Heart and Soul Jackie May (best feel good books .txt) đ
- Author: Jackie May
Book online «Heart and Soul Jackie May (best feel good books .txt) đ». Author Jackie May
Several things happen at once. All throughout the courtyard, candles spontaneously ignite with sickly green flames. The gargoyleâs asshole clenches tightly against my arm. Itâs searing hot, burning through my jacket into my flesh. The same happens to Russoâthe gargoyleâs mouth chomping down on his bicep, sinking teeth into his muscle. We both cry out in pain. The solid stone door rumbles, then swings open. The gargoyles release us and close their orifices tightly.
My jacket is unharmed, but when I pull my arm out of the sleeve, steam rises from a dark ring of burnt flesh all the way around my arm above the elbow. Russoâs bicep is bleeding from several deep bite marks. As we grumble in pain, Hillerman says, âLook above the door. Whatâs happening?â
The invitation card is on fire. Green flame engulfs its left edge and slowly moves to the right. It reminds me of a loading bar on a computer screen.
âI think weâre on the clock,â I say. âLike a timer.â
Jay says, âShayne, your armâŠâ
I slip it gingerly inside my jacket sleeve. âWeâll look at it later. I really donât want to be inside this thing when the timer goes up. Russo?â
âCopy that.â He leads us into the mausoleum.
I donât know what I was expecting, but it wasnât this. The room is enormousâmuch bigger than the outside, which should be impossible, but I no longer try to make sense of demon things. Torches lit with green flames line the circular wall, creating an otherworldly glow with no shadows.
Towering over us are three colossal statuesâa leopard ready to pounce, a roaring lion, and a fierce wolf with teeth bared. At their feet is a passageway cut into the stone floor. Stairs lead down into darkness.
After I describe it, Hillerman explains, âItâs a representation of Hell. From Danteâs allegory.â
âFrom whosits whatsit?â
âA poem. 14th century Christian. The dark woods, the circular room, the animal guards. Itâs Danteâs Inferno.â
âYou know whatâs down these stairs, then?â
âVarious levels of sin and depravity, what else?â
âSounds like New Yearâs Eve with my family. What are we waiting for?â
Standing at the top step, Russo stares down into the blackness with an uneasy look.
âThis isnât really a âladies firstâ kind of place, Russo.â He nods and swallows hard, but canât seem to make himself take that first step, so I suck it up and say, âThen again, Iâm not really a âladies firstâ kind of lady, am I?â
I take the lead, stepping carefully down and down and down. Total darkness eventually gives way to a soft blue glow. Wet moss grows from cracks in the stone. Water trickles from the low ceiling just above our heads. Itâs not quiet anymore. There are now two unmistakable sounds: the patter of rain against windows and the ecstatic cries of sexual pleasure.
âRight, soâŠI take it the first sin is lust?â
âWhy? What do you see?â Hillerman says.
âYou wish. If you wanted to see, you should have come down yourself.â
We get to a landing that splits in two directions. Straight ahead, the steps continue downward. To our left, a carpeted hallway leads to an extravagant bedroom. Floor-to -ceiling windows awash with rain scatter a kaleidoscope of sensual moonlight. The euphoric moans donât come from any one place. They are all around. Not loud, but close-sounding, right in my ear. Maybe theyâre even coming from me. It sounds like me. It feels like sounds I could make, if only Jay were here.
There he is, in fact. Standing naked by the bed. Heâs mostly in shadow, but I know that athletic silhouette. That wedge of blonde hair, tattoos of chemical formulas around his neck.
He turns toward the windows, and in the shimmering moonlight I see he is smiling. His eyes are soft and clear and untroubled. This is the other Jay, from before the underworld shattered his existence. I met this Jay once. We talked over a game of poker about normal things. He was low-key charming and a big-time sweetheart. The kind that is so earnest in bed. I wonder what pleasureful faces he would make if I took him by theâ
Hillermanâs voice comes crashing into my ears. ââsaid before to not let your minds wander. Can I get an answer? Anybody?â
It dawns on me that Iâve seen this place before. Back in Araelâs East Side lair. The bed and the rain and the sounds, everything. Only that time, I saw both me and Jay tangling our naked bodies together in the bed. Since then, weâve made that vision a reality, many times over. Was I seeing the future back then? Can demons know the future?
âGive me an answer, Shayne. The timerâs going fast.â
I hope they canât tell the future, because this time, Iâm not in the picture. Thereâs a busty woman behind Jay. Her hands glide up his hips and the ridges of his abs, and his sharply-cut pecs. She spreads her arms wide to become black-feathered wings. She rises to her full height, towering over Jay with a crowâs headâthat enormous needle of a beak.
Thereâs a scream, and this time I know it definitely comes from me.
âThere you are,â Hillerman says in my ear. âWhat the hellâs happening?â
âWeâre moving on.â
âThe timerââ
âI know; weâre going. Russo.â He stands transfixed, staring down a blank hallway, nothing but stone. I jerk on his arm. âWeâre going.â
He follows me in a daze. I drag him down more steps, now toward a red glow. Instead of trickling water, this time the stones are wet from dark, sticky blood.
âWhatâs the next circle of Hell?â
âHard to say. The interpretation varies. What do you see?â
âBlood. Lots of blood.â
âViolence and murder. Donât stay there.â
We get to another landing, where horrifying screams of pain jolt our nerves. Russo wants to look down the hall, but I slap his face away and muscle him forward. âHow many more are there?â
âShould be one,â she says. âLeopard, lion, wolf. Three
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