Signs for Lost Children Sarah Moss (best way to read books .TXT) 📖

the kitchen, and a musty smell in the cupboard in the other bedroom led her to find her blue wedding gown spotted with mildew. She can smell mould in the way the house exhales when she opens the door. It’s important to keep the windows open, Tom said, even when the fire’s lit, but for some days it has been no drier outside than in. One winter, she thinks, Cornwall will simply dissolve and slide back into the sea, perhaps leaving the jagged cliffs of the north coast as a memorial and a hazard to shipping. Probably Atlantis did exist until the north Atlantic rains washed it away. She will write to Annie, who enjoys such whimsy and has been fretting that Ally is falling prey to low spirits and nervous strain at the asylum.

The stationmaster at Perranwell has somehow managed to keep his roses blooming, although each flower hangs heavy with rain and the soil in the flowerbed glistens wet. There is no nightfall these days, only a gradual dimming. Ally gets off the train and feels the saturated sky press low over her head. She thinks of Aunt Mary in London and Annie further along the south coast. Somewhere out there, somewhere upcountry, there will be room to move and breathe between the earth and sky, perhaps even a line of sight to the stars and sun. The solar system is still there, beyond the clouds.

She hurries home, her skirts gathered in her hand away from puddles and mud. Up the hill to the main road, from which she can see the estuary and the boats rocking at anchor, and then down past the taverns of Killigrew Street, brightly lit and leaking music and talk. A door opens and a man comes out with a woman clinging to his arm. A ship must have come in. She turns along Dunstanville, past the captains’ houses, where lamplight and firelight glow like beacons in the great bay windows. The curtains have not yet been drawn, and she sees a family gathered around a table where a maid in a white apron brings food, and two doors down a woman stitching at an embroidery frame by the fire. They would not sit so cheerfully, she thinks, if they had seen the back wards. If they knew that tomorrow, Mary Vincent who is not stupid and understands perfectly well what is happening to her, is to be moved to a place where she will spend her days sitting with deranged and incontinent women whose only advantage is that most of them are—probably—too mad to know that they will be there until they die.

When she wakes, her linen pillowcase is soft with moisture and the outside sheet is clammy to the touch. She rests her hand in the dry hollow where she has lain all night and then on Tom’s side, chill and damp. She pushes back the covers and stands up, knowing even before drawing the curtains that Falmouth is still swathed in rain. Some drops bead the window and some roll slowly down the glass, drawing trails thin as the finest etching. She watches a droplet roll into another droplet and gather speed, finds herself tracing their progress with her finger on the glass. Come now, Ally tells herself. She makes the bed, entombing the warmth and dryness under heavy blankets, and puts on layers of clothes. Her stockings cling and wrinkle on her legs as if she had just had a bath. This evening, it may be time to light a fire, for the house and for Tom’s possessions if not for herself. She remembers the verse on the bedroom wall in Manchester: Lay not up for yourselves treasures upon earth, where moth and rust doth corrupt. Even so, even Mamma might agree that the balance between the wastefulness of lighting a fire for one person and the carelessness of allowing cloth to rot and books to moulder is beginning to tip. Or perhaps the books and clothes are merely a specious excuse for self-indulgence, perhaps she imagines their peril worse than it is because she wants a fire. We have followed too much the devices and desires of our own hearts. There is no health in us. I do not believe, she thinks. I do not believe.

And at the top of the hill, the rain clears, and she can see that there is white sky raised high over the north coast. Ally pushes back her hood, her vision unblinkered for the first time in days, and feels the wind on her ears and neck. The asylum stands before her on the hill’s apex, looking like Janus in two directions. To the south, Truro disappears into the mizzle, the spire of the new cathedral haunting the cloud like pencil under watercolour.

She has spent most of her time on the back wards and not been to Ward Four for a few days. Dr. Crosswyn, summoned for a consultation at the hospital, has left a message saying that Mrs. Elsfield seems to be failing and Ally should examine her. A medical problem, at least. The kind of call any doctor would make. She makes her way slowly up the stairs, noticing how washed sunlight floods through the high window over the landing and down the wooden stairs. There is dust on the ends of each tread and inside the spindles, and she can see where a patch on the wall has been repainted a slightly different colour. Perhaps it will be a different nurse on duty, someone who hasn’t already concluded that Ally is incompetent.

‘She is still with you,’ says Mrs. Ashton. ‘Stronger day by day.’

Ally straightens her skirt. ‘Good morning, Mrs. Ashton. Still sleeping well, I hope?’

‘She won’t leave, you know. Not until you hear her. Did anyone listen to her while she was among us, I wonder? Was she carrying secrets too heavy for her?’

Aubrey, she thinks. But what May did with Aubrey, with Papa’s friend, is on the