all of a sudden, the need to speak confidentially. “There was a time,” he said in a tone that was quite unreally airy, offhand and disengaged, “years ago, when I totally lost my head about her. Totally.” Those tear-wet patches on his pillow, cold against his cheek in the darkness; and oh, the horrible pain of weeping, vainly, for something that was nothing, that was everything in the world! “Towards the end of the war it was. I remember walking up this dismal street one night, in the pitch darkness, writhing with jealousy.” He was silent. Spectrally, like a dim, haunting ghost, he had hung about her; dumbly, dumbly imploring, appealing. “The weak, silent man,” she used to call him. And once for two or three days, out of pity, out of affection, out of a mere desire, perhaps, to lay the tiresome ghost, she had given him what his mournful silence implored⁠—only to take it back, almost as soon as accorded. That other night, when he had walked up this street before, desire had eaten out his vitals and his body seemed empty, sickeningly and achingly void; jealousy was busily reminding him, with an unflagging malice, of her beauty⁠—of her beauty and the hateful, ruffian hands which now caressed, the eyes which looked on it. That was all long ago.

“She is certainly handsome,” said Shearwater, commenting, at one or two removes, on Gumbril’s last remark. “I can see that she might make anyone who got involved in her decidedly uncomfortable.” After a day or two’s continuous sweating, it suddenly occurred to him, one might perhaps find seawater more refreshing than fresh water. That would be queer.

Gumbril burst out ferociously laughing. “But there were other times,” he went on jauntily, “when other people were jealous of me.” Ah, revenge, revenge. In the better world of the imagination it was possible to get one’s own back. What fiendish vendettas were there carried to successful ends! “I remember once writing her a quatrain in French.” (He had written it years after the whole thing was over, he had never sent it to anyone at all; but that was all one.) “How did it go? Ah, yes.” And he recited, with suitable gestures:

“ ‘Puisque nous sommes là, je dois,
Vous avertir, sans trop de honte,
Que je n’égale pas le Comte
Casanovesque de Sixfois.’

Rather prettily turned, I flatter myself. Rather elegantly gross.”

Gumbril’s laughter went hooting past the Marble Arch. It stopped rather suddenly, however, at the corner of the Edgware Road. He had suddenly remembered Mr. Mercaptan, and the thought depressed him.

VI

It was between Whitefield Street and the Tottenham Court Road, in a “heavenly Mews,” as he liked to call it (for he had a characteristic weakness for philosophical paronomasia), that Casimir Lypiatt lived and worked. You passed under an archway of bald and sooty brick⁠—and at night, when the green gas-lamp underneath the arch threw livid lights and enormous architectural shadows, you could fancy yourself at the entrance of one of Piranesi’s prisons⁠—and you found yourself in a long cul-de-sac, flanked on either side by low buildings, having stabling for horses below and, less commodiously, stabling for human beings in the attics above. An old-fashioned smell of animals mingled with the more progressive stink of burnt oil. The air was a little thicker here, it seemed, than in the streets outside; looking down the mews on even the clearest day, you could see the forms of things dimming and softening, the colours growing richer and deeper with every yard of distance. It was the best place in the world, Lypiatt used to say, for studying aerial perspective; that was why he lived there. But you always felt about poor Lypiatt that he was facing misfortune with a jest a little too self-consciously.

Mrs. Viveash’s taxi drove in under the Piranesian arch, drove in slowly and as though with a gingerly reluctance to soil its white wheels on pavements so sordid. The cabman looked round inquiringly.

“This right?” he asked.

With a white-gloved finger Mrs. Viveash prodded the air two or three times, indicating that he was to drive straight on. Halfway down the mews she rapped the glass; the man drew up.

“Never been down ’ere before,” he said, for the sake of making a little conversation, while Mrs. Viveash fumbled for her money. He looked at her with a polite