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turned out that morning. The motley crowd mingled, forming into groups, sometimes dazzling you by the array of colours that you never thought to see in full daylight.⁠ ⁠… Canary-coloured garments flitted cheerily by garments of the saddest green. A hat in an agony of pushes and angles was seen in company with a bonnet that was a gay garland of flowers. A vast cape that might have enshrouded the form of a Mater Dolorosa hung by the side of a jauntily-striped Langtry-hood.”

By this title his disciples used to address James Whistler, the author-artist. Without echoing the obloquy that was lavished at first nor the praise that was lavished later upon his pictures, we must admit that he was, as least, a great master of English prose and a controversialist of no mean power. ↩

One authority derives the title, rather ingeniously, from Ma Chère, the mode of address used by the gilded youth to the barmaids of the period⁠—whence the corruption, “Masher.” Another traces it to the chorus of a song, which, at that time, had a great vogue in the music-halls:

“I’m the slashing, dashing, mashing Montmorency of the day.”

This, in my opinion, is the safer suggestion, and may be adopted. ↩

I received some great and beautiful light. ↩

Colophon The Standard Ebooks logo.

The Works of Max Beerbohm
was published in 1896 by
Max Beerbohm.

This ebook was produced for
Standard Ebooks
by
Bendix Düker,
and is based on a transcription produced in 1999 by
Tom Weiss, G. Banks, and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
Bal du moulin de la Galette,
a painting completed in 1876 by
Auguste Renoir.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
November 27, 2017, 9:47 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
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Uncopyright

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