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leave her room. You shall keep watch over her by turns. Those who are not watching will go to bed immediately after dinner. No moving about the house, do you understand? Absolute silence and quiet.”

“And old Siméon, sir?”

“Lock him up in his room. He’s dangerous because he’s mad. They may have taken advantage of his madness to make him open the door to them. Lock him up!”

Patrice’s plan was a simple one. As the enemy, believing Coralie to be on the point of death, had revealed to her his intention, which was to kill Patrice as well, it was necessary that he should think himself free to act, with nobody to suspect his schemes or to be on his guard against him. He would enter upon the struggle and would then be caught in a trap.

Pending this struggle, for which he longed with all his might, Patrice saw to Ya-Bon’s wound, which proved to be only slight, and questioned him and Coralie. Their answers tallied at all points. Coralie, feeling a little tired, was lying down reading. Ya-Bon remained in the passage, outside the open door, squatting on the floor, Arab-fashion. Neither of them heard anything suspicious. And suddenly Ya-Bon saw a shadow between himself and the light in the passage. This light, which came from an electric lamp, was put out at just about the same time as the light in the bedroom. Ya-Bon, already half-erect, felt a violent blow in the back of the neck and lost consciousness. Coralie tried to escape by the door of her boudoir, was unable to open it, began to cry out and was at once seized and thrown down. All this had happened within the space of a few seconds.

The only hint that Patrice succeeded in obtaining was that the man came not from the staircase but from the servants’ wing. This had a smaller staircase of its own, communicating with the kitchen through a pantry by which the tradesmen entered from the Rue Raynouard. The door leading to the street was locked. But someone might easily possess a key.

After dinner Patrice went in to see Coralie for a moment and then, at nine o’clock, retired to his bedroom, which was situated a little lower down, on the same side. It had been used, in Essarès Bey’s lifetime, as a smoking-room.

As the attack from which he expected such good results was not likely to take place before the middle of the night, Patrice sat down at a roll-top desk standing against the wall and took out the diary in which he had begun his detailed record of recent events. He wrote on for half an hour or forty minutes and was about to close the book when he seemed to hear a vague rustle, which he would certainly not have noticed if his nerves had not been stretched to their utmost state of tension. And he remembered the day when he and Coralie had once before been shot at. This time, however, the window was not open nor even ajar.

He therefore went on writing without turning his head or doing anything to suggest that his attention had been aroused; and he set down, almost unconsciously, the actual phases of his anxiety:

“He is here. He is watching me. I wonder what he means to do. I doubt if he will smash a pane of glass and fire a bullet at me. He has tried that method before and found it uncertain and a failure. No, his plan is thought out, I expect, in a different and more intelligent fashion. He is more likely to wait for me to go to bed, when he can watch me sleeping and effect his entrance by some means which I can’t guess.

“Meanwhile, it’s extraordinarily exhilarating to know that his eyes are upon me. He hates me; and his hatred is coming nearer and nearer to mine, like one sword feeling its way towards another before clashing. He is watching me as a wild animal, lurking in the dark, watches its prey and selects the spot on which to fasten its fangs. But no, I am certain that it’s he who is the prey, doomed beforehand to defeat and destruction. He is preparing his knife or his red-silk cord. And it’s these two hands of mine that will finish the battle. They are strong and powerful and are already enjoying their victory. They will be victorious.”

Patrice shut down the desk, lit a cigarette and smoked it quietly, as his habit was before going to bed. Then he undressed, folded his clothes carefully over the back of a chair, wound up his watch, got into bed and switched off the light.

“At last,” he said to himself, “I shall know the truth. I shall know who this man is. Some friend of Essarès’, continuing his work? But why this hatred of Coralie? Is he in love with her, as he is trying to finish me off too? I shall know⁠ ⁠… I shall soon know.⁠ ⁠…”

An hour passed, however, and another hour, during which nothing happened on the side of the window. A single creaking came from somewhere beside the desk. But this no doubt was one of those sounds of creaking furniture which we often hear in the silence of the night.

Patrice began to lose the buoyant hope that had sustained him so far. He perceived that his elaborate sham regarding Coralie’s death was a poor thing after all and that a man of his enemy’s stamp might well refuse to be taken in by it. Feeling rather put out, he was on the point of going to sleep, when he heard the same creaking sound at the same spot.

The need to do something made him jump out of bed. He turned on the light. Everything seemed to be as he had left it. There was no trace of a strange presence.

“Well,” said Patrice, “one thing’s certain: I’m no good. The enemy must have smelt a rat and guessed the trap

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