The Duel Aleksandr Kuprin (best inspirational books .txt) 📖

“You’re talking nonsense, Romashov,” interrupted Viätkin. “If you want satisfaction from such scum you’ll most certainly get the following answer, which is little gratifying: ‘Ah, well, my good sir, I do not give satisfaction. That is contrary to my principles. I loathe duels and bloodshed⁠—and besides, you can have recourse, you know, to the Justice of the Peace, in the event of your feeling yourself wronged.’ And then, for the whole of your life, you must carry the delightful recollection of an unavenged box on the ears from a civilian.”

Biek-Agamalov smiled in approbation, and with more than his usual generosity showed his whole row of gleaming white teeth. “Hark you, Viätkin, you ought really to take some interest in this sabre-cutting. With us at our home in the Caucasus we practise it from childhood⁠—on bundles of wattles, on waterspouts, the bodies of sheep.”

“And men’s bodies,” remarked Lbov.

“And on men’s bodies,” repeated Agamalov with unruffled calm. “And such strokes, too! In a twinkling they cleave a fellow from his shoulder to the hip.”

“Biek, can you perform a test of strength like that?”

Biek-Agamalov sighed regretfully.

“No, alas! A sheep, or a calf; I can say I could cleave to the neck by a single stroke, but to cut a full-grown man down to the waist is beyond my power. To my father it would be a trifle.”

“Come, gentlemen, and let us try our strength and sabres on that scarecrow,” said Lbov, in a determined tone and with flashing eyes. “Biek, my dear boy, come with us.”

The officers went up to the clay figure that had been erected a little way off. Viätkin was the first to attack it. After endeavouring to impart to his innocent, prosaic face an expression of wild-beast ferocity, he struck the clay man with all his might and with an unnecessarily big flourish of his sabre. At the same time he uttered the characteristic sound “Khryass!” which a butcher makes when he is cutting up beef. The weapon entered about a quarter of an inch into the clay, and Viätkin had some trouble to extricate his brave sabre.

“Wretchedly done,” exclaimed Agamalov, shaking his head. “Now, Romashov, it’s your turn.”

Romashov drew his sabre from its sheath, and adjusted his eyeglass with a hesitating movement. He was of medium height, lean, and fairly strong in proportion to his build, but through constitutional timidity and lack of interest not much accustomed to handling the weapon. Even as a pupil at the Military Academy he was a bad swordsman, and after a year and a half’s service in the regiment he had almost completely forgotten the art.

He raised his sabre high above his head, but stretched out, simultaneously and instinctively, his left arm and hand.

“Mind your hand!” shouted Agamalov.

But it was too late then. The point of the sabre only made a slight scratch on the clay, and Romashov, to his astonishment, who had mis-reckoned on a strong resistance to the steel entering the clay, lost his balance and stumbled forward, whereupon the blade of the sabre caught his outstretched hand and tore off a portion of skin at the lower part of his little finger, so that the blood oozed.

“There! See what you’ve done!” cried Biek angrily as he dismounted from his charger. “How can anyone handle a sabre so badly? You very nearly cut off your hand, you know. Well, that wound is a mere trifle, but you’d better bind it up with your handkerchief. Ensign, hold my horse. And now, gentlemen, bear this in mind. The force or effect of a stroke is not generated either in the shoulder or the elbow, but here, in the wrist.” He made, as quick as lightning, a few rotary movements of his right hand, whereupon the point of his sabre described a scintillating circle above his head. “Now look, I put my left hand behind my back. When the stroke itself is to be delivered it must not be done by a violent and clumsily directed blow, but by a vigorous cut, in which the arm and sabre are jerked slightly backwards. Do you understand? Moreover, it is absolutely necessary that the plane of the sabre exactly coincides with the direction of the stroke. Look, here goes!”

Biek took two steps backwards from the mannequin, to which he seemed, as it were, to fasten himself tightly by a sharp, penetrating glance. Suddenly the sabre flashed in the air, and a fearful stroke, delivered with a rapidity that the eye could not follow, struck like lightning the clay figure, the upper part of which rolled, softly but heavily, down to the ground. The cut made by the sabre was as smooth and even as if it had been polished.

“The deuce, that was something like a cut!” cried the enthusiastic Lbov in wild delight. “Biek, my dear fellow, of your charity do that over again.”

“Yes, do, Biek,” chimed in Viätkin.

But Agamalov, who was evidently afraid of destroying the effect he had produced, smiled as he replaced the sabre in its scabbard. He breathed heavily, and at that moment, by his bloodthirsty, wildly staring eyes, his hawk’s nose, and set mouth, he put one in mind of a proud, cruel, malignant bird of prey.

“That was really nothing remarkable,” he exclaimed in a tone of assumed contempt. “At home in the Caucasus my old father, although he is over sixty-six, could cut off a horse’s head in a trice. You see, my children, everything can be acquired by practice and perseverance. At my home we practise on bundles of wattles tightly twisted together, or we try to cut through a waterspout without the least splash being noticeable. Well, Lbov, it’s your turn now.”

At that very moment, however, Bobuilev, the noncom, rushed up to Viätkin, with terror depicted on every feature.

“Your Honour! The Commander of the regiment is here.”

“Attention!” cried Captain Sliva’s sharp voice from the other side of the parade-ground. The officers hastily made their way to their respective detachments.

A large open carriage slowly approached the avenue and