Ukridge Stories P. G. Wodehouse (jenna bush book club txt) 📖

“He’s promised me an introduction to him later on. May be useful to be in touch with a man who knows the ropes. You see, laddie, I’ve hit on the most amazing scheme.” He swept his arm round dramatically, overturning a plaster cast of the Infant Samuel at Prayer. “All right, all right, you can mend it with glue or something, and, anyway, you’re probably better without it. Yessir, I’ve hit on a great scheme. The idea of a thousand years.”

“What’s that?”

“I’m going to train dogs.”

“Train dogs?”

“For the music-hall stage. Dog acts, you know. Performing dogs. Pots of money in it. I start in a modest way with these six. When I’ve taught ’em a few tricks, I sell them to a fellow in the profession for a large sum and buy twelve more. I train those, sell ’em for a large sum, and with the money buy twenty-four more. I train those⁠—”

“Here, wait a minute.” My head was beginning to swim. I had a vision of England paved with Pekingese dogs, all doing tricks. “How do you know you’ll be able to sell them?”

“Of course I shall. The demand’s enormous. Supply can’t cope with it. At a conservative estimate I should think I ought to scoop in four or five thousand pounds the first year. That, of course, is before the business really starts to expand.”

“I see.”

“When I get going properly, with a dozen assistants under me and an organised establishment, I shall begin to touch the big money. What I’m aiming at is a sort of Dogs’ College out in the country somewhere. Big place with a lot of ground. Regular classes and a set curriculum. Large staff, each member of it with so many dogs under his care, me looking on and superintending. Why, once the thing starts moving it’ll run itself, and all I shall have to do will be to sit back and endorse the cheques. It isn’t as if I would have to confine my operations to England. The demand for performing dogs is universal throughout the civilised world. America wants performing dogs. Australia wants performing dogs. Africa could do with a few, I’ve no doubt. My aim, laddie, is gradually to get a monopoly of the trade. I want everybody who needs a performing dog of any description to come automatically to me. And I’ll tell you what, laddie. If you like to put up a bit of capital, I’ll let you in on the ground floor.”

“No, thanks.”

“All right. Have it your own way. Only don’t forget that there was a fellow who put nine hundred dollars into the Ford Car business when it was starting and he collected a cool forty million. I say, is that clock right? Great Scott! I’ll be missing my train. Help me mobilise these dashed animals.”

Five minutes later, accompanied by the six Pekingese and bearing about him a pound of my tobacco, three pairs of my socks, and the remains of a bottle of whisky, Ukridge departed in a taxicab for Charing Cross Station to begin his lifework.

Perhaps six weeks passed, six quiet Ukridgeless weeks, and then one morning I received an agitated telegram. Indeed, it was not so much a telegram as a cry of anguish. In every word of it there breathed the tortured spirit of a great man who has battled in vain against overwhelming odds. It was the sort of telegram which Job might have sent off after a lengthy session with Bildad the Shuhite:⁠—

“Come here immediately, laddie. Life and death matter, old horse. Desperate situation. Don’t fail me.”

It stirred me like a bugle, I caught the next train.

The White Cottage, Sheep’s Cray⁠—destined, presumably, to become in future years an historic spot and a Mecca for dog-loving pilgrims⁠—was a small and battered building standing near the main road to London at some distance from the village. I found it without difficulty, for Ukridge seemed to have achieved a certain celebrity in the neighbourhood; but to effect an entry was a harder task. I rapped for a full minute without result, then shouted; and I was about to conclude that Ukridge was not at home when the door suddenly opened. As I was just giving a final bang at the moment, I entered the house in a manner reminiscent of one of the Ballet Russe practising a new and difficult step.

“Sorry, old horse,” said Ukridge. “Wouldn’t have kept you waiting if I’d known who it was. Thought you were Gooch, the grocer⁠—goods supplied to the value of six pounds three and a penny.”

“I see.”

“He keeps hounding me for his beastly money,” said Ukridge, bitterly, as he led the way into the sitting room. “It’s a little hard. Upon my Sam it’s a little hard. I come down here to inaugurate a vast business and do the natives a bit of good by establishing a growing industry in their midst, and the first thing you know they turn round and bite the hand that was going to feed them. I’ve been hampered and rattled by these bloodsuckers ever since I got here. A little trust, a little sympathy, a little of the good old give-and-take spirit⁠—that was all I asked. And what happened? They wanted a bit on account! Kept bothering me for a bit on account, I’ll trouble you, just when I needed all my thoughts and all my energy and every ounce of concentration at my command for my extraordinarily difficult and delicate work. I couldn’t give them a bit on account. Later on, if they had only exercised reasonable patience, I would no doubt have been in a position to settle their infernal bills fifty times over. But the time was not ripe. I reasoned with the men. I said, ‘Here am I, a busy man, trying hard to educate six Pekingese dogs for the music-hall stage, and you come distracting my attention and impairing my efficiency by babbling about a bit on account. It isn’t the pull-together spirit,’ I said.