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for goats. They were sheep. Someone said that that country was only fit to carry sheep. It must have been bad, then, judging from some of the country in Australia which is only fit to carry sheep. Country that wouldn’t carry goats would carry sheep, we think. Sheep are about the hardiest animals on the face of this planet⁠—barring crocodiles.

You may rip a sheep open whilst watching for the boss’s boots or yarning to a pen-mate, and then when you have stuffed the works back into the animal, and put a stitch in the slit, and poked it somewhere with a tar-stick (it doesn’t matter much where) the jumbuck will be all right and just as lively as ever, and turn up next shearing without the ghost of a scratch on its skin.

We reached Picton, a small collection of twinkling lights in a dark pocket, apparently at the top of a sound. We climbed up on to the wharf, got through between two railway trucks, and asked a policeman where we were, and where the telegraph office was. There were several pretty girls in the office, laughing and chyacking the counter clerks, which jarred upon the feelings of this poor orphan wanderer in strange lands. We gloomily took a telegram form, and wired to a friend in North Island, using the following words: “Wire quid; stumped.”

Then we crossed the street to a pub and asked for a roof and they told us to go up to No. 8. We went up, struck a match, lit the candle, put our bag in a corner, cleared the looking-glass, etc., off the toilet table, got some paper and a pencil out of our portmanteau, and sat down and wrote this sketch.

The candle is going out.

The Drover’s Wife

The two-roomed house is built of round timber, slabs, and stringy-bark, and floored with split slabs. A big bark kitchen standing at one end is larger than the house itself, veranda included.

Bush all round⁠—bush with no horizon, for the country is flat. No ranges in the distance. The bush consists of stunted, rotten native apple-trees. No undergrowth. Nothing to relieve the eye save the darker green of a few sheoaks which are sighing above the narrow, almost waterless creek. Nineteen miles to the nearest sign of civilization⁠—a shanty on the main road.

The drover, an ex-squatter, is away with sheep. His wife and children are left here alone.

Four ragged, dried-up-looking children are playing about the house. Suddenly one of them yells: “Snake! Mother, here’s a snake!”

The gaunt, sun-browned bushwoman dashes from the kitchen, snatches her baby from the ground, holds it on her left hip, and reaches for a stick.

“Where is it?”

“Here! Gone into the wood-heap!” yells the eldest boy⁠—a sharp-faced urchin of eleven. “Stop there, mother! I’ll have him. Stand back! I’ll have the beggar!”

“Tommy, come here, or you’ll be bit. Come here at once when I tell you, you little wretch!”

The youngster comes reluctantly, carrying a stick bigger than himself. Then he yells, triumphantly:

“There it goes⁠—under the house!” and darts away with club uplifted. At the same time the big, black, yellow-eyed dog-of-all-breeds, who has shown the wildest interest in the proceedings, breaks his chain and rushes after that snake. He is a moment late, however, and his nose reaches the crack in the slabs just as the end of its tail disappears. Almost at the same moment the boy’s club comes down and skins the aforesaid nose. Alligator takes small notice of this, and proceeds to undermine the building; but he is subdued after a struggle and chained up. They cannot afford to lose him.

The drover’s wife makes the children stand together near the doghouse while she watches for the snake. She gets two small dishes of milk and sets them down near the wall to tempt it to come out; but an hour goes by and it does not show itself.

It is near sunset, and a thunderstorm is coming. The children must be brought inside. She will not take them into the house, for she knows the snake is there, and may at any moment come up through a crack in the rough slab floor; so she carries several armfuls of firewood into the kitchen, and then takes the children there. The kitchen has no floor⁠—or, rather, an earthen one⁠—called a “ground floor” in this part of the bush. There is a large, roughly-made table in the centre of the place. She brings the children in, and makes them get on this table. They are two boys and two girls⁠—mere babies. She gives them some supper, and then, before it gets dark, she goes into the house, and snatches up some pillows and bedclothes⁠—expecting to see or lay her hand on the snake any minute. She makes a bed on the kitchen table for the children, and sits down beside it to watch all night.

She has an eye on the corner, and a green sapling club laid in readiness on the dresser by her side; also her sewing basket and a copy of the Young Ladies’ Journal. She has brought the dog into the room.

Tommy turns in, under protest, but says he’ll lie awake all night and smash that blinded snake.

His mother asks him how many times she has told him not to swear.

He has his club with him under the bedclothes, and Jacky protests:

“Mummy! Tommy’s skinnin’ me alive wif his club. Make him take it out.”

Tommy: “Shet up, you little âž»! D’yer want to be bit with the snake?”

Jacky shuts up.

“If yer bit,” says Tommy, after a pause, “you’ll swell up, an’ smell, an’ turn red an’ green an’ blue all over till yer bust. Won’t he, mother?”

“Now then, don’t frighten the child. Go to sleep,” she says.

The two younger children go to sleep, and now and then Jacky complains of being “skeezed.” More room is made for him. Presently Tommy says: “Mother! listen to them (adjective) little possums. I’d like to screw their blanky necks.”

And Jacky

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