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some self-respect of its own. If you don’t like it, you’d better say so. It’s certainly the last thing to be considered⁠—who wants self-respect in a house, when you can squeeze in an extra lavatory?” He put his finger suddenly down on the left division of the centre oblong: “You can swing a cat here. This is for your pictures, divided from this court by curtains; draw them back and you’ll have a space of fifty-one by twenty-three six. This double-faced stove in the centre, here, looks one way towards the court, one way towards the picture room; this end wall is all window; You’ve a southeast light from that, a north light from the court. The rest of your pictures you can hang round the gallery upstairs, or in the other rooms. In architecture,” he went on⁠—and though looking at Soames he did not seem to see him, which gave Soames an unpleasant feeling⁠—“as in life, you’ll get no self-respect without regularity. Fellows tell you that’s old fashioned. It appears to be peculiar anyway; it never occurs to us to embody the main principle of life in our buildings; we load our houses with decoration, gimcracks, corners, anything to distract the eye. On the contrary the eye should rest; get your effects with a few strong lines. The whole thing is regularity there’s no self-respect without it.”

Soames, the unconscious ironist, fixed his gaze on Bosinney’s tie, which was far from being in the perpendicular; he was unshaven too, and his dress not remarkable for order. Architecture appeared to have exhausted his regularity.

“Won’t it look like a barrack?” he inquired.

He did not at once receive a reply.

“I can see what it is,” said Bosinney, “you want one of Littlemaster’s houses⁠—one of the pretty and commodious sort, where the servants will live in garrets, and the front door be sunk so that you may come up again. By all means try Littlemaster, you’ll find him a capital fellow, I’ve known him all my life!”

Soames was alarmed. He had really been struck by the plans, and the concealment of his satisfaction had been merely instinctive. It was difficult for him to pay a compliment. He despised people who were lavish with their praises.

He found himself now in the embarrassing position of one who must pay a compliment or run the risk of losing a good thing. Bosinney was just the fellow who might tear up the plans and refuse to act for him; a kind of grown-up child!

This grown-up childishness, to which he felt so superior, exercised a peculiar and almost mesmeric effect on Soames, for he had never felt anything like it in himself.

“Well,” he stammered at last, “it’s⁠—it’s, certainly original.”

He had such a private distrust and even dislike of the word “original” that he felt he had not really given himself away by this remark.

Bosinney seemed pleased. It was the sort of thing that would please a fellow like that! And his success encouraged Soames.

“It’s⁠—a big place,” he said.

“Space, air, light,” he heard Bosinney murmur, “you can’t live like a gentleman in one of Littlemaster’s⁠—he builds for manufacturers.”

Soames made a deprecating movement; he had been identified with a gentleman; not for a good deal of money now would he be classed with manufacturers. But his innate distrust of general principles revived. What the deuce was the good of talking about regularity and self-respect? It looked to him as if the house would be cold.

“Irene can’t stand the cold!” he said.

“Ah!” said Bosinney sarcastically. “Your wife? She doesn’t like the cold? I’ll see to that; she shan’t be cold. Look here!” he pointed, to four marks at regular intervals on the walls of the court. “I’ve given you hot-water pipes in aluminium casings; you can get them with very good designs.”

Soames looked suspiciously at these marks.

“It’s all very well, all this,” he said, “but what’s it going to cost?”

The architect took a sheet of paper from his pocket:

“The house, of course, should be built entirely of stone, but, as I thought you wouldn’t stand that, I’ve compromised for a facing. It ought to have a copper roof, but I’ve made it green slate. As it is, including metal work, it’ll cost you eight thousand five hundred.”

“Eight thousand five hundred?” said Soames. “Why, I gave you an outside limit of eight!”

“Can’t be done for a penny less,” replied Bosinney coolly.

“You must take it or leave it!”

It was the only way, probably, that such a proposition could have been made to Soames. He was nonplussed. Conscience told him to throw the whole thing up. But the design was good, and he knew it⁠—there was completeness about it, and dignity; the servants’ apartments were excellent too. He would gain credit by living in a house like that⁠—with such individual features, yet perfectly well-arranged.

He continued poring over the plans, while Bosinney went into his bedroom to shave and dress.

The two walked back to Montpellier Square in silence, Soames watching him out of the corner of his eye.

The Buccaneer was rather a good-looking fellow⁠—so he thought⁠—when he was properly got up.

Irene was bending over her flowers when the two men came in.

She spoke of sending across the Park to fetch June.

“No, no,” said Soames, “we’ve still got business to talk over!”

At lunch he was almost cordial, and kept pressing Bosinney to eat. He was pleased to see the architect in such high spirits, and left him to spend the afternoon with Irene, while he stole off to his pictures, after his Sunday habit. At teatime he came down to the drawing-room, and found them talking, as he expressed it, nineteen to the dozen.

Unobserved in the doorway, he congratulated himself that things were taking the right turn. It was lucky she and Bosinney got on; she seemed to be falling into line with the idea of the new house.

Quiet meditation among his pictures had decided him to spring the five hundred if necessary; but he hoped that the afternoon might have softened Bosinney’s estimates. It was so

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